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Kirkegaards Antikvariat
kir58810
New York. ARTCOVER, 1980 / 1981. 8vo in oblonged wraps as issued (21x25 cm). 58, (4) pp. Illustrated. Some edgewear. First printing. - This issue with back cover by Barbara Kruger, ads for Fashion Moda gallery, Cindy Sherman, Duane Michals, The Kitchen (w photo of Cookie Mueller, as well as drawings by Richard Serra and a double spread made especially for this issue of Cover by Robert Morris and much more. With Judith Aminoff, Paula Court, Edit deAk, Christian de Boschnek, Debbi de Staffan, Mark di Suvero, John Fekner, Molissa Fenley, Bobby G, Peter Gourfain, Marcia Hafif, Henry Korn, Barbara Kruger, Thomas Lawson, Brice Marden, Duane Michals, Malcolm Morley, Robert Morris, Olivier Mosset, Gregoire Müller, Clark Murray, Joseph Nechvatal, Richard Nonas, Jules Olitski, Shirley Pu, Paul Russotto, David Salle, R.L. Seltman, Richard Serra, Cindy Sherman, Howard Smith, Edvins Strautmanis, Valentine Tatransky, Horacio Torres, Brian Weil, Christian White, Tony Whitfield, Robin Winters, Jerry Zeniuk. Edited by Judith Aminoff. Contents include: "The Heart of the Pigeon," by Henry Korn; "Conversation," a conversation between Marcia Hafif, Olivier Mosset, Howard Smith, and Jerry Zeniuk; "Currents," artwork by Christian Poveda, Shirly Pu & R.L. Seltman, Joseph Nechvatal, Christian de Boschnek with features on PAD (Political Art Documentation/Distribution), CUD (Contemporary Urbicultural Documentation, COLAB, ABC NO RIO, Group Material, Fashion Moda, El Taller Boricua, and others; "Image Frolics," by Edit deAk; "Tanam Press," by Tony Whitfield; "Drawings," by Jules Olitski, Clark Murray, Brice Marden, Robert Morris, Mark di Suvero, Peter Gourfain, Richard Serra, Edvins Strautmanis, Robin Winters; "Men & Their Bodies," by Valentine Tatransky; "Painting;" "In This Issue" "Shop Talk," by Gregoire Müller. Additional artists in this issue include: Paula Court, Debbi de Staffan, John Fekner, Molissa Fenley, Bobby G, Barbara Kruger, Thomas Lawson, Duane Michals, Malcolm Morley, Clark Murray, Richard Nonas, Paul Russotto, David Salle, Cindy Sherman, Horacio Torres, Brian Weil, and Christian White. Front Cover: Gregoire Müller "Bather II." Back Cover: Barbara Kruger, "Tradition," 1980.
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Ruuds Antikvariat
rud240164
Oslo 1995. 4to. 331 s. Orig. helsjirtingbd.med vareomslag.. .
Antikvariatet i Næstved
nae34354
Henrik Koppels Forlag, København, 1919-24. VI+574; (6)+286; 586 sider. Halvlæder bind, sign. Anker Kyster. Velholdt sæt. Illustreret sort/hvid. Første bind. Fayence-maiolika-stentøj. Andet bind/1: Kina-Korea-Japan. Andet bind/2:Europæist porcellæn. Sætter er trykt i 650 nummererede eksemplarer, hvor af dette er nr. 177.. Dansk
Kirkegaards Antikvariat
kir59563
København, Akademisk Arkitektforening by Chr. Cato 1929. Stort format (23,5 x 31,5 cm or app 9 x 12 inches). Original omslag. Lidt slitage ved ryg og rifter i kanten af omslag og lidt alderspletter men i øvrigt ren og meget velbevaret. Komplet. 1st printing. Very rare item indeed - some foxing and minor small tears to cover edge and wear to spine but solid. Overall very good copy, well preserved and clean inside. "Ib Andersen (Danish, 1907-1969) was barely out of school when he designed the poster, which also adorns the cover of the present original catalogue, to promote the 1929 exhibition of Buildings and Homes in Copenhagen, Denmark. The exhibition was a significant one, as it featured a built model of the “House of the Future,” as designed by Arne Jacobsen (Danish, 1902-71) and Flemming Lassen (Danish, 1902-1984). While the single-family “House of the Future” was among the most impactful presentations of the exhibition, it was just one of many proposed dwellings on display. Andersen’s poster featured a more generic illustration of urban apartment buildings instead of any particular exhibited project. The image, nods to two significant movements of the avant-garde: a Bauhaus inspired cityscape is punctuated by the primary color palette of the de Stijl school. While Andersen trained as an architect, he found his calling in the graphic arts. He continued to create posters and other advertisements throughout his career. However, from the mid-1920s until 1960, Andersen produced regular illustrations for Politiken, the leading Danish daily newspaper, and it was through this work that he established himself as a household name" (Caitlin Condell). This copy comes from the collection of Danish architect Kay Fisker but is not signed. Kay Fisker was onme of the main architects behind the exhibition. More photos available upon request!
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Rönnells Antikvariat
ron283455
Bonniers 1906-1907. Del 1: 11-20:e tus, del 2: 1-18:e tusendet. (4), 237, (3); (4), 486, (2) s. + planscher. Halvfranska band (2 vol) med marmorerade snitt, främre omslag medbundna. Ryggarna lätt nötta, pärmkanterna skavda. (Läseböcker för Sveriges barndomsskolor 1.)
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Vigtige danske forfatterskaber
Forfattere i fokus: H.C. Andersen
Andersens værker er oversat til mere end 125 sprog og overskrider grænser – hans fortællinger om undren, sorg og forvandling forbliver vævet ind i verdens kulturelle struktur.
Forfattere i fokus: Bernhard Severin Ingemann
B.S. Ingemann blev født i Torkildstrup præstegård på Falster i 1789. Han var det yngste af ni børn af den ansete rationalistiske provst Søren Sørensen Ingemann. Han havde en lykkelig og sorgløs barndom i de første ti år af sit liv. Det er nærliggende heri at se en tidlig inspiration til den idyl, der hersker i hans morgen- og aftensange.
Forfattere i fokus: Jeppe Aakjær
Jeppe Aakjær var flere gange i konflikt med samfundet, som han gjorde oprør imod. Han sad i fængsel 17 dage for sine foredrag om den franske revolution i 1789 og sine angreb på Indre Mission. Fængslingen skete 17. januar 1887.
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Pixbo Books
pix99345
Kristianstad, Kristianstads Boktryckeri AB, 1996. 8:o. 126, (2) s. Illustrerad. Förlagets illustrerade pappersband.
Pixbo Books
pix99299
Uppsala, Almqvist & Wiksells Boktryckeri AB, 1944. 8:o. Frontespis, lxix, 391 s. Förlagets rödbruna halvskinnband med fem markerade bind, ryggtitel i guld, marmorerat pärmpapper, övre guldsnitt. Främre omslaget medbundet. Något svag främre inre fals.
Pixbo Books
pix99183
Lund, Walter Ekstrands Tryckeri AB, 1977. 8:o. (8), 373 s.; (3) s., s. [375]-799. Förlagets ljusgrå klotband med blå ryggtitel samt tryckt lätt nött skyddsomslag. 2 välhållna volymer. Skyddsomslaget med lätt solbränd rygg. Ågren ’Svensk biografisk uppslagslitteratur’ 690 (1 uppl.). Facsimile-upplaga tryckt i 410 numrerade exemplar, detta dock onumrerat. Ca 20.000 biografier, alfabetiskt ordnade. Dock ej de som avgått före år 1700, ej heller civilmilitärer.
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Pixbo Books
pix99310
Uppsala, Almqvist & Wiksells Boktryckeri-A.-B., 1927-1938 + 1942-1946. 4:o. (2), xxxvij, 383, xxxviij s. + (2), iv, 528 s. + (2), 358, lxxxij s. + xj, (1) s., 752 sp.; (3) s., sp. 753-1080. Blå klotband med svarta ryggtiteletiketter. Samtliga häftesomslag medbundna i slutet av resp. volym. 4 välhållna volymer. Collijns nationalbibliografi, komplett för perioden 1478-1699. Omfattar: Sveriges bibliografi intill år 1600. Band I. 1478-1530. [... Band II. 1530-1582; ... Band III. 1583-1599. Alfabetiskt register till bd I-III 1530-1599. Typografiska tabeller 1526-1599]. + Sveriges bibliografi 1600-talet. Bidrag till en bibliografisk förteckning. Band 1. A-Q. [... Band 2. R-Ö. Tillägg och rättelser].
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Kirkegaards Antikvariat
kir25301
Rævens Sorte Bibliotek, 1989. 150 pp. Hft. Rent eksemplar.
Kirkegaards Antikvariat
kir60325
New Press, 2014. Trade paperback. 208 p. Clean copy / as new. First edition. “A marvelous slim book [that] weaves . . . ideas, facts, images, and histories into a whole about . . . the ecology of the manmade world.” —Rebecca Solnit. .- Working from her own experience of life in a New Mexico village, and inspired by the gravel pits in the surrounding landscape, Lippard addresses a number of fascinating themes—including fracking, mining, land art, adobe buildings, ruins, Indian land rights, the Old West, tourism, photography, and water. In her meditations, she illuminates the relationship between culture, industry, and the land. From threatened Native American sacred sites to the history of uranium mining, she offers a skeptical examination of the “subterranean economy.” Featuring more than two hundred images, Undermining offers a provocative new perspective on the relationship between art and place in a rapidly shifting society.
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