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Antikvariat Antiqua
ansB9301
Moskva 1939. 22x17. 84 s. 73 photos and renderings mainly of the station buildings and interiors, and one map. Pictorial wrappers. Backstrip slightly worn with tiny loss of paper, otherwise a fine copy. (Populjarnaja biblioteka po architekture). Rare presentation of the architecture of the Moscow Metro stations.The author was one of the architects of the grandiose Dvorets Sovetov station (renamed Kropotkinskaya in 1957). When opened in 1935, the Moscow Metro was the first underground railway system in the Soviet Union. It was named (until 1955) after Lazar Moiseyevich Kaganovich, the Communist Party Secretary who organised and contributed greatly to the building of the Moscow Metro. From 1935 to 1937 he was Narkom (minister) for the railways, and was given the nickname "Iron Lazar" for his ruthless implementation of Stalin's purging policy, organizing the arrests of railway administrators and managers as alleged saboteurs.
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Antikvariat Antiqua
ansB1958
Paris, Morancé, (ca 1925). 27x22. 24 pp. textbook + 32 colour pochoir plates + one advertisement leaf. Textbook and loose plates as issued in printed cloth-backed boards with embossed design, tie strings. A very fine copy. (Documents d'Architecture). Excellent pochoir-coloured reproductions of 19th-century renderings of elaborate classicist shopfronts in Paris during the First Empire (1804-15): Milliners, jeweller, perfumer, pharmacies, butcher, porcelain shop (purveyors to her Majesty the Emperess), tobacco shops, restaurant etc. The original renderings are kept in the Cabinet des Estampes at the Bibliothèque Nationale.
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Antikvariat Antiqua
ansD22332
Louvain-la-Neuve, Institut Supérieure d'Archéologie et d'Histoire de l'Art, 1977. 27x21. 520 pp. Ca 460 photos including 110 full-page, and 30 maps and (groups of) drawings. Pictorial wrappers over blank wrappers as issued. Very light wear to the external wrappers, weak unobtrusive corner scuffing, otherwise fine. (Publications d'histoire de l'art et d'archéologie de l'Université Catholique de Louvain, XII).
Antikvariat Antiqua
ansB1781
Berlin 1910. 45x34. X+30 pp. textbook; + 4 pp. + 130 heliogravure plates (2 folding). Textbook and loose plates as issued in two printed cloth portfolios with tie-strings. A classic, important documentation and study of architectural monuments in Dalmatia, a region on the eastern coast of the Adriatic Sea. On the plates are exterior and interior photographs of buildings made by Kowalczyk during his travels in Dalmatia in 1909, as well as reproductions of architectural drawings by Robert Adam who studied the ruins of Diocletian's Palace at Spalato in Dalmatia in the 1760s.
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Antikvariat Antiqua
ansB11000
Roma 1945. 25x34. 56 pp. 12 full-page colour reproductions and 12 black/white reproductions of drawings. Publisher's pictorial boards, new morocco spine (repairs in text leaf margins outside the text). No. 586 of an edition limited to 715 copies only. Guttoso took an active part in the struggle against the Fascists and Nazis, and his experiences with the Resistance movement led him to produce this bitterly satirical series of drawings on the theme of wartime atrocities. The title is drawn from the text on the belt buckles of German soldiers in the Second World War. Trombadori who wrote the introduction was an art critic and journalist who had escaped from Fascist imprisonement in 1943, was subsequently arrested by the Germans in February 1944, and managed to escape again in August.
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Antikvariat Antiqua
ansD20221
Basel & Boston, Birkhäuser, 1987. 25x43. 440 pp. Drawings, plans and photos throughout, including some in colour. Publisher's printed cloth, a fine copy in the original cardboard slipcase. Second, revised and enlarged edition of the standard catalogue of Louis Kahn's works.
Antikvariat Antiqua
ansB10969
Praha 1929. 23x18. IV+176 pp. Ca 120 photos and perspectives, and 75 plans, sections etc. A very good copy of this rare item, in the original printed wrappers designed by Teige (tiny scuffing at bottom of spine and faint, hardly visible architect's name stamp on front wrapper). The first volume of MSA, the important publication of the Czech and international avantgarde edited and designed under the influence of Bauhaus Dessau. MSA 1 contains writings by Teige and (translated into Czech) Mies, Loos, Mart Stam, Le Corbusier, Ginsberg, and others, and lavish pictorial documentation of buildings designed by the aforementioned and Krejcar, Molnar, Koula, Bohuslav Fuchs, Gropius, Hannes Meyer, Rietveld, Lurçat, Leonidov, Lissitzky, Golosov, Vesnin, etc. Two further volumes appeared 1930-31: MSA 2 on modern Czech architecture, and MSA 3 on the work of Havlicek & Hanzik.
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Antikvariat Antiqua
ansG22230
Bern, Kornfeld, 1976. 31x23. XXII+612 pp. + frontispiece; + VIII pp. + 304 pp. with nearly 800 reproductions + 18 colour plates + 132 pp. bibliography including exhibitions etc. 16 additional colour reproductions (including frontispiece) and 123 photos and reference reproductions in volume 1. Publisher's silver-lettered cloth. A fine set of the Catalogue Raisonné of Max Beckman's painted oeuvre.
Antikvariat Antiqua
ansY19438
Bruxelles, La Connaissance, 1974. 32x24. Vol I: 152 pp. text and ca 110 reproductions and photos (38 in colour including 23 full-page) plus four leaves with 24 additional photos; vol. II: 244 pp including more than 2700 reproductions and photos. Publisher's decorated cloth, slightly edgeworn dust jackets, one rear jacket panel chipped. (Archivo Lucio Fontana, Milano). The first volume contains trilingual essays in English, French, and Italian, and seven manifestos by Fontana from 1946-1952; the second volume is a fully illustrated Catalogue Raisonné of Fontana's oeuvre edited by Crispolti, including Bio-Bibliography, List of Autograph Inscriptions, and chronology of exhibitions and their catalogues.
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Antikvariat Antiqua
ansD23140
Paris, Ponce, 1789. 40x28. 4 pp. + 15 engraved plates. Decorated 19th-century boards, cover corner tips worn, handsomely rebacked with leather spine. Mild foxing to margins. Ponce's description and engravings, after drawings by Raphaël, of the antique arabesques of Roman baths and the ceilings of the Ville-Madame.
Antikvariat Antiqua
ansD24851
Rome, Verduci, 2005. 34x24. 228 pp. Nearly 300 colour photos including 50 full-page, plus ca 100 black and white photos and reproductions in the text. Publisher's gilt-lettered cloth with dust jacket. Inscribed by the editor to Peter Willborg, otherwise as new. No. 327 of a not specified number of copies.
Antikvariat Antiqua
ansB922
Berlin, Wasmuth, 1901-09. 48x32. Ten volumes each comprising an average of IV+32 pp. text + plates. There is a total number of 299 heliogravure plates with ca 350 photographs, printed on heavy stock. In the text there are 573 drawings and plans. Publisher's printed quarter cloth (covers slightly worn, some bindings weakened, otherwise a fine set). A successive run of these large-format documentations of historical buildings in European towns. First Series: 1. ERFURT; 2. WÜRZBURG; 3. TANGERMÜNDE - STENDAL - BRANDENBURG; 4. BERN - ZÜRICH; 5. LYON. Second Series: 1. ULM; 2. CAMBRIDGE; 3. BRESLAU; 4. LÜTTICH (Liège); 5. POTSDAM.
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Antikvariat Antiqua
ansD5395
Los Angeles, Hennesey & Ingalls, 1985. 28x21. XVI+104 pp. Ca 150 photos and 20 plans and drawings. Pictorial wrappers, very fine. (California Architecture and Architects, 5). The landscape architect's own descriptions of the private gardens created by him 1920-1933 in Los Angeles, Bel Air, Beverly Hills, Montecito, and Pasadena, with his autobiographical notes. Includes introduction by David Gebhard, and an index.
Antikvariat Antiqua
ansY19492
New York, Abrams, (1970). 27x29. 320 photos and reproductions, ca 210 full-page, 84 in colour including 70 full-page. Publisher's pictorial cloth. Printed silvercoloured, partly transparent dust jacket. Small chippings at bottom corners of the jacket, otherwise fine. Signed by Christo with felt-tip pen on first page. Extensive pictorial survey of works from 1960-1969 with introductory texts.
Antikvariat Antiqua
ansD15679
Paris, Calavas, (1910). 51x36. 10 pp. + 62 photogravure plates with 185 photographs. Loose as issued in cloth-backed boards with tie-strings. A fine copy with very light external wear and darkening. Scarce, sumptuously produced photographic documentation of picture frames, mostly French, from late 16th to early 19th century, in the Louvre, the Musée des Arts Décoratifs in Paris, museums of Aix-en-Provence, Lyon and Dijon, and in private collections: Tuffier, Decorcelle, Dormeuil, Jacques Doucet, etc., with an historical introduction.
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Antikvariat Antiqua
ansY19377
Amsterdam, multi art points, 1976. 20x20. One inititial leaf with horizontal lines + 90 leaves with graphic designs. A pristine copy in original blank wrappers with title written in pencil by the artist. No. 719 of an edition limited to 750 numbered copies, signed by Morellet. An artist book composed of a series of geometric webs of horizontal lines intersected by lines of gradually altered gradient from near horisontal to vertical, thus resulting in patterns of diamond shapes finally developing into a grid of perfect squares.
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Antikvariat Antiqua
ansA12727
London, Oxford University Press, 1933. 38x38. XVI pp. (first leaf blank) + 314 pp. + 114 plates (13 coloured including frontispiece and two folding double-plates) with ca 220 reproductions. Publisher's decorated, gilt-lettered cloth. The 1931 Burlington exhibition was the largest collection of Persian painting ever displayed in Europe as well as unsurpassed in its quality and variety of objects. The 1933 publication incorporates an illustrated catalogue of the now legendary exhibition, but is in effect a groundbreaking scholarly monograph with overviews of the major schools and periods of Persian miniature painting, introducing many aspects of Persian art hitherto unknown in the West.
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Antikvariat Antiqua
ansB17008
Paris 1894-96 (-1897). 40x29. IV+IV+240; + IV+228 pp. + 98 beautifully produced plates (two folding) with guard tissues (numbered I-XCIII plus five plates numbered IIII bis, IV bis, XI bis, XXIV bis, and XXVI bis). More than 900 elevations, detail drawings and plans, and 8 full-page photographs. A pristine copy in unopened text sheets and loose plates as issued in four installments, each in their original printed paper covers. Kept in a half cloth portfolio with tie-strings. From Johnny Roosval's library with his stamp on inside of the portfolio's front board. First edition of this pioneering thesis on the distinct type of religious architecture that sprang up in the ancient diocese of Soissons in the 11th and 12th centuries. Lefèvre-Pontalis examined the monuments on site and produced detailed plans and drawings, provided with descriptions and comparisons with similar monuments. Arguing that ogival (pointed) vaulting was introduced into Christian architecture at Soissons, the thesis is also an investigation into the origins of this revolutionizing constructional feature and of Gothic architecture as such.
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