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Kirkegaards Antikvariat
kir59890
SUNY - State University of New York Press, 2005. XII, 184 pp. Fine.
Kirkegaards Antikvariat
kir59367
Published by Amsterdam: Stedelijk Museum, 1995. 8vo in wraps as issued. 256 pages. Illustrated. Text in both Dutch and English. Some handling wear but clean. On Kai Althoff, Mat Collishaw, John Currin, Anne Decock, Douglas Gordon, Benoit Hermans, Gary Hume, Aernout Mik, Multiple Autorenschaft Lienz, Pipilotti Rist, Lara Schnitger, ManfreDu Schu, Georginia Starr, Jane and Louise Wilson.
Kirkegaards Antikvariat
kir40227
Gyldendal / Samlerens Bogklub, 1995. 702 pp. Hft. Med illustrationer. Navn. Omslag solbleget med lidt brugsspor. Dansk udgave.
Kirkegaards Antikvariat
kir60058
Copenhagen: Arkitektens Forlag, 1991. Square 8vo in wraps as issued. 82 pp. Illustrated. Very good clean copy. 1. ed. "Produced to highlight the achievements of female architects in Denmark, this bilingual volume (English and Danish) showcases research, design, town planning, and building projects by leading women in the field. Richly illustrated with photographs, architectural drawings, and plans, it provides both historical context and practical examples of women's contributions to Danish architecture. "
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Kirkegaards Antikvariat
kir58972
New York, Farrar Straus Giroux. 1982. Publishers hardcover with unclipped dustjacket in good condition. 211 pp. Spine of jacket tanned else clean well preserved copy. First Edition First Printing. Jacket design by Janet Halverson.
Kirkegaards Antikvariat
kir41256
Aschehoug, 1941. Indbundet uden omslag i forlagets originale solide halvlæder med titel i guld og med marmoreret sidepapir. 458 sider. Rent og pænt eksemplar. Første danske udgave / First Danish edition of 'Les Faux-Monnayeurs'.
Kirkegaards Antikvariat
kir58910
Trenton: Africa World Press, 2003. Paperback. 288 pp. Fine clean, unread copy. In the seventies, as signs of decay began to show in the capitalist experiment of the newly independent African countries, a ?bard of the misrule? emerged on the streets of Lagos. Often shirtless and armed with his trademark saxophone, Fela Anikulapo Kuti tore his way into popular culture with Afrobeat music. Blending ethno-traditional forms with the reigning highlife and jazz rhythms, Afrobeat drew lyrics from the flip side of neo-colonial society and Fela's London and American experience in the sixties. In the two decades that followed, Fela ruled the nights from Afrika Shrine, his signature night club, and the days from the turntables of the restless city dwellers along the Atlantic coastline. Fela?s Afrobeat became a dynamic mode of expression in the social history of post-independent West Africa and generated a counterculture that bonded through music, drugs, resistance politics?and ultimately, the nascence of an Afrocentric contemporary global culture. "In Sola Olorunyomi?s book, a popular artist and a counter-hegemonic activist of the hardest grain meets his most engagingly, cerebral interpreter.?
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Kirkegaards Antikvariat
kir46776
Suhrkamp, 1981. 8vo. 138 Seiten. Broschiert. Erste Auflage. First edition.
Kirkegaards Antikvariat
kir53982
Princeton Architectural Press, New York, NY, 2005. 4to. stiff paper wrappers as issued. 192 pages. Table of contents, acknowledgments, endnotes, select bibliography, index, photographic credits. A history of American book cover design. Color illustrations throughout. Fine clean copy. By Its Cover traces the story of the American book cover from its inception as a means of utilitarian protection for the book to its current status as an elaborately produced form of communication art. It is, at once, the intertwined story of American graphic design and American literature, and features the work of such legendary figures as Rockwell Kent, E. McKnight Kauffer, Paul Rand, Alvin Lustig, Rudy deHarak, and Roy Kuhlman along with more recent and contemporary innovators including Push Pin Studios, Chermayeff & Geismar, Karen Goldberg, Chip Kidd, and John Gall.
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Kirkegaards Antikvariat
kir47586
Kbh: Ny Carlsberg Glyptotek, 2013. Stor høj folio. 313 sider. Rigt illustreret. Godt, rent eksemplar. Indhold: Line Clausen Pedersen: Degas' metode. Elizabeth Steele: Danseøvelser i foyeren og Danserinder ved barren. Peter Parshall: Degas og det tilbagetrukne billede. Walter Sickert: Bevægelsens mester. Degas' arbejdsproces, fastholdt i bronze / Daphne Barbour og Shelley.
Kirkegaards Antikvariat
kir60059
Gyldendal, 1969. 86 pp. Hft. Lidt ydre brugsspor. 1. oplag. "Sandra Holm kom fra Luleå til Danmark i 1964. Hun blev uddannet på Den grafiske Højskole, arbejdede som lærer og freelance-medarbejder ved Danmarks Radio og var fra 1964 til 1972 gift med forfatteren Sven Holm. Hun debuterede i 1969 med en samling mytiske prosatekster, Barnlige slagsmål, der udkom både i Sverige og Danmark. De tætte, billedrige tekster kredser om oplevelser af graviditet og død, mens forestillinger om slægt og forældre hvirvles op i den unge kvindestemmes beretning. Stærke kropsoplevelser overvælder og skaber digterisk vision. Et surreelt og mytisk kvindeunivers bliver til. Også den tosprogede digtsamling Indlandsbilleder, 1973, og den danske At kalde dyrene sammen, 1975, bliver til mellem bevidst og underbevidst, mellem nordiske livsrum og kulturer og med en ny sproglig dristighed og grotesk humor i opfattelsen af køn og kærlighed. I romanen Har jeg været her før, 1978, beskrives rusen, orgasmen, kunstens tradition og hverdagens banale indtryk som forudsætning for det kunstneriske arbejde. Sandra Holms korte forfatterskab aktualiseres af 1980’erne og 1990’ernes unge, eksperimentelle kvindeprosa."
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Kirkegaards Antikvariat
kir60050
New York: Farrar, Straus and Giroux 2009. Hardcover, w jacket. 733 pp. Very good copy. First edition, 1st printing.
Kirkegaards Antikvariat
kir08998
Gyldendals Bogklub, 2006. Original lærredsbind med smudsomslag (hardcover). 150 pp.
Kirkegaards Antikvariat
kir57219
New York: Random House, 1969. Publishers hardcover, with dustjacket. 274 pages, red topedge. Jacket with a tear and suntanned but unclipped asnd now protected. Inside clean. Overall a very good copy. First edition, 7th printing.
Kirkegaards Antikvariat
kir03266
London, Collins, 1964. Original full cloth, no dustjacket. 381 pp. A sticker to inner cover, else clean. First British edition.
Kirkegaards Antikvariat
kir50932
Sternberg Press, 2007. 220 pages. Illustrated. In wraps as issued. Spine sunned, else very good clean copy. 2nd edition. "A philosophical essay on time, phenomenology and beyond, Daniel Birnbaum’s Chronology was reviewed in frieze as a “compelling and sophisticated take on the common theme of Deleuzian immanence.” Whereas many theoretical books littering the bookshops of art institutions are laudations of excess, Birnbaum’s convictions presented in Chronology cut a way through the “caesuras of non-meaning and blankness into the thick web of sense.” The works of artists such as Stan Douglas, Eija-Liisa Ahtila, Doug Aitken, Dominique Gonzalez-Foerster, Tacita Dean, Darren Almond, Tobias Rehberger, Pierre Huyghe, Philippe Parreno and Paul Chan are scrutinized as so many attempts to capture the very dialectic of time itself. The book can be seen as “an exploration of the crystallization of time that uses phenomenology as a pretext for saying things about artworks that create their own theories.” This fully illustrated 2nd edition features a new introduction and afterword by the author. Daniel Birnbaum reflects on the critical reception of his book and further extends Deleuzian ideas to the fields of art and film. In his afterword on Paul Chan, the author discusses a new sense of messianic time, a new chronology, as experienced with The 7 Lights series by the artist. In addition to annotated artwork illustrations, the book contains a special insert by Paul Chan: twelve original drawings where the artist explores the spatial metaphors evocated in the text. The book also features flip-book sequences from two films (Lady of Shanghai, 1947, Enter the Dragon, 1973) which further elaborate on the Deleuzian themes of mirrors, death, and the crystallization of time.
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Kirkegaards Antikvariat
kir56993
New York: Viking, 1995. Large heavy hardcover, with somewhat worn jacket. xxvi, 629pp, index, bibliography, notes, chronology. Front innercover with repair else overall a good solid and clean copy. First edition. - Collects hundreds of Kerouac's letters written between 1940, when he was a college freshman) and 1956, immediately before his leap to celebrity with the publication of On the Road. Correspondents include the Cassady's; Allen Ginsberg; William S Burroughs; and Gary Snyder...
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Kirkegaards Antikvariat
kir59292
Royal Copenhagen, 1998. 12mo in wraps with jacket. [96 pp]. Illustrated throughout with full page b/w photographs by Per Folkver. Fine copy. 1st ed. Book design by Åse Eg Jørgensen.
Kirkegaards Antikvariat
kir52315
Forlaget Lindhardt & Ringhof, 2003. Kvadratisk. 132 pp. Hft. Illustreret med s/h fotos af Mertz. Pænt eksemplar.
Kirkegaards Antikvariat
kir24071
Kbh., Wilhelm Hansen, 1947. Stort format. (35) sider. Slid ved hjørner, og noget plettet men stadig et hæderligt eksemplar. 4. Tusind. - Illustreret i farver af Arne Ungermann.
Kirkegaards Antikvariat
kir48117
C.A. Reitzel, 1937. Stort format. Indbundet i original karton, med lærredsryg (haardcover). (22) sider. Gennemillustreret. Små ydre brugsspor. Velbevaret eksemplar. Første udgave / First edition.
Kirkegaards Antikvariat
kir56585
Forlaget Komo, 1970. 54 pp. Original heftet omslag. Meget velbevaret. Antageligt første danske oplag. Sjælden, ikke mindst i så velbevaret tilstand.
Kirkegaards Antikvariat
kir51436
Published by JRP Ringier, 2010. tall 4to in wraps as issued. 190 pages, richly illustrated. Fine copy. 1. edition. Monograph on Villesen. "Meetings and conversations are central to Gitte Villesen's work. She documents these encounters in videos, photographic series, and installations, which are often combined with additional material such as photographs, texts, or collections of objects. "All my works start with a curiosity toward a specific person—and how each person approaches their life, certain attitudes, their passions, ideas and dreams, and how this combines with the reality in which they live, whether that's related to gender, or cultural or historical circumstances. The work deals with stories, and an awareness of what it means to tell someone else's story. Each work is a portrait of a meeting as much as it is a portrait of a specific person. In some works, and to varying degrees, the participants are involved in the discussion about their own representation as collaborators." The book presents most of Gitte Villesen's works made since 1994. Each work is described in a text by the artist, which provides the story behind how the meetings happened. The book also includes texts by Brett Bloom, Hanne Loreck, Jan Verwoert, and an interview conducted by Lotte Moller. The title of the book is a quote taken from Ursula Le Guin's 1969 science-fiction novel "The Left Hand of Darkness."
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Kirkegaards Antikvariat
kir55953
Errant Bodies Press, 2006. Large 8vo in wraps as issued. Unpaginated, around 90 pages, text in English. COMPLETE with CD. Fine copy. 1st edition.