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You Searched For: Booksellers = Kirkegaards Antikvariat
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Kirkegaards Antikvariat
kir59516
MIT Press, 2017. Hardcover, with jacket (the "wear" is part of the jacket design). 224 pages. Clean fine copy.
Kirkegaards Antikvariat
kir59734
Princeton University Press, 1985. Paperback. XXII, 371 pp. Very good clean copy.
Kirkegaards Antikvariat
kir51594
Milano, CHARTA 2007. Large 8vo in stiff wraps as issued. 159 pages, richly illustrated. Name of Danish architect, light edgewear. First edition.
Kirkegaards Antikvariat
kir59283
Borgen, 1971. 91 pp. Hft. Illustreret med Kirkeby's tegninger og fotografier. Lidt brugsspor. Første udgave. Med tilskrift på halvtitel skrevet af Kirkeby i hånden med kuglepen " til min smukke elskværdige vært...." .-
Kirkegaards Antikvariat
kir57215
Hermann Luchterhand, Darmstadt 1960 (1956). Gebunden, mit OU, dieser verfärbt und mit kleine Risse am Rande. 118 S. Name auf Innendeckel. Insgesamt gut.
Kirkegaards Antikvariat
kir59801
New York: Broadway Books, 1999. Hardcover, w jacket. 381 (2) pp. Very good clean attractive copy. First edition, 1st printing. "A variation on Great Expectations, An Equal Music (1999) is a tribute to Western classical music. Vikram Seth’s engagement with the grand literary and musical traditions of European culture makes his affiliations and cultural moorings impossible to pinpoint, all the more so since the prose of this chiseled, lyrical narrative is flawlessly clear and transparent".
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Kirkegaards Antikvariat
kir11363
Gyldendal, 1989. Original kartonbind (hardcover). 115 pp. Navn. Nogle brugsspor. Første danske udgave. Fra serien "Gyldendals Kulturbibliotek".
Kirkegaards Antikvariat
kir59856
Bristol: The Redcliffe Press, 1983. Oblong 8vo in wraps as issuedd. 128pp. Profusely illustrated in B/W. Cover somewhat worn with rubbed corners. 1st edition. Essays on and photographs of the interim period when the infrastructure of harbours was disused and neglected but calm before redevelopments fully took hold.
Kirkegaards Antikvariat
kir55566
Katalog der Faszikel in der Arbeitsbibliothek von Jan Tschichold. Edition Ostschweiz, 16. VGS, Verl.-Genossenschaft, 2015. Tall slim 8vo in wraps w jacket as issued 15×24, 82 pages. Near fine / fine copy. First edition.
Kirkegaards Antikvariat
kir59245
Forlaget Spring, 2021. 225 pp. Hft. Illustreret. Med dedikation fra forfatteren. "Film kan være mange ting: rørende, underholdende, sjove, informative, eksperimenterende, udfordrende eller afslørende. Men de kan også være foruroligende, ja, måske ligefrem subversive. Og i de tilfælde, hvor instruktørerne virkelig tager de levende billeder alvorligt som en kunstform, kan filmene endda vise sig at være direkte farlige for de involverede, hvad enten de så er ansvarlige for de visioner, der lægges frem, eller blot medvirkende. Dét er udgangspunktet for den serie af bøger – Farlige film – som indledes med nærværende bind om film med relation til Fluxus, Yoko Ono og Bob Dylan. Med udgangspunkt i sin tilknytning til Fluxus-gruppen skabte Yoko Ono i slutningen af 1960’erne og begyndelsen af 70’erne – alene eller sammen med John Lennon – en række konceptuelle og poetiske film, hvor tanken var, at det enkelte værk først blev fuldt realiseret i mødet med modtagerens bevidsthed. Nogle af filmene blev af samtiden betragtet som provokerende. Men i et enkelt tilfælde, Rape fra 1969, viste mediets kræfter sig at være så stærke, at de var tæt på at tage magten fra instruktørparret. De film, som Bob Dylan har været involveret i siden midten af 60’erne, er umiddelbart mindre kontroversielle, men i poetens filmiske hovedværk – den fire timer lange Renaldo and Clara (1978) – var den personlige investering så hudløs, at ophavsmanden måtte sande, at filmkunsten rent faktisk kan være farlig at danse med".
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Kirkegaards Antikvariat
kir56927
Forlaget Swing, 1978. 50 pp. Hft. Rent og friskt eksemplar. Første udgave, 1. oplag. Omslag af Bjørn Nørgaard.
Kirkegaards Antikvariat
kir42815
Forlaget KLIM, 2010. 187 sider. Hft.
Kirkegaards Antikvariat
kir50078
Creation, 1996. Large 8vo in softcover. 256 pages, richly illustrated. Very good copy.
Kirkegaards Antikvariat
kir22173
Arena, 1977. 211 pp. Hft. Oversat af Peer Hultberg.
Kirkegaards Antikvariat
kir54677
Kunsthal Aarhus, Aarhus, Denmark, 2016. First edition thus. Small softcover. 54 pages. This book was initially published in French in 2015 by éditions P as part of the Les contemporains series, based on a research project headed by Céline Flécheux and Magali Nachtergael since 2011. Text in English. A very near fine copy in wrappers. 1st edition - Scarce!
Kirkegaards Antikvariat
kir58876
Antipyrine, 2018. 2018 pp. Hft. Rent eksemplar. Første udgave, 1. oplag.
Kirkegaards Antikvariat
kir59277
Samlerens Bogklub, 1997. 110 pp. Hft. Navn. Lidt ydre brugsspor.
Kirkegaards Antikvariat
kir59674
Illustrationsforlaget, 1959. Original kartonbind med lærredsryg. (30) pp. Illustreret i farver. Småplettet i margin. Første udgave / First edition.
Kirkegaards Antikvariat
kir52733
New York: Harry Abrams 1999. Squarish 8vo in wraps as issued. 84 pages with 34 pages in Marden's Workbook, a 1987-88 travel sketchbook/visual diary. With an interview with the artist. 56 illus., 18 in full color, 38 duotone. Some shelfwear else fine and clean. 1st edition. This work presents fifty-two of Brice Marden's drawings ranging from his works in the 1960s in solid forms & muted tonalities through his later works ofcalligraphic imagery that culminates in his Cold Mountain series.
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Kirkegaards Antikvariat
kir54350
Edition Taube, 2022. 4to. Hardcover, thread bound, 56 pages, color, multicolored cut. Light denting to cover edges else clean and fine. First edition. Artists book by Hank Schmidt in der Beek - a must-have for all lovers of Suprematism, Constructivism and … ice cream.
Kirkegaards Antikvariat
kir57031
MacGibbon and Kee, London, 1965 (1937). Publishers hardcover with very good dustwrapper, not price-clipped and protected. 266 pages. Name in ink to front inner cover else clean and overall a very well preserved copy. First UK edition. "White Mule is the first of a trilogy of novels by William Carlos Williams about the immigrant Stecher family in New York at the turn of the 20th century. The "White Mule" of the title refers to Flossie, the angry, assertive, uncompromising baby, who can kick like White Mule whiskey. White Mule is the story of Joe’s inner struggle between love of fine craftsmanship (he is a printer by trade) and Gurlie’s ambition to get ahead, to have him get “in the money.” But it also the story of the awakening consciousness of their children; the real heroine is the baby Flossie––she had a kick like “White Mule” whiskey––whose birth begins the book. Everything revolves around the baby and she is surely unique in literature. Dr. Williams was a pediatrician, and without sentimentality he makes of this little being, who cannot even talk, a full-scale, three-dimensional personality."
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Kirkegaards Antikvariat
kir59358
London: Vision Press Ltd., 1951. 8vo. Publishers hardcover with slightly worn but unclipped dustjacket. 89 pp. Illustrated with photographs, still from the movie. Very good copy. First edition. Da zdravstvuyet Meksika! is a film project begun in 1930 by Eisenstein (1898–1948) under contract to socialist author Upton Sinclair and other supporters in the United States. It would have been an episodic portrayal of Mexican culture and politics from pre-Conquest civilization to the Mexican Revolution. Production was beset by difficulties and was eventually abandoned. Jay Leyda and Zina Voynow call it Eisentein's "greatest film plan and his greatest personal tragedy". In the early 20th century, many intellectuals and artists associated with the European avant garde were fascinated by Latin America in general, and by Mexico in particular: for the French artist and leader of the Surrealist movement André Breton, for instance, Mexico was almost the incarnation of Surrealism. As film historian David Bordwell notes, "like many Leftists, Eisenstein was impressed that Mexico has created a socialist revolution in 1910". His fascination with the country dated back at least to 1921, when at the age of twenty-two "his artistic career started with a Mexican topic" as he put on a theatrical version of the Jack London story The Mexican in Moscow. Film scholar Inga Karetnikova details this production as a classic example of avant-garde aesthetics, an exercise in form rather than documentary realism; but "indirectly", she argues, "he did recreate the Mexican atmosphere". Above all, he saw in the Mexican revolution an instance of a "zealous idealism" that was also "close to Eisenstein, just as it was to the entire generation of Soviet avant-garde of the early 1920s". Some years later, in 1927, Eisenstein had the opportunity to meet the Mexican muralist Diego Rivera, who was visiting Moscow for the celebrations of the Russian revolution's tenth anniversary. Rivera had seen Eisenstein's film Battleship Potemkin, and praised it by comparing it to his own work as a painter in the service of the Mexican revolution; he also "spoke obsessively of the Mexican artistic heritage", describing the wonders of Ancient Aztec and Mayan art and architecture. The Russian director wrote that "the seed of interest in that country . . . nourished by the stories of Diego Rivera, when he visited the Soviet Union . . . grew into a burning desire to travel there". "It’s a really tragic film, because its ambitions were so great, it was spanning centuries of time, extraordinary resources were marshaled towards its production, and all we have is this ruin essentially, but it’s a glorious ruin." (Thomas Beard).
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Kirkegaards Antikvariat
kir41619
Arken Museum of Modern Art, 2015. 4to in stiff wraps as issued. 90 pp. Richly illustrated. Text in Danish. Fine copy. 1. edition.
Kirkegaards Antikvariat
kir51197
Museet for Samtidskunst / North, 1993. 4to. Original printed illustrated wrappers. 55 pages. Illustrated. Text in both Danish and French. Fine copy. 1. edition.
Kirkegaards Antikvariat
kir53106
San Francisco Museum of Modern Art and University of California Press, 2002. Tall large 4to in publishers hardcover, with jacket. 94 pages. Text in English. Richly illustrated. Fine copy. First edition.