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Kirkegaards Antikvariat
kir54655
Neuhoff Gallery New York & Galerie Wittrock, Düsseldorf 2001. 4to 28 x 23 cm in wraps as issued. 32 pages, illustrated throughout with photographs. Short text in English. Well preserved clean copy. First edition. Catalog with photographs from the artists career. Finely printed.
Kirkegaards Antikvariat
kir56454
Sorø / Münster / Munich, 1989 to 1990. 4to in wraps as issued. 140 pages. Illustrated. Bilingual German and English text. Cover edgeworn but solid and inside clean and overall a very good copy.
Kirkegaards Antikvariat
kir56692
London: The Folio Society, 1979 (1782). Red clothed hardcover with richly gilt lettering and decor in the original pink slipcase. 399 pages. Very fine clean copy.
Kirkegaards Antikvariat
kir58253
Thames & Hudson / D. A. P. 2014. Heavy hardcover. 256 pages. Illustrated. Fine copy. " the first book to explore the radical shifts that have taken place in the practice of curating contemporary art over the last twenty years. Tracing a history of the field through its most innovative shows, renowned curator Jens Hoffmann selects the fifty exhibitions that have most significantly shaped the practice of both artists and exhibition curators. The book's nine thematic sections focus on a huge variety of exhibitions, including those that have explored public space; reflected on globalization; engaged audiences in revolutionary ways; and brought into the gallery other disciplines such as theatre and architecture. Short texts introduce and place each exhibition in context, accompanied by installation photographs and factual data about the participating artists, venues, dates, curators and publications, and many feature quotations from the originating curators exploring the premise of the show. The book concludes with a roundtable discussion by some of today's leading curators".
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Kirkegaards Antikvariat
kir58801
Washington D.C.: Hirshhorn Museum and Sculpture Garden; Smithsonian Institution Press, 1984. Washington D.C.: Hirshhorn Museum and Sculpture Garden; Smithsonian Institution Press,, 1984. 184 pages, illustrations (some colour); 29 cm. Exhibition held October 4, 1984 to January 6, 1985. Wear to cover surface else fine clean copy. First edition. Influential exhibition focusing on Conceptual and post-Minimalist art. Includes "Chronology" by Phyllis D. Rosenzweig etc.
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Kirkegaards Antikvariat
kir04297
London: Faber and Faber 2001. Publishers hardcover, w jacket. 350, (8) pp. Light edgewear else very good clean copy.
Kirkegaards Antikvariat
kir43739
Ljublijana, Slovenia, Zavod P.A.R.A.S.I.T.E, 2010. 8vo in original wraps. 150 pp. Illustrated. Wear to cover edges. First edition. "The book ‘The Clandenstine Histories of the OHO Group’ holds a new light to the problem of the character of neo-avant-garde excess and the experimental work of the OHO Group – leading neo-avantgard group in the region – in the second half of the 1960s. The book focuses on the practices, works, and instances with which – under the conditions of socialistic modernism – the OHO Group problematised, provoked, and destroyed the socialistic order of the vision of the autonomy of art. The book exposes the activity of the OHO Group (1966-1971) and of the movement OHO-Catalogue (1966-1970) in the context of Slovene national culture, Yugoslavian socialistic culture and international youth culture of the late 1960s and early 1970s, particularly in relation to the following paradigms: 1.‘Transgression’ – in terms of the breach in relation to Catholic traditions and morals as well as to the socialist work ethic that the young artists carried out at that time; 2.‘Sexuality’ – in style with the Zeitgeist and in connection with the worldwide sexual revolution on one side and the use of sexuality as a critical and subversive instrument rising up against the opportunism and hypocrisy of real-socialism on the other. 3.‘Politics’ – the provoking and mixing of practices from contexts – which were allowed by politics – to the context of a serious understanding and practice of the revolution and emancipation from ‘the everyday grey’ of real-socialism. At the end of the 1960s, the writer of new arts and activist, Bora Cosic, wrote about the OHO Group: ‘I call it a movement. The group looks like something static, something rooted, something buttoned up. The Group still holds firm, just like a machine-gun bunker; that a movement can operate as an illegal organisation, equipped with medicine, good will, and a feeling of freedom.’ The OHO Group was created in an atmosphere of new artistic practices: from the aesthetic, philosophical and social movements of reism, structuralism, poststructuralism and Tel Quel across to the New Left, hippy culture all the way to arte povere, body art, experimental film, conceptualism, processualism, post-object arts and ludism (...)"
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The Final Testament of Père Corbu. A Translation and Interpretation of Mise au point by Ivan Zaknic.
Kirkegaards Antikvariat
kir57885
Yale University Press, 1997. Square 8vo in publishers hardcover, with jacket. 180 pages, richly illustrated. Dustjacket spine is sunned else a clean and very well preserved fine copy. First edition. "Le Corbusier, the most influential architect of the twentieth century, died in 1965 only weeks after completing Mise au point, his last opus in the form of antobiographical reflections. Published posthumously, Mise au point is a curious and cryptic text, yet it sheds an important light on the great artist’s mind and temperament. This book is the first English translation of Mise au point, the first illustrated critical bilingual edition, and the first attempt to integrate this document into Le Corbusier’s life as a whole, especially its final embittered years. In an insightful introduction and in annotations, Ivan Zaknic shows how the themes of the text echo the contradictions of Le Corbusier’s personality: determined to rebuke society and yet constantly courting its approval; devoted to serving the public and yet returning again and again to a solitary monastic ideal; distrusting professional institutions, the academy, and the government and yet stung by their willingness to pass him by. Zaknic links the themes of this text with Le Corbusier’s passion for certain literary works, especially Don Quixote, and emphasizes the architect’s many philosophical formulas for coming to terms with death—first that of his beloved wife and then his own. Illustrated with photos and drawings, many of which appear here for the first time, and also including a revealing interview granted by Le Corbusier in the final months of his life, the volume will be welcomed by all students of Le Corbusier’s art, architecture, and urban planning, as well as by those interested in modernism and twentieth-century culture."
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Kirkegaards Antikvariat
kir53617
University of Oklahoma Press, 1968. XVI, 208 pages. Text in both Spanish and English. Fine clean copy. First edition, softcover.
Kirkegaards Antikvariat
kir32828
Amsterdam, Idea Books - SMAK (Stedelijk Museum voor Actuele Kunst), Witte de With Center for Contemporary Art, 2007. Hardcover. 212 pp. With 398 ills. (321 col. ) Text in English, German and Dutch and one loose folded poster. Excellent copy. Includes a large very beautiful fold-out poster titled "A Vicious Undertow." - fine copy / as new.
Kirkegaards Antikvariat
kir55669
Sternberg Press 2013. Wraps as issued. 193 pages. With illustrations. Some handling wear but clean. Neomaterialism by Joshua Simon, explores the meaning of the world of commodities and re-introduces various notions of dialectical materialism into the conversation on the subjectivity and vitality of things. Reflecting on general intellect as labor and on the subjugation of an overqualified generation to the neo-feudal order of debt finance, Neomaterialism merges traditions of epic communism with the communism that is already here.
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Kirkegaards Antikvariat
kir53286
London, Typographical Systems International TSI, 2011. Folio. Orig. wrappers (complete with obi). 52 p. Ills. Very good clean copy with only some minor shelfwear to cover. On Jan Tschichold Typographische Gestaltung, Frank Guille Geometrics and more.
Kirkegaards Antikvariat
kir59630
Prague: Panorama, 1985. 6 (=12) pages, printed on both sides (see photos). Minor rubbing, in all a very good copy. First edition.
Kirkegaards Antikvariat
kir35455
London: Studio Vista - Dutton Pictureback, 1971. 160 pp. Illustrated b/w. Cover worn. With later gift inscription to titlepage else very good copy. First edition.
Kirkegaards Antikvariat
kir52941
Vienna: Published on the occasion of the exhibition "David Maljkovic: Temporary Projections"; at Georg Kargl Fine Arts, 2011. 8vo in wraps as issued. 70 pp. Richly illustrated. Fine clean copy. First edition. Rare.
Kirkegaards Antikvariat
kir60079
Aarhus Universitetsforlag, 2017. Hardcover. 524 sider. Uåbnet, stadig i forlagets plasticomslag. Samlet fremstilling af de pædagogiske ideers historie i dansk perspektiv de seneste 500 år.
Kirkegaards Antikvariat
kir39282
Slagmarks Skyttegravsserie, 1996. 131 pp. Hft. Tidligere ejers navnemærke foran ellers ren. Godt eksemplar.
Kirkegaards Antikvariat
kir59393
Forlaget Tiden, København 1981. 473 sider. Heftet.
Kirkegaards Antikvariat
kir59291
Heidelberg: Kehrer Verlag, 2000. Large 8° in hardcover. 136 pages, illustrated. Text in both German and English. Complete with CD. Fine copy. Christina Kubisch - KlangRaumLichtZeit. Arbeiten von 1980 bis 2000 ; Ausstellung in den Opel-Villen Rüsselsheim [vom 18. Juli bis zum 16. September 2000].
Kirkegaards Antikvariat
kir10277
New York: Alfred A Knopf Inc, 1980. Quarter bound in clothed hardcover with gilt on spine, dustjacket priceclipped. 245 pages. Fine clean copy. First edition.
Kirkegaards Antikvariat
kir58555
San Francisco Cinemateque, San Francisco, 2004. Small tall 8vo in wraps as issued. 64 pages with illustrations. English text. Fine clean copy. 1st edition. " Images of the deconstruction of abandoned buildings and industrial structures are closely associated with "anarchitect" Gordon Matta-Clark. Often overlooked, however, are the film works through which Matta-Clark furthered his lifelong excavation of urban dwellings. In this book, San Francisco Cinematheque presents a retrospective of the moving-image works through which Matta-Clark explored his aesthetic assumptions and philosophical inquiry. Featuring rarely published images and a quartet of imaginative essays, City Slivers and Fresh Kills establishes Matta-Clarks films as perhaps his most surprising, and certainly most viscerally arresting body of work, characterized by the same creative provocation, rough aesthetic beauty, and intellectual insight that informed all of the artists famous architectura".
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Kirkegaards Antikvariat
kir60119
Forlaget KLIM 2018. To hardcover bind, med smudsomslag. 425, 448 sider. Godt sæt.
Kirkegaards Antikvariat
kir58803
Manuella Editions, 2013. 8vo in original canvas cover in coloured linen with a transparent, silkscreen-printed dustjacket as issued. 160 pages, illustrated. Fine clean copy. First edition. - Anri Sala’s project for the French Pavilion in Venice is a play on words based on the verb to ravel and its opposite, to unravel, as well as a reference to the famous French composer Maurice RavSound artel, who in 1930 composed the Concerto in D for the Left Hand, which is at the heart of Anri Sala’s project. The book was conceived by Anri Sala and Christine Macel to accompany this project and contains different texts offering a variety of perspectives, including historic statements of Maurice Ravel, Paul Wittgenstein (for whom Ravel composed the concerto) and Marguerite Long (a famous pianist and friend of Ravel’s), texts taken from the novels of Alexander Waugh (a Wittgenstein specialist) and of Jean Échenoz (extracts of his novel Ravel), texts about John Cage and the anechoic chambers by Dana Samuel or about the musical technique of the left hand by Hans Brofeldt, and finally essays by Laurent Pfister (on issues of copyright and authorship), by Peter Szendy (a musicologist and philosopher) and by Christine Macel (curator of the French Pavilion).
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Kirkegaards Antikvariat
kir53287
Bobingen: Kessler, 2004. 4to in original wraps. 98 pages. Richly illustrated. text in both German and English. Light sunning to cover and light edgewear. Overall a very good clean copy.