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Gavin Griffiths:

Vibrators: 100 of the Best Vibrators in the World.

Kirkegaards Antikvariat
kir60361
HarperCollins for SCARLET Magazine, 2007. Oblong 8vo hardcover w jacket. 150 pages, illustrated throughout with color photos of vibrators. Very good cop

1. ed.
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Gavin Griffiths:
Kirkegaards Antikvariat
kir60361
HarperCollins for SCARLET Magazine, 2007. Oblong 8vo hardcover w jacket. 150 pages, illustrated throughout with color photos of vibrators. Very good cop 1. ed.
HOMER:
Kirkegaards Antikvariat
kir49139
Gyldendal, 2002. Hardcover med hefte. 497 sider. Flot sæt.
Pérez-Barreiro, Gabriel (ed.):
Kirkegaards Antikvariat
kir60360
Austin, Texas, The Blanton Museum of Arts, The University of Texas at Austin 2007. Oversized heavy book in wraps as issued. 343 pages, illustrated. Text in both Spanish and English. Very good clean copy. 1st ed."the most comprehensive overview to date of geometrical abstraction in Latin America from the 1930s to the 1970s. Abstract art is one of the strongest artistic traditions in Latin America, despite being overshadowed in the popular imagination by Mexican Muralism and Magical Realism. Since the 1930s, various and distinct forms of geometrical abstraction developed and refined by South American artists have been at the forefront of international advances. Covering half a century of innovation and invention, the exhibition is structured around the principal cities in which geometrical art flourished: Montevideo, Buenos Aires, São Paulo, Rio de Janeiro, Paris, and Caracas. The title of the exhibition, The Geometry of Hope, brings together the two central ideas in this history: a mathematical and precise visual language on the one hand and a utopian belief in progress and idealism on the other. The title contrasts with the term “The Geometry of Fear,” coined by Herbert Read in 1952 to describe the atmosphere of anxiety in postwar British art. The Latin American artists in this exhibition believed in art’s ability to change the world through reason, order, and progress." Heavy item: Extra shipping will apply , please inquire before ordering this!
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Marx, Karl. - Engels, Friedrich:
Kirkegaards Antikvariat
kir60362
Penguin Classics Paperback, 2002. 288 pages. Very good clean copy.
MANET, Édouard. - VELAZQUEZ, Diego. - Tinterow, Gary and Genevieve Lacambre (ed.):
Kirkegaards Antikvariat
kir60359
Yale University Press for The MET NY, 2002 / 2003. Oversized very heavy hardcover with jacket. 592 pages, richly illustrated in bw and color. Text in English. Very good clean copy. "This sumptuously illustrated book accompanies a groundbreaking exhibition—the first of such scale and depth to be organized around the subject—that traces the roots of Modernism in mid-nineteenth-century French Realism. In 1804, at the dawn of the French Empire, there were not more than a handful of Spanish paintings in public collections in France. During the course of the nineteenth century, however, French collectors and museums assembled substantial holdings of works by such Spanish masters as El Greco, Zurbarán, Velázquez, Murillo, and Goya, while French writers and artists—among them Hugo and Baudelaire, Géricault, Delacroix, Millet, Courbet, Degas, and especially Manet—came to understand, appreciate, and even emulate Spanish painting of the Golden Age. Here approximately tow hundred works by French and Spanish artists chart the development of this cultural influence and map a fascinating shift in the paradigm of painting, from Idealism to Realism, from Italy to Spain, from Renaissance to Baroque. Above all, these images demonstrate how direct contact with Spanish painting fired the imagination of nineteenth-century French artists and brought about the triumph of Realism in the 1860s, and with it the foundation for modern art. American painting between the Civil War and World War I reflected a keen appreciation of contemporary French styles, and as there was a great deal of Spain in the art of Paris, Spain appeared in American art as well. Four major artists—James McNeill Whistler, Thomas Eakins, William Merritt Chase, and John Singer Sargetn—epitomize the American enthusiasm for and appropriation of Spanish styles, largely under French influence, between 1860 and 1915. A number of American artists traveled to Spain for firsthand exposure to the country, its people, and its artistic heritage and contributed to the intense Hispanisme—or fascination with Spain—that engaged international artists and writers during the period. A broad selection of American works, exhibited only in New York, reveals the pervasive influence not only of French painting but also of the French taste for Spanish art as well. The nineteenth century also witnessed the formation of two great cultural institutions, the Musée du Louvre in Paris and the Museo del Prado in Madrid. The interwoven histories of these renowned depositories, including the political upheavals and vicissitudes of collections that were assembled and disassembled, which so influenced their growth, are explored alongside the cultural phenomenon of Spanish influence." Heavy item: Extra shipping will apply , please inquire before ordering this!
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Adriansen, Inge:
Kirkegaards Antikvariat
kir34036
Københavns Universitet / Museum Tusculanums Forlag, 2003. Indbundet. 480 & 718 sider. Med illustrationer. Pænt sæt.