Udvalgte bøger
Se flere billeder
Damms Antikvariat
dam75596
Kjøbenhavn, 1845-47. 8vo. Noe senere skinnryggbind med rik ryggforgylling i tidens stil. (6), 47 ; (4), 68 ; (12), 52 ; (8), 72 ; 60, (4) ; (2) 70 s. 8vo. Somewhat later half calf, spine gilt in the style of the time. (6), 47 ; (4), 68 ; (12), 52 ; (8), 72 ; 60, (4) ; (2), 70 pp. (Paa Universitetsboghandler C. A. Reitzels Forlag.) Dansk. Første bind i tredje opplag, og ""Billedbog uden Billeder"" i ""Anden forøgede Udgave"". Fellestittelbladene er med. Flere førstetrykk av noen av H. C. Andersens mest kjente eventyr, såsom ""Grantræet"", ""Sneedronningen"", ""Den lille Pige med Svovelstikkerne"". Få pletter i materien. First volume being third, edition. “Billedbog uden Billeder” being second augmented edition. Contains first printings of some of the most famous H. C. Andersen fairy tales. Some minor internal staining.
Se hele beskrivelsen
Se flere billeder
Antikvariat Ström
stro663
108 skisser i akvarell, blyerts och tusch. Ej daterade, de flesta cirka 1920-1940 och ett fåtal även något senare. Olika format, de flesta cirka 25x35, 30x40 och 50x60 cm. Samlingen i övergripande gott skick men en del marginalrevor och småfläckar förekommer, cirka tjugo skisser med revor och små förluster i bildyta, till största del kortare revor men även ett par längre. De flesta med knappnålshål efter tidigare uppsättning. Alla utom två med maskinskrivna lappar påklistrade på baksidan med uppgifter om till vilken uppsättning skissen framställt. En stor del med Malmquists egna noteringar. Omfattande samling teaterskisser utförda av scenografen Sandro Malmquist (1901-92) under 1920- och 1930-talen. Samlingen omfattar Malmquists arbeten vid scener som Lorensbergsteatern, Dramaten och Oscarsteatern och innehåller skisser för scenografi och kostym för följande uppsättningar: Björnstjerne Björnson ”Geografi och kärlek” (1 st); Pedro Calderón de la Barca ”Livet en dröm” (12 st); Knut Hamsun ”Livets lek” (1 st); Friedrich Hebbel ”Gyges und sein Ring” (1 st); Ludvig Holberg ”Jeppe på berget” (8 st); Henrik Ibsen ”Brand” (2 st); Erik Axel Karlfeldt ”Yttersta domen” (9 st); Pär Lagerkvist ”Han som fick leva om sitt liv” (1 st); Jules Romain ”Diktatorn” (1 st); George Bernard Shaw ”Sankta Johanna” (34 st) och William Butler Yeats ”Längtans land” (3) st samt 35 övriga skisser bestående av bl.a. tretton skisser för balettpantomier, skisser för revyer, en skiss utförd i tonåren och ett akvarellporträtt föreställande Max Reinhardt. Nästintill samtliga skisser bär maskinskrivna etiketter på baksidan med uppgifter om uppsättning eller trolig uppsättning i de fall det varit oklart. Identifieringen av skisserna är gjorda av Sandro Malmquist själv och Ann-Margret Liljequist i början av 1970 enligt ett bifogat brev. Liljequist publicerade 1985 sin avhandling ”Sandro Malmquist och hans verksamhet som scenograf”. Avhandlingen bygger till stor del på materialet i denna samling och Liljequist analyserar ingående de olika uppsättningarna utifrån detta material – som delvis också finns avbildat i avhandlingen. Ett exemplar av avhandlingen medföljer tillsammans med det nämnda brevet och ett par pressklipp. Skisserna har bl.a. ställts ut på Valand 1923, Teaterutställning i Helsingfors 1924, separatutställning i Stockholm 1927, Deutsche Theater-Ausstellung 1927, Svensk teaterkonst under tjugo år 1936 och Teaterutstillingen Kunsternes Hus i Oslo 1951. Malmquist studerade vid Lorensbergsteaterns elevskola i Göteborg 1920-23 och fortsatte efter studierna vid Lorensbergsteatern som scenograf och regiassistent fram till 1926. Han studerade för den österrikiske regissören Max Reinhardt (1873-1943) i Berlin 1924-25 och blev vid hemkomsten utnämnd till chefsdekoratör på Oscarsteatern. 1927 återknöt han samarbetet med Per Lindberg, som han varit regiassistent åt vid Lorensbergsteatern när dennes pjäser uppfördes på Dramaten. Utöver arbetet som scenograf grundade Malmquist även teaterscenerna ”De ungas teater”, ”Den glada åsnans teater” och ”Nya teatern” under slutet av 1920-talet och under 1930-talet. Han arbetade under trettiotalet även med Gösta Ekmans och Karl Gerhards uppsättningar. Från 1939 var han regissör vid Riksteatern och även under tre år chef för Malmö stadsteater.
Se hele beskrivelsen
Antikvariat Antiqua
ansG20889
Bale 1930. 26x19. 106 pp. Ca 100 photos (seven full-page) and 100 drawings and plans. Black wrappers with title and design in red and silver. A very fine copy, with a neat owner's inscription on half-title page, dated Brünn / Brno 22 juli 1932. Very scarce. An attractive survey of early 'International Style' architecture as it was put into practice by one of its foremost Czech observers, with an introduction by Rossmann (who also is responsible for the congenial typographical design - not least attractive are the last thirty pages of advertisements for "firmen, welche an unseren bauten mitarbeiten" with an introduction by Bohuslav Fuchs). Trilingual text and captions in Czech, German and French.
Se hele beskrivelsen
Kirkegaards Antikvariat
kir60187
Copenhagen: Forlaget Fremad, 1933. Indbundet i forlagets originale grå helshirt med rød titel og enkel dekoration (hardcover), uden smudsomslag. 384 pp. Godt rent eksemplar. First edition thus - an abridged Danish translation of The Capital / Das Kapital. Fine copy.
Se flere billeder
Herman H. J. Lynge & Søn A/S
lyn62333
Dated ”Berlin.” ”D. 8 Dec. 41”. 8vo. Closely written in a small, neat, Gothic script on both recto and verso, 34 lines to each. Two vertical and three horizontal folds. Neat restoration to a few of the folds. All words are legible, and the letter in overall very good condition.SKS notes that it goes for all letters that have been folded to an envelope and sealed that the opening of it has caused small damage to the manuscript. In this case, the damage is absolutely minimal, with a tiny paper flaw at the second horizontal fold at lines 3-4 from the bottom (see SKS note 3 to Letter 171). A lengthy and truly magnificent original handwritten letter from Kierkegaard to his nephew Carl Lund, written during Kierkegaard’s first stay in Berlin right after the termination of his engagement to Regine. Original letters by Kierkegaard are of the utmost scarcity and only eight are known on private hands.In all, 318 of Kierkegaard’s letters are known, either preserved or otherwise rendered. Of these, 21 are now lost, and of the 297 still extant ones, 289 are in public institutions, almost all in Denmark. The remaining eight letters are on private hands, this being one. Needless to say, letters by Kierkegaard hardly ever appear on the market, and we have been able to trace merely two at auction or in the trade over the last 50 years.SKS has divided all of Kierkegaard’s letters into 14 groups, of which one contains the letters to the Lund family, consisting in 37 letters sent to Kierkegaard’s nephews and nieces, being children of his sisters Petrea (married to Ferdinand Lund) and Nicoline (married to Christian Lund). Of the 37 letters, eight are written during his seminal first stay in Berlin. The earliest of these letters is the present one, for Carl Lund, dated December 8, 1841, less than six weeks after Kierkegaard left for Berlin.We know from Henriette Lund (see her Erindringer fra Hjemmet) that it was of great importance for Kierkegaard to correspond with his nephews and nieces while he was abroad. Shortly before he left, he gathered his nephews and nieces and collectively urged them to write to him while he was away. They all agreed, but in tears that he was leaving the country – as was Kierkegaard himself. And they kept their promises, as is evident from the Kierkegaard letters that are still preserved. Sadly, none of the letters from his nieces and nephews have been preserved. Kierkegaard had a very close relationship with his nieces and nephews and undoubtedly wanted to stay in contact with them to follow their development, keep in touch with his family, and to uphold the close connection with them while abroad. But the correspondence was also important to Kierkegaard for another reason. He hoped to hear news about Regine. And the more he could rely on news from Copenhagen, the more he could hope to hear glimpses of news, however small, about his one big love, the one he left Copenhagen because of. Having broken off his engagement (see more about Regine and the engagement below, after Section II in vol. II), Kierkegaard almost immediately flees Copenhagen and the scandal surrounding the broken engagement. He leaves for Berlin, the first of his four stays there, clearly tortured by his decision, but also intent on not being able to go through with the engagement. This, his first stay in Berlin, is one of legend. It is a determining factor for his life as an author, with Regine as the inevitable and constant backdrop. It is here that it all really begins. It is here he begins writing Either-Or, parts of which can be read as an almost autobiographical rendering of his failed engagement. Kierkegaard left for Berlin on October 25th, 1841 and returned on March 6th, 1842, with large parts of the manuscript for Either-Or in his suitcase. We have the young existentialist genius in the making, broken and awoken by a self-torturing decision to leave his only beloved, spending four and a half months in a foreign city having fled a horrifying scandal in his hometown and finding himself as an author. This is possibly one of the most interesting and moving periods in Kierkegaard’s personal life, and holding in one’s hand a letter from him from this period cannot but move the heart of any Kierkegaard enthusiast.The present letter, written merely six weeks after having left Copenhagen, is both interesting and in many ways touching. It is written for Kierkegaard’s then 11-year old nephew Carl, who was the youngest living child of Nicoline and Christian Lund and is affectionately signed “Your uncle K”. The letter is warm and personal and shows us a side of Kierkegaard that we never see in his presentation inscriptions and that is not evident in his printed works.We see him as a caring uncle, one who makes sure to mention things from Berlin that are amusing for a child to hear about – vivid descriptions of things you would not see in Copenhagen. Of Thirgarten and of various animals here. Of how in Berlin they use dogs to pull carriages with milk from the countryside, like small horses, and how once, Kierkegaard saw a young boy acting as coachman for one of these carriages, speeding through the city. We also see him as an engaged uncle, who knows his nephew well and also cares about his intellectual progress. He is obviously concerned with Carl’s writing and spelling abilities, but he also tells him not to worry too much about writing well enough or spelling correctly – “you writevery well and with the exception of one letter, everything is so grammatically and calligraphically well that a Master of Arts could have put his name to it”.It is clear that he is not writing to a very young nephew, but to one who is old enough to understand slightly philosophical considerations, such as musings over time passing – “Time changes everything, and so it has also… changed you… In the light of this, you can now also understand how much it pleases me that you, in spite of this complete transformation, this metamorphosis… will remain unchanged in your relation to me”.The provenance of this extraordinary letter, perhaps the only Kierkegaard-letter one will ever have the opportunity to buy, is the Høyernielsen-family, descendants of Kierkegaard’s sister Nicoline.The letter is no. 171 in SKS. SKS 28: 281-82.
Se hele beskrivelsen
Damms Antikvariat
dam77538
København, 1648. Liten 4to. Originalt tresnitt med senere håndkolorering. Med passepartout i enkel ramme. Dansk. Fra Simon Paulli : Flora Danica. Trykt hos Plantin i Antwerpen. Paulli, (1603-1680), dansk lege og naturforsker.
Havde du en konto på det tidligere website?
Klik på dette link, for at få hjælp til at logge på din konto.
Du kan ændre valuta og sprog i toppen af alle sitets sider.
Har du ris og ros ris og ros, vi vil meget gerne høre om jeres oplevelser på sitet, så vi sammen kan gøre det endnu bedre. Du kan kontakte os via denne formular, som du kommer til ved at klikke her.
Vigtige danske forfatterskaber
Forfattere i fokus: H.C. Andersen
Andersens værker er oversat til mere end 125 sprog og overskrider grænser – hans fortællinger om undren, sorg og forvandling forbliver vævet ind i verdens kulturelle struktur.
Forfattere i fokus: Bernhard Severin Ingemann
B.S. Ingemann blev født i Torkildstrup præstegård på Falster i 1789. Han var det yngste af ni børn af den ansete rationalistiske provst Søren Sørensen Ingemann. Han havde en lykkelig og sorgløs barndom i de første ti år af sit liv. Det er nærliggende heri at se en tidlig inspiration til den idyl, der hersker i hans morgen- og aftensange.
Forfattere i fokus: Jeppe Aakjær
Jeppe Aakjær var flere gange i konflikt med samfundet, som han gjorde oprør imod. Han sad i fængsel 17 dage for sine foredrag om den franske revolution i 1789 og sine angreb på Indre Mission. Fængslingen skete 17. januar 1887.
Nyheder
Nu præsenterer vi det nye antikvariat.net
Se alle de nye funktioner og muligheder på det nye website her.
Nyligt tilføjede bøger
Antikvariat Röda Rummet
rod151281
Historiska media, 2016. 335 s. Fotoillustrerad. Förlagsband med skyddsomslag. Recensionsstämpel.
Antikvariat Röda Rummet
rod187627
Bokförlaget stolpe, 2025. 262 s., Fotoillustrerad. Förlagets linneband. Förlagsny.
Antikvariat Röda Rummet
rod187625
Historiska media, 2005. 139 s. Förlagets pappband.
Antikvariat Röda Rummet
rod187619
ICA bokförlag, 2004. 96 s., Fotoillustrerad. Förlagsband. Fint skick.
Antikvariat Röda Rummet
rod187624
House of white birches, 2005. 176 p., Illustrated, patterns. Paperback. Very good condition.
Antikvariat Röda Rummet
rod65767
W&W, 1973. 466 s., illustrerad med teckningar. Förlagsband med skyddsomslag.