Arendt, Hannah & Heidegger, Martin. - Maier-Katkin, Daniel:

Graphis Press Corp., Zurich 1970. Large heavy 4° hardcover with jacket. 255 pages, plus adv. Profusedly illustrated, trilingual edition. Somewhat worn jacket with repairs etc, minor overall edgewear, in all a good to very good copy. With cover by Tomi Ungerer.

Graphis Press Corp., Zurich 1973. Large heavy 4° hardcover with jacket. 230 pages, plus adv. Profusedly illustrated, trilingual edition. Minor wear to jacket, in all a very good copy. With cover by Friel.

Graphis Press Corp., Zurich 1966. Large heavy 4° hardcover with jacket. 260 pages, plus adv. Profusedly illustrated, trilingual edition. Slightly worn jacket, minor edgewear, overall a very good copy. Cover design by Roger Excoffon. "(Preface) 'We live in a world of persuasion. Advertisements, booklets, posters, films and television spots whisper or boom incessantly about our ears: consume, consume... The age of mass communication has the merit of having made graphic design popular. Graphis Annual proves this on 54 colour pages and 195 pages in black and white. The graphic designer himself has also been educated to a new level of inventiveness, keenness and skill. These qualities have become vital for him, since his profession now holds a key position in an eminently and competitively communicative society. In its fifteenth year Graphis Annual presents 1014 examples of visually formulated and carefully aimed advertising messages. These were chosen from no less than 17,000 entries, submitted from 37 countries. Six sections with 19 subdivisions combine to form an instructive and impressive array of the most outstanding posters, advertisements, booklets, magazine covers, packs, calendars, trade marks and film and television commercials of the past year.'"

Graphis Press Corp., Zurich 1968. Large heavy 4° hardcover with jacket. 260 pages, plus adv. Profusedly illustrated, trilingual edition. Somewhat worn jacket with repairs etc, minor overall edgewear, in all a good to very good copy. With cover by Giovanni Pintori (1912–1999), the Italian graphic designer best known for his work for Olivetti, where he played a key role in shaping the company's visual identity. Pintori joined Olivetti’s advertising department in 1936 and became the company’s Art Director in 1950. He developed a distinctive style that used bold colours, and abstract forms. Conveying complex ideas with simplicity and elegance. In this issue design work by Paul Rand, Herb Lubalin, Saul Bass, Herbert Bayer, Tomi Ungerer and many many others.

Thames and Hudson Ltd, 2013 (Quid 2012). Small 4to in hardcover, w jacket. 256 pp. Richly illustrated. Very good well preserved copy. The Geometry of Type explores 100 traditional and modern typefaces in detail, with a full spread devoted to each entry. Characters from each typeface are enlarged and annotated to reveal key features, anatomical details, and the finer, often-overlooked elements of type design, which shows how these attributes affect mood and readability. Sidebar information lists the designer and foundry, the year of release and the different weights and styles available, while feature boxes explain the origins and best uses for each typeface, such as whether it is suitable for running text or as a display font for headlines. To help the reader spot each typeface in the wider world, the full character set is shown, and the best letters for identification are highlighted. This beautiful and highly practical work of reference for font spotters, designers and users is a close-up celebration of typefaces and great type design

Tutein og Koch, 1959. 79 sider. Rigt illustreret i s/h. Heftet. Typografi og omslag ved Erik Ellegaard Frederiksen.