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Kirkegaards Antikvariat
kir43739
Ljublijana, Slovenia, Zavod P.A.R.A.S.I.T.E, 2010. 8vo in original wraps. 150 pp. Illustrated. Wear to cover edges. First edition. "The book ‘The Clandenstine Histories of the OHO Group’ holds a new light to the problem of the character of neo-avant-garde excess and the experimental work of the OHO Group – leading neo-avantgard group in the region – in the second half of the 1960s. The book focuses on the practices, works, and instances with which – under the conditions of socialistic modernism – the OHO Group problematised, provoked, and destroyed the socialistic order of the vision of the autonomy of art. The book exposes the activity of the OHO Group (1966-1971) and of the movement OHO-Catalogue (1966-1970) in the context of Slovene national culture, Yugoslavian socialistic culture and international youth culture of the late 1960s and early 1970s, particularly in relation to the following paradigms: 1.‘Transgression’ – in terms of the breach in relation to Catholic traditions and morals as well as to the socialist work ethic that the young artists carried out at that time; 2.‘Sexuality’ – in style with the Zeitgeist and in connection with the worldwide sexual revolution on one side and the use of sexuality as a critical and subversive instrument rising up against the opportunism and hypocrisy of real-socialism on the other. 3.‘Politics’ – the provoking and mixing of practices from contexts – which were allowed by politics – to the context of a serious understanding and practice of the revolution and emancipation from ‘the everyday grey’ of real-socialism. At the end of the 1960s, the writer of new arts and activist, Bora Cosic, wrote about the OHO Group: ‘I call it a movement. The group looks like something static, something rooted, something buttoned up. The Group still holds firm, just like a machine-gun bunker; that a movement can operate as an illegal organisation, equipped with medicine, good will, and a feeling of freedom.’ The OHO Group was created in an atmosphere of new artistic practices: from the aesthetic, philosophical and social movements of reism, structuralism, poststructuralism and Tel Quel across to the New Left, hippy culture all the way to arte povere, body art, experimental film, conceptualism, processualism, post-object arts and ludism (...)"
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The Final Testament of Père Corbu. A Translation and Interpretation of Mise au point by Ivan Zaknic.
Kirkegaards Antikvariat
kir57885
Yale University Press, 1997. Square 8vo in publishers hardcover, with jacket. 180 pages, richly illustrated. Dustjacket spine is sunned else a clean and very well preserved fine copy. First edition. "Le Corbusier, the most influential architect of the twentieth century, died in 1965 only weeks after completing Mise au point, his last opus in the form of antobiographical reflections. Published posthumously, Mise au point is a curious and cryptic text, yet it sheds an important light on the great artist’s mind and temperament. This book is the first English translation of Mise au point, the first illustrated critical bilingual edition, and the first attempt to integrate this document into Le Corbusier’s life as a whole, especially its final embittered years. In an insightful introduction and in annotations, Ivan Zaknic shows how the themes of the text echo the contradictions of Le Corbusier’s personality: determined to rebuke society and yet constantly courting its approval; devoted to serving the public and yet returning again and again to a solitary monastic ideal; distrusting professional institutions, the academy, and the government and yet stung by their willingness to pass him by. Zaknic links the themes of this text with Le Corbusier’s passion for certain literary works, especially Don Quixote, and emphasizes the architect’s many philosophical formulas for coming to terms with death—first that of his beloved wife and then his own. Illustrated with photos and drawings, many of which appear here for the first time, and also including a revealing interview granted by Le Corbusier in the final months of his life, the volume will be welcomed by all students of Le Corbusier’s art, architecture, and urban planning, as well as by those interested in modernism and twentieth-century culture."
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Kirkegaards Antikvariat
kir54655
Neuhoff Gallery New York & Galerie Wittrock, Düsseldorf 2001. 4to 28 x 23 cm in wraps as issued. 32 pages, illustrated throughout with photographs. Short text in English. Well preserved clean copy. First edition. Catalog with photographs from the artists career. Finely printed.
Kirkegaards Antikvariat
kir53286
London, Typographical Systems International TSI, 2011. Folio. Orig. wrappers (complete with obi). 52 p. Ills. Very good clean copy with only some minor shelfwear to cover. On Jan Tschichold Typographische Gestaltung, Frank Guille Geometrics and more.
Kirkegaards Antikvariat
kir35455
London: Studio Vista - Dutton Pictureback, 1971. 160 pp. Illustrated b/w. Cover worn. With later gift inscription to titlepage else very good copy. First edition.
Kirkegaards Antikvariat
kir59630
Prague: Panorama, 1985. 6 (=12) pages, printed on both sides (see photos). Minor rubbing, in all a very good copy. First edition.
Kirkegaards Antikvariat
kir54197
New York: Exit Art etc., 1989 / 1990. Tall 4to in wraps as issued. 48 pages. Text in English. Illustrated. Well preserved clean copy with only most minimal edgewear. First edition. Catalog of an exhibit of Wodiczko's photographs of the homeless community of New York and his installation piece "New York City Tableaux: Tompkins Square", also focusing on homelessness. Features essays by Wodiczko, Papo Colo, Neil Smith, David Lurie, Rosalyn Deutsche, and Julie Courtney.
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Kirkegaards Antikvariat
kir45089
Forlaget Lundtofte, 2007. 96 sider. Hft. Rigt illustreret med fine fotografier af bl.a. Gorm Valentin i s/h. Pænt eksemplar. From Burroughs visit to Copenhagen 1983, richly illustrated with photographs by Gorm Valentin among others. First edition.
Kirkegaards Antikvariat
kir60006
Federal Office Of Culture Bern, 2013. Tall 4to in wraps as issued. 64 pages, complete. Fine unopened copy. 1. ed.
Kirkegaards Antikvariat
kir51021
Louisiana Museum of Modern Art, 1994. Squarish 8vo in wraps as issued. 56 pp. Illustrated. Text in both English and Danish. Near fine clean copy with some edgewer and light wear to cover. First edition.
Kirkegaards Antikvariat
kir59323
Frankfurt am Main: Vittorio Klostermann 1991. 8°. Hardcover, mit OU. XVIII, 317 Seiten. Name. Einige verstreute Anstreichungen mit Kugelschreiber. Erstausgabe in der Gesamtausgabe.
Kirkegaards Antikvariat
kir58471
The Amsterdam Academy 2013. 12mo in publishers full clothed hardcover. 160 pages. Illustrated. Fine clean copy. In this work landscape architect Thomas Oles (USA, 1972) has gathered his ideas about landscape thinking and the landscape architecture profession in a handy book. Fifty entries serving the walker in nature or the designer in the landscape by way of reference, idea or principle. The book also contains contributions from landscape architects Marieke Timmermans (head of the department of landscape architecture) and Jacques Abelman. Graphis Design by Studio Sander Boon.
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Kirkegaards Antikvariat
kir59764
Brøndums Forlag 2003. Lille hefte. 61 pp. Pænt eksemplar.
Kirkegaards Antikvariat
kir50906
New York / Ghent: D.A.P., 2005. 4to red clothed hardcover in bright orange-red dust jacket. 167 pages, richly illustrated. Text in English. Spine sunned, else fine and clean copy. First edition.
Kirkegaards Antikvariat
kir39282
Slagmarks Skyttegravsserie, 1996. 131 pp. Hft. Tidligere ejers navnemærke foran ellers ren. Godt eksemplar.
Kirkegaards Antikvariat
kir59393
Forlaget Tiden, København 1981. 473 sider. Heftet.
Kirkegaards Antikvariat
kir53617
University of Oklahoma Press, 1968. XVI, 208 pages. Text in both Spanish and English. Fine clean copy. First edition, softcover.
Kirkegaards Antikvariat
kir52941
Vienna: Published on the occasion of the exhibition "David Maljkovic: Temporary Projections"; at Georg Kargl Fine Arts, 2011. 8vo in wraps as issued. 70 pp. Richly illustrated. Fine clean copy. First edition. Rare.
Kirkegaards Antikvariat
kir53330
Louisiana Museum, 1997. Small 4to hardcover with protected dustjacket. 136 pages, illustrated richly. English text version. Only light edgewear to jacket else an attractive near fine / fine clean copy. First edition, hardcover. On Michael Asher, Chris Burden, Sam Francis, David Hockney, Dennis Hopper, Mike Kelley, Edward Kienholz, Paul McCarthy, Bruce Nauman, Raymond Pettibon, Edward Ruscha, Bill Viola, Christopher Williams, among others.
Kirkegaards Antikvariat
kir55393
Serlachius Museums, 2020. Small 4to hardcover w jacket. 96 pp. Richly illustrated. Text in both Finnish and English. Fine clean copy. First edition.
Kirkegaards Antikvariat
kir51007
Galerie Asbæk, 1960. Kvadratisk 8vo i originalt klammehæftet omslag. (20) sider inklusiv omslag. Gennemillustreret. Med Asbæk's stempel.
Kirkegaards Antikvariat
kir59021
The Arts Club of Chicago, 2014. 8vo in wraps as issued. 36 pages. Published on the occasion of Simon Starling: Pictures for an Exhibition, 6 June - 27 September 2014. 1st ed.
Kirkegaards Antikvariat
kir59291
Heidelberg: Kehrer Verlag, 2000. Large 8° in hardcover. 136 pages, illustrated. Text in both German and English. Complete with CD. Fine copy. Christina Kubisch - KlangRaumLichtZeit. Arbeiten von 1980 bis 2000 ; Ausstellung in den Opel-Villen Rüsselsheim [vom 18. Juli bis zum 16. September 2000].
Kirkegaards Antikvariat
kir59473
Austin: University of Texas Press, 2016. Hardcover, w jacket. VIII, 346 pp. Fine copy. First edition.
Kirkegaards Antikvariat
kir60079
Aarhus Universitetsforlag, 2017. Hardcover. 524 sider. Uåbnet, stadig i forlagets plasticomslag. Samlet fremstilling af de pædagogiske ideers historie i dansk perspektiv de seneste 500 år.