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Horvath, Ödön von:
Kirkegaards Antikvariat
kir06248
Forlaget Povl Branner, 1947. 144 pp. Ubeskåret i det originale omslag. Meget velbevaret med kun små brugsspor. Dansk første udgave.
Naae, Viggo m.fl.:
Kirkegaards Antikvariat
kir28783
Kunst og Kultur, 1948 til 1949. Alle hefter upaginerede og rigt illustrerede i s/h og farver. Lidt brugsspor. nr.1: Signeret træsnit af Carin Steenberg. Nr.2: "Parabel" af W. Heinse med orig. radering af Hans Chr. Høier. Nr.3: Typografi af Kai Pelt. Nr.4: bl.a. typografi af Viggo Naae.
MAN RAY. - Pepper, Terence (ed.):
Kirkegaards Antikvariat
kir42871
Bruxelles Fonds Mercator and London National Portrait Gallery, 2013. 4to hardcover with jacket. 224 pages with 200 photographic plates. Text in French. Light edgewear, else clean very good copy. NB: The photo show the book still in plastic, but the copy is now opened and without the plastic wrapping. Large very heavy book, extra shipping may apply: please inquire before ordering this item!
Judd, Donald. - Smithson, Robert. - LeVitt, Sol. - Chillida, Eduardo among many others. - Nygård, Oivind & Morten Stræde (ed.):
Kirkegaards Antikvariat
kir44263
Copenhagen: Kunstakademiet /& Royal Danish Academy of Fine Arts, 2000. 8vo. Stiff wraps as issued. 213 pages. Texts in English. Illustrated b/w. Some wear to cover, else clean and fine copy. Texts on sculpture by Smithson, Chillida, LeVitt, Judd and many others.
Rousseau, Jean-Jacques:
Kirkegaards Antikvariat
kir28420
Forlaget Rhodos, 1987. 245 sider. Hft.
GHOSH, Goutam:
Kirkegaards Antikvariat
kir55391
Kunsthaus Hamburg, 2021. 8vo in clothed wraps as issued. 262pp w colour plates.Text in German, Bengali and English. Fine copy. 1. ed.
Levinas, Emmauel:
Kirkegaards Antikvariat
kir59243
Gyldendals Bogklub, 2002. 223 pp. Hft. Pænt ubrugt eksemplar.
Beuys, Joseph. - Warhol, Andy. - Irwin, Robert. - Schütte, Thomas. - Showalter, Elaine. - Peter Wollen et al. - Cooke, Lynne et al (ed.):
Kirkegaards Antikvariat
kir54515
Dia Art Foundation, New York, 2004. Small 8vo in wraps as issued. 222 pp., illus., bib. notes. Light edgewear else fine clean copy. The third in the series of the Robert Lehman Lectures on Contemporary Art. "Leonardo da Vinci, Marcel Duchamp, and Joseph Beuys," by Pamela Kort; "Robert Irwin and the Condition of Twilight," by Jonathan Crary; "Andy Warhol: Shadows," exhibition text by Lynne Cooke to preface Victor I. Stoichita; "Beyond the Peter Pan Complex: Warhol's Shadows," by Victor I. Stoichita; "Douglas Gordon's 'Left is Right and Right is Wrong and Left is Wrong and Right is Right,'" by Elaine Showalter; Stan Douglas's "Win, Place, or Show," by Bérénice Reynaud; "The Case of Thomas Schütte," by Boris Groys; "Rodney Graham's Black Box Treatment," by Jan Tumlir; "Myth of the West," by Peter Wollen.
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Lennon, John:
Kirkegaards Antikvariat
kir52526
Penguin, 1966. 8vo paperback as issued. 157 pp. Illustrated by Lennon and very finely printed in several colors. Well preserved copy. First combined edition 1966, containing John Lennon in His Own Write (1964) and A Spaniard in the Works (1965).
NABOKOV, Vladimir:
Kirkegaards Antikvariat
kir59037
London: Routledge & Kegan Paul Ltd, 1965 (Bollingen Foundation, 1964). Slim 8vo in publishers hardcover, w jacket. 104 pages. Name of previous owner to front pastedown. Jacket priceclipped and slightly edgeworn and some light discoloration to endpapers. Overall a very good copy. First British printing of Nabokov's commentary to the translation of Pushkin's Eugene Onegin. Preceded by the Bollingen print 1964). Scarce.
Laugesen, Peter:
Kirkegaards Antikvariat
kir59452
Borgen, 2009. 152 pp. Hft.
Benjamin, Walter:
Kirkegaards Antikvariat
kir42783
Gyldendal / Samlerens Bogklub, 1996. 197 pp. Hft. Navn, et par enkelte noter i teksten.
Hansen, C. E.:
Kirkegaards Antikvariat
kir55587
København: Wilhelm Hansen, 1929. 8vo i originalt heftet omslag. 47 sider. Ej illustreret. Godt eksemplar. 1. (og eneste) oplag. Een af de første (måske den første?) danske bøger om Jazz. Sjælden! / First (and only) edition. Possibly the first Danish book on Jazz - Scarce!
YUI, MIKI:
Kirkegaards Antikvariat
kir51364
Kunstverein Lippstadt, 2006. Large 8vo in stiff wraps. 34 pages, with color illustrations. Text in both German and English. Near fine. 2006 Catalogue boom from the exhibition, mixed media – wood ash, broken window pieces, charcoal, copper wires, piezo speakers, audio players, speakers, etc. The CD contains a 18 minutes stero mix of the installation.
ENO, BRIAN. - Sheppard, David:
Kirkegaards Antikvariat
kir59482
Orion Books, 2008. Hardcover, w jacket. 471 pages. Fine copy.
Christensen, Inger:
Kirkegaards Antikvariat
kir59390
Kleinheinrich Buch- und Kunstverlag, Münster, 1993. Broschur. 194 Seiten. OU am Rücken mit Handtierungsspuren sonst gutes Exemplar. Deutsche Erste Auflage von Del af labyrinten.
Rud Thygesen. - Johnny Sørensen (Magnus Olesen Furniture / Botium). - RØMER, Mike (ed.):
Kirkegaards Antikvariat
kir53352
Copenhagen: Arnold Busck, 1991. Small square 4to. Hardcover, with jacket. 126 pp. Illustrated. Full text in English and Danish. Fine copy. First edition.
Gregory, Danny. - Sahre, Paul :
Kirkegaards Antikvariat
kir60016
Princeton Architectural Press, 2003. 8vo in wraps as issued. 256 pages, richly illustrated in color. Text in English. Fine copy. A book about radio amateurs and their acknowledgement cards, a beguiling book designed by graphic design genius Paul Sahre: "Jerry Powell began his ham radio operation in 1929 and with the exception of the World War II years (when government forbade ham radio operators to take to the air) he was in continuous communication with people all over the world until his death in 1999. This book tells the story of Powell and the people he met. It is a record of one man's contacts during times of war, depression, peace and floods. Whenever a communication is established for the first time, the recipient of the communication by law must send an acknowledgement card, called a QSL. These QSLs are unique to each individual, it is their stamp and their calling card. This book brings together over 500 QSLs received by Jerry and provides commentary on each one. The authors radioed many of his more recent contacts to get Jerry Powell's story - and the story of ham radio."
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Mogotsi, Joe with Pearl Connor. - John Patterson and Lars Rasmussen (eds.):
Kirkegaards Antikvariat
kir57733
Copenhagen: Booktrader, 2002. 4to in softcover as issued. 160 pages. Text in English. Illustrated. Very good unused copy. Complete with CD in pocket at end. 1st edition.
Yanai, Guy:
Kirkegaards Antikvariat
kir55052
Los Angeles: Aran Cravey Gallery, 2014. 4to hardcover, no jacket as issued. 80 pages, richly color illustrated. A hint of wear to corners of cover (see photo) else fine and clean. 1. ed. book includes 11 drawings created for the occasion, as well as studio shots of the process, installation shots, a critical essay by Hila Cohen-Scheiderman, an in depth interview by Noam Segal, and all the plates from the show.
Hölderlin, Friedrich:
Kirkegaards Antikvariat
kir57637
Princeton University Press, Princeton, N. J, 1984. 8°. Softcover as issued XIX, 285 pages. Fine clean copy.
STEICHEN, EDWARD:
Kirkegaards Antikvariat
kir58756
New York: Museum of Modern Art, 1990 (1955). 192 pp. Illustrated b/w photos. Softcover edition. Clean very well preserved copy. 'The Family of Man' was a originally a photography exhibition curated by Edward Steichen and first shown in 1955 at the Museum of Modern Art in New York. It later travelled around the world (including Copenhagen) and is the most influential of all photographic shows of its kind. The exhibition is today on permanent display in Clervaux, Luxembourg. Parr & Badger, II, 218.
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Turèll, Dan:
Kirkegaards Antikvariat
kir49844
Borgen, 1982. 112 pp. Hft. Omslag lidt slidt ved hjørner. Indvendig ren. Alt i alt et ganske godt eksemplar. Første udgave.
Matta-Clark, Gordon. - VALIE EXPORT et al. - Breitwieser, Sabine (ed.):
Kirkegaards Antikvariat
kir52703
EA - Generali Foundation, Vienna, 1996. 8vo (23 x 16 cm) in wraps as issued. 399 pp with colour and b&w illustrations. German and English text. Fine clean copy. 1st edition. "The overall concept of the exhibition explores the notion of sculpture. Main emphasis is on how this concept has developed since the emergence of new media in the sixties and how it was introduced into the collection of the Generali Foundation. The title of the exhibition directly addresses the theme: the site where art takes place is not neutral ground but explicitly and implicitly a part of the whole. The exhibition thematizes models as well as the conceptual grasping of sculpture, the inclusion of media such as photography, film, video, and TV as well as performative aspects. The selection of works is based on the following question: starting from its origins in the late eighties, how was the basic idea of the General Foundation's collection of contemporary sculpture realized in the nineties, i.e., how is sculpture defined today? The exemplary selection of works from the collection focuses on interdisciplinary works, with film retrospectives by Valie Export and Gordon Matta-Clark at the center of the presentation. Black Box : A movie, lecture, and events hall, a "black box" is set up in the small exhibition hall. A series of events furthers the displays’ emphatically communicative character, an aspect which is integral to the content of the exhibition. This presentation structure attempts to get away from the set display of the same pieces at the same place over a certain space of time. In "White Cube/Black Box" different pieces - which can in part be selected - are shown each day. Another goal is to demonstrate the different parameters for the reception of works (film, video, installation). Film, in contrast to traditional components of an exhibition, is normally offered for a group in a precisely defined space of time and is accompanied by certain social parameters. In exhibitions, film and video is made available continually through the use of looped tapes and short clips. Important themes of this exhibition are therefore the factor of time as well as the aspect of communal versus individual consumption of art works. The Video Collection in Dan Graham's "New Design for Showing Videos" This functional sculpture, which has already been shown in conjunction with Dan Graham's videos in the course of our previous exhibition (Video/Architecture/Performance by Dan Graham), is another central element of the show. Here, the video space is used as a video library for the first time, i.e., for the Foundation's video collection, which has been built up greatly in this connection. VALIE EXPORT Acquisition and Restoration of the Entire Cinematographic Oeuvre: First retrospective in Austria: 28 January to 16 March 1996. The Generali Foundation has acquired and restored VALIE EXPORT’s entire cinematographic oeuvre, making it available to the Austrian public for the first time as a retrospective. The works on display include the film installations "Ping Pong," "Up+Down+On+Off," "Adjunct Dislocations," and "Splitscreen-Solipsism," which have not been shown since the seventies. They are being shown in a cycle each Friday and Saturday from February to mid-March. VALIE EXPORT was awarded the biennial EA-Generali Foundation Sculpture Prize in autumn 1995. Gordon Matta-Clark: Restoration and Acquisition of the Complete Films Film retrospective: 26 March to 13 April 1996. Gordon Matta-Clark (1943-1978, New York) became known for his "cuttings," interventions he carried out on buildings. The artist documented these temporary works on film. However, Matta-Clark also used film analytically and reflectively and it played a major role in his multi-media "gesamt" work (e.g., with "surveillance" being the buzzword in "Chinatown Voyeur" or with the exploration of urban underground scenarios in New York and Paris, as in "Substrait" and "Sous Sols de Paris"). Until recently, Matta-Clark's films were only available as video copies of the original films, which are in a poor state. About half the films were restored upon acquisition by the Generali Foundation, the second half were saved through the support of other institutions (including the Musée d'art moderne; Centre Georges Pompidou, Paris; and IVAM, Barcelona). The Generali Foundation has obtained worldwide first-showing rights for the films restored with its funds; moreover, it has also acquired the presentation rights for all of Matta-Clark’s films and videos. In creating the film program, in addition to structuring the content, attention was given to presenting the films in small segments as a counterpoint to the other exhibition components. Further works from the collection are available alongside the presentations in the Black Box and in the video room. Curator: Sabine Breitwieser. Exhibition Oganization: Daniela Stern.
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Woolf, Virginia:
Kirkegaards Antikvariat
kir59040
The Shakespeare Head Press Edition, 1994. Publishers hardcover, w jacket. XXX, 442 pp. Spine of jacket sunned else fine clean copy. Edited by J. H. Stape with an Introduction. First thus.

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