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Kirkegaards Antikvariat
kir59445
Suhrkamp Taschenbücher, 1988-89 (1976 - 1977). Taschenbücher. 417 und 543 Seiten. Einzelne Bleistiftsnotizen sonst gut erhalten.
Kirkegaards Antikvariat
kir26787
Arena, 1967. 160 pp. Hft. Godt eksemplar. 1. oplag."Teatret - en igle på din krop".
Kirkegaards Antikvariat
kir58581
Aarhus Universitetsforlag, 2005. 274 pp. Hft. Pænt eksemplar.
Kirkegaards Antikvariat
kir59486
New York: McGraw-Hill Book Company, 1971. 8vo in original publisher's purple cloth, black cloth spine with gilt lettering, purple endpapers, with the original, albeit very worn jacket, now protected. Clean inside and overall a good solid copy. First US edition, first impression. "A cornerstone title in feminist literature, Greer's best-known work reflects her present status as one of the most outspoken, controversial and challenging writers in her field."
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Kirkegaards Antikvariat
kir59032
Duke University Press Books, 2016. Paperback. XII, 326 pp. Fine clean, unread copy.
Kirkegaards Antikvariat
kir47088
Forlaget Multivers, København 2015. 502 sider. Orig. omslag. Lidt ydre brugsspor. Doktorafhandling fra Lunds Universitet.
Kirkegaards Antikvariat
kir59971
Parvs, 2022. Small 4to hardcover. 156 pp. Richly illustrated. Text in Swedish. Front corners of cover rubbed else fine. 1st edition. Inscribed by Tom Simons. - "One of the most interesting features of Alvar Aalto’s work was the ingenious way he integrated nature and architecture. He was a master at weaving landscapes into his designs, inviting nature to grow as part of the architecture. “Everything that we add to our home soil must be done in such a way as not to degrade, but to cultivate our ‘pure nature’.” This is the first book ever taking a comprehensive look at Aalto’s achievements in garden art and landscape architecture. He drew inspiration for his ideas and works from various sources: Finnish nature, Mediterranean cultural landscapes, classical antiquity and Japanese garden art. His ideas still retain their relevance today: “The white table taught me that we must be tactful with nature, that we must foster life – though not with technical means.” The book highlights famous projects including the private residence of Aino and Alvar Aalto, Villa Mairea, Säynätsalo Town Hall, the Muuratsalo Experimental House and Maison Carré. The essays are by Aalto experts from Finland and Sweden.
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Kirkegaards Antikvariat
kir54600
Sydney : Cornstalk, 1926. 8vo in publishers red hardcover with original very worn dustjacket (now protected). [32] p., [5] leaves of plates : ill. Some foxing to first and last pages. Acceptable good contion. First edition.
Kirkegaards Antikvariat
kir59901
Ecco, 2002. Large paperback. 406 pp. Very good copy.
Kirkegaards Antikvariat
kir53190
Laurence King Publishing, 2005. Stiff wraps as issued. 160 pages, illustrated. Edgewear to cover, clean inside and overall very good.
Kirkegaards Antikvariat
kir45101
Aarhus University Press, 2015. Hardcover. 302 pages. With illustrations. As new. 1. edition.
Kirkegaards Antikvariat
kir59780
Cambridge, MA: MIT Press, 2002 (2000). Heavy 8vo in SOFTCOVER. XVI,. 368 pages. With illustrations. Name to inner cover else clean. Very good copy. Developing the notion of dreamworld as both a poetic description of a collective mental state and an analytical concept, Susan Buck-Morss attempts to come to terms with mass dreamworlds at the moment of their passing. The dream of the twentieth century was the construction of mass utopia. As the century closes, this dream is being left behind; the belief that industrial modernization can bring about the good society by overcoming material scarcity for all has been challenged by the disintegration of European socialism, capitalist restructuring, and ecological constraints. The larger social vision has given way to private dreams of material happiness and to political cynicism. Developing the notion of dreamworld as both a poetic description of a collective mental state and an analytical concept, Susan Buck-Morss attempts to come to terms with mass dreamworlds at the moment of their passing. She shows how dreamworlds became dangerous when their energy was used by the structures of power as an instrument of force against the masses. Stressing the similarities between the East and West and using the end of the Cold War as her point of departure, she examines both extremes of mass utopia, dreamworld and catastrophe. The book is in four parts. "Dreamworlds of Democracy" asks whether collective sovereignty can ever be democratic. "Dreamworlds of History" calls for a rethinking of revolution by political and artistic avant-gardes. "Dreamworlds of Mass Culture" explores the affinities between mass culture's socialist and capitalist forms. An "Afterward" places the book in the historical context of the author's collaboration with a group of Moscow philosophers and artists over the past two tumultuous decades. The book is an experiment in visual culture, using images as philosophy, presenting, literally, a way of seeing the past. Its pictorial narratives rescue historical data that with the end of the Cold War are threatened with oblivion and challenge common conceptions of what this century was all about." - Susan Buck-Morss is known for Dialectics of Seeing (1989). "This earlier text brilliantly reconstructed Walter Benjamin's unfinished "Arcades" project (on the consumer culture of Baudelaire's Paris), and established Buck-Morss both as an authoritative commentator on Benjamin and as a major cultural thinker in her own right. Dreamworld and Catastrophe seeks, in effect, to extend Benjamin's dialectical investigations into the imaginary of modern culture to another time and place
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Kirkegaards Antikvariat
kir58407
Thames & Hudson, 2021. 8vo. Hardcover, w jacket. 271 pp, 122 illustrations, bibliography, index. Fine clean copy. 1st edition. "A compelling examination of the art museum from a renowned director, this sweeping book explores how architecture, vision, and funding have transformed art museums around the world over the past eighty years. How have art museums changed in the past century? Where are they headed in the future? Charles Saumarez Smith is uniquely qualified to answer these questions, having been at the helm of three major institutions over the course of his distinguished career. For The Art Museum in Modern Times, Saumarez Smith has undertaken an odyssey, visiting art museums across the globe and examining how the experience of art is shaped by the buildings that house it. His story starts with the Museum of Modern Art in New York, one of the first museums to focus squarely on the art of the present rather than the past. When it opened in 1939, MoMA’s boldly modernist building represented a stark riposte to the neoclassicism of most earlier art museums. From there, Saumarez Smith investigates dozens of other museums, including the Tate Modern in London, the Getty Center in Los Angeles, the West Bund Museum in Shanghai, and the Centre Pompidou in Paris. He explores our shifting reasons for visiting museums, changes to the way exhibits are organized and displayed, and the spectacular new architectural landmarks that have become destinations in their own right. Global in scope yet full of personal insight, this fully illustrated celebration of the modern art museum will appeal to art lovers, museum professionals, and museum goers alike."
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Kirkegaards Antikvariat
kir59738
Boston: Houghton Mifflin and Company, (1977). Publishers bright green clothed decorated hardcover with red topedge and a somewhat worn but now protected jacket. 365 pp. Complete with map at end. The map has a marginal tear but overall a good to very good clean copy. First US edition (stated), 3rd printing.
Kirkegaards Antikvariat
kir58719
Gyldendalske Boghandel, 1936. Stort tværformat. Original illustreret kartonbind med lærredsryg. (28) pp. Illustreret, delvist med helsides farvetavler. Bind kantslidt men solidt. Streger på omslag, navn på friblad (fra samtiden), lidt plettet gennemgående. Acceptabelt eksemplar. Første udgave, 3. oplag.
Kirkegaards Antikvariat
kir37549
Gyldendal / Samlerens Bogklub, 1997. 262 pp. Hft. Navn, pænt eksemplar.
Kirkegaards Antikvariat
kir32341
Kbh., Gyldendalske Boghandel, 1868. Original komponeret, rødbrunt, helshirt med forgyldt helsnit. 271 pp. En del brugsspor, svage false men stadig solid og overvejende ren.
Kirkegaards Antikvariat
kir57579
Forlaget Rhodos, København 1970. 186 sider. Heftet med orig. omslag. Pæn med lidt brugsspor. 1. oplag. Omslag af Michael Malling.
Kirkegaards Antikvariat
kir49169
Fundación Caja de Pensiones, Madrid, 1989. Squarish 8vo in stiff wraps as issued. 95 pages, illustrated throughout in b/w. Text in both English and Spanish. Near fine. 1. ed.
Kirkegaards Antikvariat
kir10443
Gyldendals Bekkasinbøger, 1962. 190 pp. Hft. Første danske udgave / First danish edition of 'Invitation to a Beheading'. Cover by Austin Grandjean.
Kirkegaards Antikvariat
kir01887
Gyldendal, 1996. Original kartonbind (hardcover). 88 pp. Pænt eksemplar.
Kirkegaards Antikvariat
kir04108
Cph., 1958. Original hardcover boards with unclipped jacket. 87 pp. Richly illustrated. Name to free front endpaper. Jacket edgeworn. Kay Fisker, Arne Jacobsen, Finn Juhl, Kaare Klint among others. Photos by Keld Helmer-Petersen & Jesper Høm et al.
Kirkegaards Antikvariat
kir45910
Kunstforeningen Gl. Strand, 2017. Stort format. Hardcover, med omslag. 116 sider, rigt illustreret i farver. Som nyt eksemplar. Første oplag.
Kirkegaards Antikvariat
kir59737
New York & London: w. w. Norton and Company, 2004. Hardcover, w jacket. XVI, 336 pp. Very good clean copy. First edition. - "The most absorbing, wide-ranging and stimulating body of writing about the mighty Bob that's ever been assembled."
Kirkegaards Antikvariat
kir50108
Gustavo Gili (GG), 2001. Small 4to in wraps as issued. 182 pages, richly illustrated. Text in both Spanish and English. Dog-eared copy. 1. ed. The projects in this book describe the new kinds of architecture emerging in former war zones, geological workings and land masses, and in marginal urban settings that were once home to heavy industry.