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Kirkegaards Antikvariat
kir53286
London, Typographical Systems International TSI, 2011. Folio. Orig. wrappers (complete with obi). 52 p. Ills. Very good clean copy with only some minor shelfwear to cover. On Jan Tschichold Typographische Gestaltung, Frank Guille Geometrics and more.
Kirkegaards Antikvariat
kir59630
Prague: Panorama, 1985. 6 (=12) pages, printed on both sides (see photos). Minor rubbing, in all a very good copy. First edition.
Kirkegaards Antikvariat
kir58137
Forlaget Gjellerup, 1959. Kvadratisk 8vo i hardcover, med omslag. 262 pp. Illustreret. Godt eksemplar.
Kirkegaards Antikvariat
kir51489
Redwood Press / Stanford University Press, 2015. Publishers hardcover, with jacket. 336 pages. Very good clean copy. "A philosophically complex yet lyrically wrought examination of the eternal struggle for women’s rights". First US edition.
Kirkegaards Antikvariat
kir54459
B P Forlag, 2017. Stort format. 254 pp. Hft. Rigt illustreret. Som ny. "Det skete på Kvindeudstillingen Charlottenborg 1975" - 42 kvindelige, danske kunstnere udstillede med de 50 inviterede internationale kvindelige kunstnere. Et tilbageblik med mange interessante fotos.
Kirkegaards Antikvariat
kir59222
New York: The Modern Library, (1993). Hardcover, with jacket. XLV, 320 pages. Clean, unread copy.
Kirkegaards Antikvariat
kir59788
London: The Folio Society 1995. Large tall 8vo, hardcover in slipcase. 234 pp. Illustrated. Light wear to case else clean and fine copy. 1st thus.
Kirkegaards Antikvariat
kir52051
Dia Art Foundation, New York, 1996. Small 8vo in wraps as issued. XV, 206 pp., illus., bib. notes. Light edgewear else fine clean copy. The first in the series of the Robert Lehman Lectures on Contemporary Art. Artists discussed include Lawrence Weiner, Brice Marden, Joseph Beuys, Dan Graham, Robert Gober, Katharina Fritsch, On Kawara, Ann Hamilton, and James Coleman.
Kirkegaards Antikvariat
kir59795
New York: (Farrar, Strauss, Griroux) Book Club Edition, 1987. 659 pp. Publisher's hardcover cloth with unclipped somewhat worn (see photos), now protected dustjacket. Clean inside and overall a good to very good copy. First Book Club edition 1987. Jacket designed by Fred Marcellino.
Kirkegaards Antikvariat
kir60112
Fremad, 1985. 212 pp. Hft.
Kirkegaards Antikvariat
kir57044
Edinburgh University Press with John Hansard Gallery, 2016. 4to in stiff wraps as issued. 116 pages, plus plates at end. Near fine clean copy with only minor shelfwear. First edition. "The influence of Roland Barthes on Burgin's work is well documented. Equally, Burgin's prominence as an artist and theorist concerned with text and image offers a productive dialogue with Barthes' work. Victor Burgin has long been considered both theorist and practitioner, while Barthes is more known as a theorist and writer. In bringing to the fore Barthes's practice of painting and drawing, Barthes/Burgin prompts a new critical consideration of Barthes/Burgin, theory/practice, writing/making and criticality/visuality. Barthes/Burgin features two new interviews with Burgin, one concerned with his turn to new digital practices and the other a reflection on his reading of Roland Barthes. Also included are images and texts from the artists and an essay critically examining Barthes' exercises in drawing and painting. This book accompanied an exhibition at the John Hansard Gallery (February to April 2016), bringing together recent projection works by Victor Burgin and a selection of drawings by Roland Barthes rarely seen outside of France. The exhibition played with Barthes' use of the slash as established in semiology (and notably used in the title of Barthes' key poststructuralist work S/Z). "
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Kirkegaards Antikvariat
kir55517
Paris: Centre Pompidou / rmm, 2006. DVD. Looks unplayed. French / English. Director Francois Levy-Kuentz's film uses previously unreleased archival material, such as Klein's personal films, to capture the artist's astonishing career, from its beginning in 1954 to his death in 1962. In those eight short years, Klein turned the modern art world upside down. Besides inventing IKB, he was at the forefront of monochrome paintings, was early to photo manipulation (his most famous, Le Saut dans le Vide, has him flying from a wall, diving).
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Kirkegaards Antikvariat
kir59390
Kleinheinrich Buch- und Kunstverlag, Münster, 1993. Broschur. 194 Seiten. OU am Rücken mit Handtierungsspuren sonst gutes Exemplar. Deutsche Erste Auflage von Del af labyrinten.
Kirkegaards Antikvariat
kir53352
Copenhagen: Arnold Busck, 1991. Small square 4to. Hardcover, with jacket. 126 pp. Illustrated. Full text in English and Danish. Fine copy. First edition.
Kirkegaards Antikvariat
kir60016
Princeton Architectural Press, 2003. 8vo in wraps as issued. 256 pages, richly illustrated in color. Text in English. Fine copy. A book about radio amateurs and their acknowledgement cards, a beguiling book designed by graphic design genius Paul Sahre: "Jerry Powell began his ham radio operation in 1929 and with the exception of the World War II years (when government forbade ham radio operators to take to the air) he was in continuous communication with people all over the world until his death in 1999. This book tells the story of Powell and the people he met. It is a record of one man's contacts during times of war, depression, peace and floods. Whenever a communication is established for the first time, the recipient of the communication by law must send an acknowledgement card, called a QSL. These QSLs are unique to each individual, it is their stamp and their calling card. This book brings together over 500 QSLs received by Jerry and provides commentary on each one. The authors radioed many of his more recent contacts to get Jerry Powell's story - and the story of ham radio."
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Kirkegaards Antikvariat
kir57733
Copenhagen: Booktrader, 2002. 4to in softcover as issued. 160 pages. Text in English. Illustrated. Very good unused copy. Complete with CD in pocket at end. 1st edition.
Kirkegaards Antikvariat
kir55052
Los Angeles: Aran Cravey Gallery, 2014. 4to hardcover, no jacket as issued. 80 pages, richly color illustrated. A hint of wear to corners of cover (see photo) else fine and clean. 1. ed. book includes 11 drawings created for the occasion, as well as studio shots of the process, installation shots, a critical essay by Hila Cohen-Scheiderman, an in depth interview by Noam Segal, and all the plates from the show.
Kirkegaards Antikvariat
kir57637
Princeton University Press, Princeton, N. J, 1984. 8°. Softcover as issued XIX, 285 pages. Fine clean copy.
Kirkegaards Antikvariat
kir58756
New York: Museum of Modern Art, 1990 (1955). 192 pp. Illustrated b/w photos. Softcover edition. Clean very well preserved copy. 'The Family of Man' was a originally a photography exhibition curated by Edward Steichen and first shown in 1955 at the Museum of Modern Art in New York. It later travelled around the world (including Copenhagen) and is the most influential of all photographic shows of its kind. The exhibition is today on permanent display in Clervaux, Luxembourg. Parr & Badger, II, 218.
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Kirkegaards Antikvariat
kir49844
Borgen, 1982. 112 pp. Hft. Omslag lidt slidt ved hjørner. Indvendig ren. Alt i alt et ganske godt eksemplar. Første udgave.
Kirkegaards Antikvariat
kir52703
EA - Generali Foundation, Vienna, 1996. 8vo (23 x 16 cm) in wraps as issued. 399 pp with colour and b&w illustrations. German and English text. Fine clean copy. 1st edition. "The overall concept of the exhibition explores the notion of sculpture. Main emphasis is on how this concept has developed since the emergence of new media in the sixties and how it was introduced into the collection of the Generali Foundation. The title of the exhibition directly addresses the theme: the site where art takes place is not neutral ground but explicitly and implicitly a part of the whole. The exhibition thematizes models as well as the conceptual grasping of sculpture, the inclusion of media such as photography, film, video, and TV as well as performative aspects. The selection of works is based on the following question: starting from its origins in the late eighties, how was the basic idea of the General Foundation's collection of contemporary sculpture realized in the nineties, i.e., how is sculpture defined today? The exemplary selection of works from the collection focuses on interdisciplinary works, with film retrospectives by Valie Export and Gordon Matta-Clark at the center of the presentation. Black Box : A movie, lecture, and events hall, a "black box" is set up in the small exhibition hall. A series of events furthers the displays’ emphatically communicative character, an aspect which is integral to the content of the exhibition. This presentation structure attempts to get away from the set display of the same pieces at the same place over a certain space of time. In "White Cube/Black Box" different pieces - which can in part be selected - are shown each day. Another goal is to demonstrate the different parameters for the reception of works (film, video, installation). Film, in contrast to traditional components of an exhibition, is normally offered for a group in a precisely defined space of time and is accompanied by certain social parameters. In exhibitions, film and video is made available continually through the use of looped tapes and short clips. Important themes of this exhibition are therefore the factor of time as well as the aspect of communal versus individual consumption of art works. The Video Collection in Dan Graham's "New Design for Showing Videos" This functional sculpture, which has already been shown in conjunction with Dan Graham's videos in the course of our previous exhibition (Video/Architecture/Performance by Dan Graham), is another central element of the show. Here, the video space is used as a video library for the first time, i.e., for the Foundation's video collection, which has been built up greatly in this connection. VALIE EXPORT Acquisition and Restoration of the Entire Cinematographic Oeuvre: First retrospective in Austria: 28 January to 16 March 1996. The Generali Foundation has acquired and restored VALIE EXPORT’s entire cinematographic oeuvre, making it available to the Austrian public for the first time as a retrospective. The works on display include the film installations "Ping Pong," "Up+Down+On+Off," "Adjunct Dislocations," and "Splitscreen-Solipsism," which have not been shown since the seventies. They are being shown in a cycle each Friday and Saturday from February to mid-March. VALIE EXPORT was awarded the biennial EA-Generali Foundation Sculpture Prize in autumn 1995. Gordon Matta-Clark: Restoration and Acquisition of the Complete Films Film retrospective: 26 March to 13 April 1996. Gordon Matta-Clark (1943-1978, New York) became known for his "cuttings," interventions he carried out on buildings. The artist documented these temporary works on film. However, Matta-Clark also used film analytically and reflectively and it played a major role in his multi-media "gesamt" work (e.g., with "surveillance" being the buzzword in "Chinatown Voyeur" or with the exploration of urban underground scenarios in New York and Paris, as in "Substrait" and "Sous Sols de Paris"). Until recently, Matta-Clark's films were only available as video copies of the original films, which are in a poor state. About half the films were restored upon acquisition by the Generali Foundation, the second half were saved through the support of other institutions (including the Musée d'art moderne; Centre Georges Pompidou, Paris; and IVAM, Barcelona). The Generali Foundation has obtained worldwide first-showing rights for the films restored with its funds; moreover, it has also acquired the presentation rights for all of Matta-Clark’s films and videos. In creating the film program, in addition to structuring the content, attention was given to presenting the films in small segments as a counterpoint to the other exhibition components. Further works from the collection are available alongside the presentations in the Black Box and in the video room. Curator: Sabine Breitwieser. Exhibition Oganization: Daniela Stern.
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Kirkegaards Antikvariat
kir59040
The Shakespeare Head Press Edition, 1994. Publishers hardcover, w jacket. XXX, 442 pp. Spine of jacket sunned else fine clean copy. Edited by J. H. Stape with an Introduction. First thus.
Kirkegaards Antikvariat
kir00905
Editions du Centre Pompidou, 2002. Small 8vo in wraps as issued. 160 pages, with illustrations. Text in French. Fine copy. First edition.
Kirkegaards Antikvariat
kir29194
Jespersen og Pios Forlag, 1935. Indbundet i lærredsbind (hardcover) med det originale omslag. 309 sider. Samtidig inskription foran. Lidt aldersplettet ellers ganske pænt og solidt eksemplar. Første udgave, 1. oplag. Det fjerde bind i serien om Bibi.
Kirkegaards Antikvariat
kir59603
New York. 23x30. 220pp. Minor edgewear else good complete magazine.