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Kirkegaards Antikvariat
kir23252
Hans Reitzels Forlag, 1996. Original hardcover. 307 sider. Godt rent eksemplar. Omslag ved Michael Jensen, K Grafik.
Kirkegaards Antikvariat
kir52391
Porto: Fundacao de Serralves. First edition, 1996.Large Quarto in wraps as issued, 111 pp., heavily illustrated (much in color), clean unmarked text. An bit of wear to the tips of the covers. Text in Portugese and English. First edition. SIGNED COPY. Boldly signed to front cover by Dennis Oppenheim (see phtoto) / Inscribed to Patricia (Asbaek), Danish gallerist.
Kirkegaards Antikvariat
kir54014
Milano : Charta for Galleria civica di arte contemporanea & Fondazione Antonio Ratti, 2007. 8vo in stiff wraps as issued. 134 pages. Illustrated in color. Text in both Italian and English. Fine clean copy. Issued on the occasion of the exhibition "Joan Jonas : my theater" held at the Galleria civica di arte contemporanea, Trento, Nov. 25, 2007-Mar. 2, 2008; includes an overview of Jonas's works from the 1960s, and documentation of her performance in 2007 at the Fondazione Ratti, in Como. First edition.
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Kirkegaards Antikvariat
kir28783
Kunst og Kultur, 1948 til 1949. Alle hefter upaginerede og rigt illustrerede i s/h og farver. Lidt brugsspor. nr.1: Signeret træsnit af Carin Steenberg. Nr.2: "Parabel" af W. Heinse med orig. radering af Hans Chr. Høier. Nr.3: Typografi af Kai Pelt. Nr.4: bl.a. typografi af Viggo Naae.
Kirkegaards Antikvariat
kir58807
London & New York: Thames & Hudson, 2001, Hardcover w jacket protected. 304 pages. Illustrated, 280 b/w illustrations. Fine copy. First edition, very attractive copy. "By the end of the 1960s a revolution had taken place in the perception and practice of art in Europe and North America. The cultural, social, and political context of this change reflected the desire for social transformation expressed in clashes with authority, such as the protests against the Vietnam War, that signaled a counterculture's defiance of established values. This book, the first detailed account of developments centered around the conceptual art movement, highlights the main issues underlying visually disparate works dating from the second half of the 1960s through the end of the 1970s. These works questioned the accepted categories of painting and sculpture by embracing a wealth of alternative media and procedures. Traditional two- and three-dimensional representations were supplanted by a variety of linguistic and photographic means, including installations that brought into play the importance of presentation and site. Through close examination of individual works and artists, Anne Rorimer demonstrates the pervading desire to redefine the characteristics of what was once accepted as truly visual in order to dispel earlier assumptions and offer other criteria for seeing. She surveys the most prominent names and movements in the art of the late 1960s and 1970s to form a coherent picture of an era of pioneering art that prefigured many of the themes and concerns of today. Artists whose works are discussed in depth include Robert Ryman, Gerhard Richter, Joseph Kosuth, Lawrence Weiner, Eleanor Antin, John Baldessari, Gilbert and George, Sol LeWitt, Adrian Piper, Bruce Nauman, Vito Acconci, Marcel Broodthaers, Robert Smithson, Daniel Buren, and Michael Asher. Forerunners of the period such as Jasper Johns and Robert Rauschenberg, Andy Warhol, Frank Stella, Piero Manzoni, Joseph Beuys, Allan Kaprow, and Fluxus are also included. "
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Kirkegaards Antikvariat
kir42783
Gyldendal / Samlerens Bogklub, 1996. 197 pp. Hft. Navn, et par enkelte noter i teksten.
Kirkegaards Antikvariat
kir55391
Kunsthaus Hamburg, 2021. 8vo in clothed wraps as issued. 262pp w colour plates.Text in German, Bengali and English. Fine copy. 1. ed.
Kirkegaards Antikvariat
kir59243
Gyldendals Bogklub, 2002. 223 pp. Hft. Pænt ubrugt eksemplar.
Kirkegaards Antikvariat
kir43143
New York: Random House, 1975. Hardcover with slightly worn but unclipped jacket. 415 pages. A small "Random House" publisher stamp to bottom edge. Inside clean. First edition, 2nd printing including the original dustjacket.
Kirkegaards Antikvariat
kir58920
Borgen, 1964. 43 pp. Heftet med tråd og med det originale omslag. Bogen fremtræder nærmest som ny. Uopskåret.
Kirkegaards Antikvariat
kir42100
Forlaget Politisk Revy, 1998 (1922). 79 sider. Hft. Fint eksemplar.
Kirkegaards Antikvariat
kir58468
New York: The Hudson River Museum, 1980. 28x23 in wraps as issued. 192 pages with 185 photos including 30 full-page. Edgeworn copy but clean. 1st ed.
Kirkegaards Antikvariat
kir58809
St. Gallen, Kunstmuseum & Goteborgs Konsthal - Kehrer, 2009. 4to in wraps as issued. 120 pages. illustrated, text in English. Near fine / fine copy. 1. ed. "Change of Place is the title of a joint work by New York artists. In interviews, women from diverse backgrounds are asked how they see themselves. The resulting photographs show not only those interviewed, but also the interpreters, subtly shifting the theme of the work to the question of what happens when information is translated from one language into another. Andrea Geyer (*1971) was the prime discovery at documenta XII with her Spiral Lands I. In quietly revealing works made up of both image and text, photographs are combined with historical data, news and fictional travel reports. Sharon Hayes (*1970) explores social realities by searching for historical parallels. She always chooses themes that have inscribed themselves in US history, with traumatic consequences."
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Kirkegaards Antikvariat
kir57740
Copenhagen: Booktrader, 2001. 4to in wraps as issued. 123 pp. Illustrated with photos. Text in English. Fine clean copy. 1st edition.
Kirkegaards Antikvariat
kir59872
Cologne: Verlag der Buchhandlung Walther König, 2008. Large 8vo very heavy clothed hardcover, no jacket as issued. 599pp. Fine copy. Text in German. a selection of Richter’s writings, including personal notes, public statements, interviews and letters. The text relates to all the important stages of his career: his photo paintings, his colour charts, the monochrome paintings and his abstract works. The book offers the possibility to learn more about the artist’s development, his intentions and techniques. Heavy item and extra shipping will apply - please inquire before ordering this item!
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Kirkegaards Antikvariat
kir49726
Struer, 1978. Original wrappers. 50 pages including covers. Illustrated throughout in colour. Text in Danish. Light edgewear. Very good copy. Rare original commercial folder from Bang and Olufsen. First edition. Graphic design by Werner Neertoft.
Kirkegaards Antikvariat
kir49361
Electa / Rizzoli New York, 1986 (1977 / 1973). Squarish 4to in wraps. 292 pages. With illustrations.Text in English. Dustjacket worn, and some edgewear else fine clean and tight copy. The classic Alberti monograph.
Kirkegaards Antikvariat
kir54178
Denmark: Louisiana Museum of Modern Art, 2022. Large tall 4to in wraps as issued. 108 pages, richly illustrated. Text in English. Fine unread copy. 1. ed. Book designed by Michael Jensen of K Grafik. - Dorothy Iannone was born in Boston, Massachusetts, in 1933. Her father died when she was two years old and she was raised by her mother Sarah Nicoletti Iannone, later Sarah Pucci. She graduated from Boston University in 1957 with a B.A. in American Literature. She went on to study English literature at the graduate level at Brandeis University. In 1958 she married the painter James Upham and the couple moved to New York City. The following year, Iannone taught herself to paint alongside her husband. Between 1963 and 1967 she exhibited with her husband at the Stryke Gallery, an exhibition space she ran with her husband in New York and traveled frequently to Europe and Asia. In 1961 the U.S. Customs at the Idlewild Airport in Queens, New York seized her book The Tropic of Cancer by Henry Miller she was traveling with and which was banned at the time. Iannone sued the U.S. Customs with assistance from the New York Civil Liberties Union, which caused her book to be returned and the ban on Miller to be lifted. The majority of Iannone's paintings, texts, and visual narratives depict themes of erotic love. Her explicit renderings of the human body draw heavily from the artist's travels and from Japanese woodcuts, Greek vases, and visual motifs from Eastern religions, including Tibetan Buddhism, Indian Tantrism and Christian ecstatic traditions like those of the seventeenth-century Baroque. Her small wooden statues of celebrities with visible genitals, including Charlie Chaplin and Jacqueline Kennedy, especially display with the artist's interest in African tribal statues. The explicit nature of Iannone's work frequently fell foul of censors in the 60s, 70s, and 80s. The artist said of the early censorship of her work: "When my work was not censored outright, it was either mildly ridiculed or described as folkloric, or just ignored. In 1969 the Kunsthalle Bern tried to censor Iannone's work in the group exhibition Ausstellung der Freunde by requesting that she cover up the genitals of her figures. In protest Dieter Roth dropped out of the exhibition and the curator of the Kunsthalle Bern, Harald Szeeman, resigned. Iannone recalled the experience in the Fluxus publication The Story of Bern or Showing Colors (1970).
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Kirkegaards Antikvariat
kir58174
Leningrad: State publishing House Isskustvo, 1959. 4to in original hardcover with beautiful dustjacket. 210 pages, chiefly photographs in black and white full page but also a few in color. Jacket and matching chapter intro papers in fine graphic design. Photo captions in both Russian and English. Jacket worn but complete. Owner inscription in Russian at free front endpaper else clean and overall a very good copy. First edition. - Russian volume on the Russian resort town of Sochi, which hosted the Winter Olympic Games in 2014. Located on the "Russian Riviera" on the Black Sea, with a long & beautiful coastline, and known during the Soviet era as the "All Union Health Resort".
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Kirkegaards Antikvariat
kir54206
Stockholm: Konstsalongen Samlaren, 1962. - octavo, red wraps, 29 pages + black & white plates. Text in Swedish. Excellent copy. First edition. Book designed by Ernst Schwitters.
Kirkegaards Antikvariat
kir59295
Engletryk en collaboration avec Jørgen Fiskers Forlag, Copenhague 1992. Square 8° in wraps. Illustrated in colours. 63 pages. Text in Danish. Fine copy. 1. ed.
Kirkegaards Antikvariat
kir59389
Kleinheinrich Buch- und Kunstverlag, Münster, 1991. Broschur. 95 Seiten. OU am Rücken etwas abgekratz sonst gutes Exemplar. Deutsche Erste Auflage.
Kirkegaards Antikvariat
kir48142
Forlaget Asterisk, 2019. Leporello, 42 pages, illustrated throughout with b/w photographs. 305 cm when opened. Fine clean copy. 2nd printing - one of only 150 copies. The Danish artist's artists book version of Ed Ruscha's seminal artbook Every Building On The Sunset Strip.