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Kirkegaards Antikvariat
kir59641
Rockport Publishers, 2018. 4to in softcover. 297 pages, richly illustrated. Very good copy.
Kirkegaards Antikvariat
kir56705
München : Hanser Verlag, 2008. Gebunden, mit Schutzumschlag. 470 Seiten. Gut erhalten. "Eine Jugend in Hessen, ein Leben in vielen Sprachen und Ländern: Seit vier Jahrzehnten gehört Volker Schlöndorff zu den wenigen deutschen Filmemachern, die Weltgeltung haben. In dieser Autobiographie erzählt er anschaulich von seiner Kindheit im Nachkriegsdeutschland; von seinem politischen Engagement um 1968; von der Entstehung seiner "Blechtrommel", für die er den ersten deutschen Nachkriegs-Oscar erhielt; von seinem Leben in Deutschland, Frankreich, Italien und Amerika; von Regisseuren wie Jean-Pierre Melville und Rainer Werner Fassbinder; und von Schauspielern wie Alain Delon und Jeanne Moreau".
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Kirkegaards Antikvariat
kir45910
Kunstforeningen Gl. Strand, 2017. Stort format. Hardcover, med omslag. 116 sider, rigt illustreret i farver. Som nyt eksemplar. Første oplag.
Kirkegaards Antikvariat
kir59737
New York & London: w. w. Norton and Company, 2004. Hardcover, w jacket. XVI, 336 pp. Very good clean copy. First edition. - "The most absorbing, wide-ranging and stimulating body of writing about the mighty Bob that's ever been assembled."
Kirkegaards Antikvariat
kir58335
Liljevalchs Konsthall, Stockholm / Rooseum - Center for Contemporary Art, 2000. Square 4to in wraps as issued. 197, (3) pp. Illustrated. Minor shelfwear else very good clean copy. 1. ed. William Anastasi, Fontana, Kelly, LeWitt, Ryman, Uecker, Jasper Johns, Yves Klein, Remy Zaugg, Robert Rauschenberg, et al.
Kirkegaards Antikvariat
kir54031
London: Penguin Classics Paperback, 2008. 408 pp. Clean copy. Finely printed edition. The unexpurgated transcript.
Kirkegaards Antikvariat
kir57579
Forlaget Rhodos, København 1970. 186 sider. Heftet med orig. omslag. Pæn med lidt brugsspor. 1. oplag. Omslag af Michael Malling.
Kirkegaards Antikvariat
kir59738
Boston: Houghton Mifflin and Company, (1977). Publishers bright green clothed decorated hardcover with red topedge and a somewhat worn but now protected jacket. 365 pp. Complete with map at end. The map has a marginal tear but overall a good to very good clean copy. First US edition (stated), 3rd printing.
Kirkegaards Antikvariat
kir58232
Forlaget Høst & Søn, 2007. Stort format. Hardcover. 28 sider. Pænt eksemplar. 1. oplag.
Kirkegaards Antikvariat
kir42190
Forlaget Bebop, 2006. 46 pp. Hft. Omslag af Kirkeby. Første danske udgave.
Kirkegaards Antikvariat
kir49169
Fundación Caja de Pensiones, Madrid, 1989. Squarish 8vo in stiff wraps as issued. 95 pages, illustrated throughout in b/w. Text in both English and Spanish. Near fine. 1. ed.
Kirkegaards Antikvariat
kir32341
Kbh., Gyldendalske Boghandel, 1868. Original komponeret, rødbrunt, helshirt med forgyldt helsnit. 271 pp. En del brugsspor, svage false men stadig solid og overvejende ren.
Kirkegaards Antikvariat
kir37549
Gyldendal / Samlerens Bogklub, 1997. 262 pp. Hft. Navn, pænt eksemplar.
Kirkegaards Antikvariat
kir50108
Gustavo Gili (GG), 2001. Small 4to in wraps as issued. 182 pages, richly illustrated. Text in both Spanish and English. Dog-eared copy. 1. ed. The projects in this book describe the new kinds of architecture emerging in former war zones, geological workings and land masses, and in marginal urban settings that were once home to heavy industry.
Kirkegaards Antikvariat
kir01887
Gyldendal, 1996. Original kartonbind (hardcover). 88 pp. Pænt eksemplar.
Kirkegaards Antikvariat
kir04108
Cph., 1958. Original hardcover boards with unclipped jacket. 87 pp. Richly illustrated. Name to free front endpaper. Jacket edgeworn. Kay Fisker, Arne Jacobsen, Finn Juhl, Kaare Klint among others. Photos by Keld Helmer-Petersen & Jesper Høm et al.
Kirkegaards Antikvariat
kir58353
London: Thames & Hudson, 2000. Heavy 4to hardcover with somewhat worn but protected jacket. 240 pages, richly illustrated. First published on the occasion of the exhibition, "Print, power and persuasion: graphic design in Germany 1890-1945", presented at The Wolfsonian-Florida International University, 27 September 2000. German graphic and typographic design in the first half of the twentieth century represents an extraordinarily rich and diverse aspect of the history of visual culture. It marks the moment of recognition that the world was becoming increasingly dependent on a modern and commercialized system of communication in which the designer was to play a major role. An unprecedented scale of attention was devoted to printed matter, whether as designs for graphic ornament, typefaces and logos in books and advertisements, or magazines, posters, signage, and exhibitions. Jeremy Aynsley has written the first account in English of the emergence of German graphic design between 1890 and 1945. Based on many years of research and original material, this handsome book is lavishly illustrated with examples from across a stylistically varied field. There were many good reasons for Germany to lead in the field of print culture. Historically it was a country that had been associated since the Middle Ages with the arts of the book and printing, and many of the new design developments in the twentieth century grew from that base. The spectacular industrial and commercial boom following the Franco-Prussian War, when the Germans became world competitors, stimulated interest in the field of advertising, whether in newspapers, journals, or on sidewalk kiosks. Perhaps borrowing in the beginning from the Arts and Crafts movement in Britain, Art Nouveau in France, and the advanced advertising designers in the U.S., the German artists soon developed a style of their own that was aggressive, aesthetically adventurous, and well constructed to attract customers. While some of the individual designers such as Peter Behrens, Lucian Bernhard, Jan Tschichold, Herbert Bayer, and John Heartfield are well known, many others have not received such attention. Aynsley provides an amazingly well-rounded picture of this burst of innovation that changed the face of modern life, as well as of the politically and socially turbulent era that spawned it."
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Kirkegaards Antikvariat
kir54600
Sydney : Cornstalk, 1926. 8vo in publishers red hardcover with original very worn dustjacket (now protected). [32] p., [5] leaves of plates : ill. Some foxing to first and last pages. Acceptable good contion. First edition.
Kirkegaards Antikvariat
kir59901
Ecco, 2002. Large paperback. 406 pp. Very good copy.
Kirkegaards Antikvariat
kir53190
Laurence King Publishing, 2005. Stiff wraps as issued. 160 pages, illustrated. Edgewear to cover, clean inside and overall very good.
Kirkegaards Antikvariat
kir58719
Gyldendalske Boghandel, 1936. Stort tværformat. Original illustreret kartonbind med lærredsryg. (28) pp. Illustreret, delvist med helsides farvetavler. Bind kantslidt men solidt. Streger på omslag, navn på friblad (fra samtiden), lidt plettet gennemgående. Acceptabelt eksemplar. Første udgave, 3. oplag.
Kirkegaards Antikvariat
kir58407
Thames & Hudson, 2021. 8vo. Hardcover, w jacket. 271 pp, 122 illustrations, bibliography, index. Fine clean copy. 1st edition. "A compelling examination of the art museum from a renowned director, this sweeping book explores how architecture, vision, and funding have transformed art museums around the world over the past eighty years. How have art museums changed in the past century? Where are they headed in the future? Charles Saumarez Smith is uniquely qualified to answer these questions, having been at the helm of three major institutions over the course of his distinguished career. For The Art Museum in Modern Times, Saumarez Smith has undertaken an odyssey, visiting art museums across the globe and examining how the experience of art is shaped by the buildings that house it. His story starts with the Museum of Modern Art in New York, one of the first museums to focus squarely on the art of the present rather than the past. When it opened in 1939, MoMA’s boldly modernist building represented a stark riposte to the neoclassicism of most earlier art museums. From there, Saumarez Smith investigates dozens of other museums, including the Tate Modern in London, the Getty Center in Los Angeles, the West Bund Museum in Shanghai, and the Centre Pompidou in Paris. He explores our shifting reasons for visiting museums, changes to the way exhibits are organized and displayed, and the spectacular new architectural landmarks that have become destinations in their own right. Global in scope yet full of personal insight, this fully illustrated celebration of the modern art museum will appeal to art lovers, museum professionals, and museum goers alike."
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Kirkegaards Antikvariat
kir58499
London: Allen & Unwin, 1982. Octavo in publishers hardcover, w jacket. 206 pages. Good or very good copy. 1st edition. "People care about places. Inhabitants demand more participation in the changes proposed for their local environments, activists urge greater protection of countryside and natural environments, decision-makers feel threatened by the antagonism aroused by their powers and plans. The essays in this book have been drawn together to discover what lies behind these expressions of concern and discontent. Valued environments are places for which people feel commitment and affection, places which support a sense of personal identity and well-being. The authors explore the characteer and constituents of valued environments asking how our experiences of environments may be enhanced. What is the impact of environmental change? How can the future be accommodated in both rural and urban environments without destroying their essential qualities? The reader will find substantive evidence from case studies of environments valued by inhabitants and outsiders which answer these questions. Examples are taken from wilderness areas, fenland, market towns and large cities, commercial streets and residential neighbourhoods, environments of the past and those imagined in science fiction. The essays are united in their focus on the meaning of places and landscapes. The subtle but highly significant role of valued environments is examined thoroughly in the book. It will be of interest to all who care deeply about their surroundings, reflecting perhaps some of their own experiences as well as conveying information about the environmental experiences of others. Students of geography, environmental planning and conservation should also find the book directly relevant to their interests in man-environment relationships."
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Kirkegaards Antikvariat
kir54443
Copenhagen: Court Gallery, 1968. Landscape 8vo in wraps as issued. [14] pages including cover. Text in English. Illustrated in bw and color. Minor wear to cover and edges, clean and solid. First and only edition. Rare.
Kirkegaards Antikvariat
kir32302
Hans Reitzels Forlag, 1978. 164 & 179 pp. Hft.