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Antikvariat Antiqua
ansV16862
Berlin, Wasmuth, 1904-05. 31x22. XVI+220; + VIII+238; + VIII+240 pp. + 26 pp. index. 762 photos, drawings and plans. A very good set uniformly bound in contemporary cloth. The scarce first edition. The first real history, in any language, of English domestic architecture in the latter half of the 19th century. Muthesius was stationed as an architect at the German embassy in London from 1896 to 1903 to study English housing and architecture. He returned full of enthusiasm for the current movement and praised architects such as Norman Shaw, Webb, Baillie Scott, Voysey and Mackintosh at a time that many in Britain did not. Hermann Muthesius sought to promote the qualities of English design in his own work as an architect and as a protagonist of the Deutsche Werkbund which was founded at his instigation in 1907. The success and influence of the lavishly illustrated three-volume work can hardly be exaggerated. A new edition was published by Wasmuth 1908-11.
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Antikvariat Antiqua
ansC24065
Berlin, Der Sturm, (1922). 23x15. 32 pp. First edition. Printed wrappers designed by Schwitters. A fine copy with minimal age wear including some light marginal browning of the green wrappers. Schwitters' first Anna Blume poem was printed in Der Sturm magazine in 1919, and 'Anna Blume: Dichtungen' appeared the same year as no. 39/40 of 'Die Silbergäule'. The present book incorporates new material including Klang-Gedichte, a full-page typographical ''Bildgedicht'', etc. On the title leaf, but not on front wrapper, there is a heading ''Elemantar'' in smaller type, sometimes regarded as part of the title, and the notice ''Einbecker Politurausgabe von Kurt Merz Schwitters''. A milestone of dada ingenuity.
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Antikvariat Antiqua
ansB1902
Berlin, Baumgärtel, (ca 1902-14 ). 35x25. 4;+4;+8;+4;+4;+4 pp. + a total of 252 photogravure plates. Loose as issued, kept in one quarter cloth and five cloth portfolios, in fine condition albeit lacking tie-strings. A comprehensive photographic archive of modern tombstones and other sepulchral art by contemporary German architects and sculptors including i.a. Martin Dülfer, Max Klinger, Bernhard Pankok, Fritz Schumacher, Gabriel von Seidl, and Paul Wallot. The first volume in this set has the subtitle 'Grabdenkmäler, Stelen, Figuren und Reliefs ausgeführt von hervorragenden Künstlern unserer Zeit' and is designated "1. Sammlung. Berliner Friedhöfe". This is published in printed/pictorial cloth-backed boards, without editor's name but Richard Henker is credited with the design of the front cover. The other volumes are designated Zweite-Sechste Folge (with a different, uniform typographic design), published with Henker as editor and the subtitle 'Eine Sammlung von Meisterwerken erschaffen zum Gedächtnis der Toten von Künstlern unserer Tage' - with the exception of the third Folge which is an exhibition documentation edited by a Dr. von Grolman, entitled 'Das moderne Grabmal auf der Wiesbaden Ausstellung zur Hebung der Friedhofs- und Grabmalskunst 1905'.
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Antikvariat Antiqua
ansF18284
Paris, Pissot / Herrisant, 1750. 17x10. XXIV pp. + 612 pages paginated 1-575, 596-632 (last page blank). Complete. Although the collation of this edition is often recorded as XXIV+631 pp., the last leaf in the Aa sheet is erroneously paginated 575/596 instead of 575/576, and thence the error continues, so numbers 576-595 are omitted in pagination (cf. e.g. the digitalised copy in the British Library). A nice copy in a neatly restored contemporary full calf, spine gilt. Spine and boards repaired with some loss of the gilt title lettering, and provided with new hinges but retaining the original marbled endpapers. Contents free from foxing, the first sheets lightly stained in outer margin; some other occasional marginal stains. First edition of this important treatise on the dyeing of wool and woolen fabrics. Jean Hellot, a renowned industrial chemist, was appointed inspector-general of the French kingdom's dye-works in 1740, and the treatise codifies his observations, detailing the preparations and discussing the techniques. Hellot's treatise enjoyed a huge success and was translated into a number of other languages, remaining a standard work on the subject throughout the 18th century.
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Antikvariat Antiqua
ansC17786
(Kristiania 1918). 16x13. II (blank leaf) + 4+9+16 pp. + 5 leaves with 10 reproductions (8 full-page). Pictorial wrappers. The artist's own account of the genesis and development of his suite of paintings "The Frieze of Life", published in conjunction with a new exhibition of the suite at the Blomqvist art dealer's gallery in Oslo. Although some of the paintings had been exhibited in Berlin in 1893 and in Stockholm in 1894, the first show of the Frieze of Life as a suite of 22 paintings occurred at the 1902 Secession exhibition in Berlin. Since then some of the paintings, including "The Scream", had been sold and replaced with new versions, and the artist writes in the present publication that he has been working on the Frieze, including lengthy interludes, for approximately 30 years. Munch refutes some critics' attempts to demonstrate that the Frieze was influenced by German thinking and by his association with Strindberg; rather "the atmospheric content of the various panels of the Frieze stem directly from the upheavals of the 80s and constitute a reaction to the prevailing realism of the time". In addition to Munch's two texts, he has included four reviews of his work, from 1895, 1897, and 1902.
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Antikvariat Antiqua
ansG15574
Paris, Éditions de "L'Effort Moderne", 1920. 32x25. 14 pp. + 20 heavy cardboard leaves, each with one tipped-in tissue-guarded plate. Loose as issued in printed portfolio with tie-strings. The portfolio lightly discoloured and neatly repaired with new inner protective flaps, contents very fine. No. 91 of an edition limited to 100 copies. (Les maitres de Cubisme). Rare album of paintings by Juan Gris from 1916-1920 with introduction by Raynal.
Antikvariat Antiqua
ansG15952
München 1930. 23x18. 224 pp. + errata slip. 268 photos (including many full-page) and 35 plans and drawings. Publisher's yellow cloth with red lettering on covers and spine. Very fine apart from small loss from uppermost top of spine. (Bauhausbücher, 12). A pictorial document of the Bauhaus buildings at Dessau, exterior and interior, with text by Gropius. The majority of the photos taken by Lucia Moholy-Nagy; typography by Laszlo Moholy-Nagy.
Antikvariat Antiqua
ansY19390
Tokyo, Galerie Watari, 1980. 30x12. 16 pages including fifteen full-page renderings. Printed white card covers with printed titles in English on front and in Japanese on back.
Antikvariat Antiqua
ansG16019
Paris, Charles Moreau, (1929). 33x25. 8 pp. including introduction by Jourdain and list of plates + 48 photogravure plates with 57 photographs and 7 pochoir-coloured perspective renderings. Loose as issued in printed cloth-backed boards with tie-strings. Spine lightly worn, foxing to front cover, insignificant stains to title leaf; minor foxing to extreme edges of a few plates. (L'Art international d'aujourd'hui, 6). An attractive portfolio displaying modern interior design and furniture by Jourdain, Robert Mallet-Stevens, Pierre Chareau, Le Corbusier & Charlotte Perriand, Gabriel Guévrekian, René Herbst, Jan Wils, Schröder & Rietveld, and a few others.
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Antikvariat Antiqua
ansG1472
Stockholm, Gummesons Konsthandel, 1916. 16x12. 32 pp. Original printed wrappers with an original two-colour lithograph by Kandinsky (Roethel 159). A good copy with some very weak external stains and a faint crease mark on rear cover. First edition of Kandinsky's manifesto "On the Artist". During Kandinsky's stay in Stockholm in 1916, the text was translated into Swedish and published by the Gummeson art gallery that arranged the first Swedish Kandinsky exhibition that year, with a lithographed cover made by Kandinsky for the occasion, and a printed dedication to Gabriele Münter.
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Antikvariat Antiqua
ansD22121
London, Ernst Benn, 1925. 28x21. XXX+156+II pp. + 81 plates (31 in colour, nine of which are folding) with a total of ca 118 photos including 58 in colour; printed guard-tissues to all plates. No. 87 of 250 numbered copies signed by the author, printed on hand-made paper, and provided with five extra colour plates. Publisher's full brown pigskin binding, top edge gilt, other edges uncut; some textfolds unopened. A very good copy with light wear to spine, and some mild foxing in margins of text leaves.
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Antikvariat Antiqua
ansD22601
Paris, Firmin-Didot, (1885-87). 40x28. IV+IV+64 pp. + 100 lithographed colour plates, each with one text leaf + 4 pp. with tables of contents. Ca 100 illustrations in the text. Publisher's red richly decorated leather-backed cloth, all edges gilt. The last three text leaves with faint trace of damp in upper outer corner, otherwise a fine copy. Second edition.
Antikvariat Antiqua
ansD22216
Stockholm, Chelius, 1897. 37x28. 12 pp. + 15 plates with 25 photographs including eight full-page. Publisher's printed boards, a fine copy with minor external discolouring and edge wear. Edition limited to 300 copies. (Sammlung F.R. Martin). A rare documentation of 11th-18th fabrics from Egypt, Persia, Anatolia, and Constantinople.
Antikvariat Antiqua
ansG22674
Tokio: Imprimerie de Tsoukidji-Tokio, S. Magata, 1894. 25x18. 50; + 50 pp. printed Japanese-style on double-folded leaves. Includes 28 pages with 14 double-page colour woodblock illustrations, and drawings and vignettes on text pages. Sewn with visible string in pictorial wrappers; kept in a neat cloth box. A nice set with some minor external wear and darkening, and weak stain to rear wrapper of first volume. La Fontaine's Fables illustrated by a number of Japanese artists, identified in indices of the illustrations. French text, with Japanese colophon on inside of rear wrappers.
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Antikvariat Antiqua
ansA7065
London, Benn, 1923. 28x22. XVI+240+IV pp. text + 59 plates (each with one printed guard-leaf) with ca 125 photos, 11 in colour. Publisher's cloth. Rear hinge slightly weakened, otherwise a fine copy. No. 592 of 1500 copies printed on rag paper (from a total edition of 2283 copies). Arntzen/Rainwater P367. Yuan 1688. The scarce, attractive first edition of this classic work on Ming wares by a renowned scholar of Oriental ceramics.
Antikvariat Antiqua
ansB17177
Stuttgart, Engelhorn, 1885-93. 39x28. Each volume contains IV+24 pp. and there is a total of 825 plates (including 41 folding) with elevations, perspectives, plans, detail drawings, and a few photographs. More than 300 additional plans and drawings in the text. Nine contemporary uniform half leather bindings with large printed lettering "ARCHIT. RUNDSCHAU." on front linen cloth covers. Lacks plate no. 66 in volume 4. Some wear to spine ends and corners and minor external stains, margins of title leaves darkened, otherwise fine.. The first nine volumes of this monthly documentation of contemporary architecture, with emphasis on German-speaking countries but including examples from other European countries and the USA. Architects include Hendrik Petrus Berlage, Emil Bressler, Jules Brunfaut, Joseph Cades, Thomas Edward Collcutt, Edouard Corroyer, Curjel & Moser, Marcel Deslignières, Heinrich von Ferstel, William Flockhart, Charles Garnier, Felix Genzmer, Karl Gerster, Isaac Gosschalk, Axel Guldahl, Franz Habich, August Hartel, Carl von Hasenauer, Karl Henrici, Otto Hieser, Hermann von der Hude, József Kauser, Eduard Kreyssig, Willem Kromhout, Lambert & Stahl, Hugo Licht, Max Läuger, Otto March, Julius Martinet, Wilhelm Manchot, Skjøld Neckelmann, Friedrich Ohmann, Johannes Otzen, Zsigmond Quittner, Simon Ravenstein, Gustave Rives, Leonhard Romeis, Arwed Rossbach, Bruno Schmitz, Paul Sédille, Gabriel Seidl, Paul Stegmüller, Friedrich von Thiersch & Martin Dülfer, William Flockhart, Jan Verheul, Thomas Verity, Johannes Vollmer, Paul Wallot, Alfred Waterhouse, Alexander Wielemans, etc.
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Antikvariat Antiqua
ansB143
Stuttgart, Wittwer (1894). 50x35. Title leaf + 60 coloured lithographed plates. Loose as issued in a printed half leather portfolio (stain on cover, contents very fine). An attractive collection of chromolithographed designs for brick buildings by Bethke comprising fifteen large residential buildings (four with shop premises) and twelve private houses illustrated in 27 elevations, 100 detail drawings and 54 plans.
Antikvariat Antiqua
ansD22626
Plauen, Stoll, (1907-09). 48x32. IV; + IV; + VI; + II pp. + a total of 86 plates with ca 110 colour illustrations, cromolithographs in volumes I-II, colour collotypes in volumes III-IV (the plates in volume III are tipped-in on grey stock). Fourteen of the colour renderings are supplied with an inserted black and white photo of the entire carpet or garment. In addition to the title leaves, series I-III include introductory text and descriptive lists of plates. Loose as issued, series I-III in publisher's printed half cloth portfolios with tie-strings, series IV in contemporary cloth-backed boards. A rare, complete set of these documentations of Oriental carpets and other fabrics. Enay / Azadi 12.
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Antikvariat Antiqua
ansG24392
(Stockholm) 1965. 20x15. 32 pp. with photographs + 4 cardboard leaves with text and colophon. Pictorial wrappers. Presentation copy inscribed on front wrapper by Christer Strömholm to Per-Arne Ehlin, a former pupil of Strömholm at the School of Photography (Fotoskolan) run by him 1962-67. (Foto Expo Bok, 5). First edition of Strömholms first photo book, which includes a conversation on Strömholm by Peter Weiss et al. 'Till minnet av mig själv' (In memory of myself) was deemed one of the 175 best photo books ever by an international jury in 2004, as was his second, more substantive book 'Poste Restante'.
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