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Newton, Helmut:

SUMO. Revised by June Newton. Including book stand.

Kirkegaards Antikvariat
kir38361
Taschen, 2009. Oversize hardcover - 26,7x37,4cm with the original slipcase and suitcase. Text in German, French, English. 464 pages. Slipcase has been opened and the suitcase has handling wear but is still well preserved , the book itself not opened and still in publishers wrapping (see photos - more photos available upon request). Very good copy.

Please note this book is extremely heavy and will incur extra shipping costs.
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BRASSAI. - Sayag, Alain and Lionel-Marie, Annick (ed.):
Kirkegaards Antikvariat
kir48093
London: Thames and Hudson, 2000 . Large heavy 4to hardcover in black cloth lettered in grey at spine, decorative head and tailbands, coloured endpapers, photo pictorial dustjacket. 319 pages with 318 illustrations. Spine sunned, else fine copy. 1. edition thus, of the definitive summary of the work of Brassaï, with examples of his iconic scenes of night life in Paris but including examples of his drawings, sculpture and writing, with additional contributions by his widow Gilberte Brassaï, Henry Miller, Jean-Jaques Aillagon, Roger Grenier etc., and a biography, bibliography and list of exhibitions, heavy at 2.4 kg, and extra shipping may apply. Please inquire before ordering.
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MODOTTI, Tina. - Lowe, Sarah M.
Kirkegaards Antikvariat
kir60412
Merrell Publishers Limited, London 2004. Hardcover with a dust jacket. 160 pgs. Richly illustrated with photographic plates. Text in English. Very good copy.-
Benjamin, Roger:
Kirkegaards Antikvariat
kir60410
Berkeley: University of California Press, 2003. Large heavy 4to hardcover with protected jacket. XXI, 352 pages. Excellent clean copy. First edition. - "Lavishly illustrated with exotic images ranging from Renoir's forgotten Algerian oeuvre to the abstract vision of Matisse's Morocco and beyond, this book is the first history of Orientalist art during the period of high modernism. Roger Benjamin, drawing on a decade of research in untapped archives, introduces many unfamiliar paintings, posters, miniatures, and panoramas and discovers an art movement closely bound to French colonial expansion. Orientalist Aesthetics approaches the visual culture of exoticism by ranging across the decorative arts, colonial museums, traveling scholarships, and art criticism in the Salons of Paris and Algiers. Benjamin's rediscovery of the important Society of French Orientalist Painters provides a critical context for understanding a lush body of work, including that of indigenous Algerian artists never before discussed in English. The painter-critic Eugene Fromentin tackled the unfamiliar atmospheric conditions of the desert, Etienne Dinet sought a more truthful mode of ethnographic painting by converting to Islam, and Mohammed Racim melded the Persian miniature with Western perspective. Benjamin considers armchair Orientalists concocting dreams from studio bric-a-brac, naturalists who spent years living in the oases of the Sahara, and Fauve and Cubist travelers who transposed the discoveries of the Parisian Salons to create decors of indigenous figures and tropical plants. The network that linked these artists with writers and museum curators was influenced by a complex web of tourism, rapid travel across the Mediterranean, and the march of modernity into a colonized culture. Orientalist Aesthetics shows how colonial policy affected aesthetics, how Europeans visualized cultural difference, and how indigenous artists in turn manipulated Western visual languages." Heavy book and extra shipping may apply - please inquire before ordering!
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WESTON, Edward. - Danly, Susan & Spaulding, Jonathan & Smith, Jessica Todd & Watts, Jennifer A.:
Kirkegaards Antikvariat
kir60411
Merrell Publishers Limited, 2003. Large oversized format. A Fine copy, as new, in jet black cloth, hardcover in a Fine frenchfold dustwrapper. 288 pages, illustrated with full page black and white plates throughout. Includes a special section on Nancy Newhalls unpublished book of Edward Weston's Nudes. A beautiful book. Monograph based on Huntington Library's extraordinary collection of five hundred Edward Weston photographs, all of them selected and printed for the institution by the artist in the 1940s. Published on the occasion of the exhibition of the same name. Heavy book and extra shipping may apply - please inquire before ordering!
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ADAMS, ANSEL. - John Szarkowski:
Kirkegaards Antikvariat
kir45753
Boston: Little, Brown & Co. with San Francisco Museum of Art, 2001. Oblonged 4to in wraps as issued. 200 pages, richly illustrated with 114 tritone and 23 duotone illustrations. Cover with some edgewear else very good clean copy. First Paperback edition - attractive copy of this beautifully printed and highly recommended collection of Adams' best work selected and with introduction by the legendary curator and photographer John Szarkowski. "to mark the 100th anniversary of Adams' birth and coincide with the opening of the exhibition, Little, Brown and Company—the exclusive publisher of the work of Ansel Adams—will release Ansel Adams at 100. Written and edited by Szarkowski, this definitive volume on the artist and his work features prints that have been meticulously reproduced for the book under the supervision of Richard Benson—dean of the Yale University School of Art, recipient of a MacArthur Foundation "genius" grant and a pivotal figure in recent advances in photographic production—and printed on specially made French paper".
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Steichen, Edward et al. - Miller, Wayne (ed.):
Kirkegaards Antikvariat
kir52242
New York: Ridge Press, 1958. 4to softcover. 191 pages, illustrated with finely printed photographs throughout. Some edgewear else in all a good to very good clean copy. 1. ed. - "the most ambitious photographic exploration of childhood undertaken. It began in 1955 when Photographer Wayne Miller...Edward Steichen's principal assistant in developing the definitive exhibition 'The Family of Man,' was challenged to trace human individuality to its source in the urgent, passionate, viable life of childhood." He focused first on the children he knew best--his own...--and then fanned out to embrace the daily experiences of many children playing, learning and growing up in Orinda, California, across the bay and over the hills from San Francisco."
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