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Kirkegaards Antikvariat
kir59523
Soul Jazz Books, 2011. 4to in flexi boards as issued. 208 pages, richly illustrated. Very good copy. The ESSENTIAL book about Voguing featuring 200+ photographs, interviews and text on the legends of the House Ballroom Scene of New York City 1989-92. Introductory essay is by Tim Lawrence, author of the seminal music books: 'Life and Death on The New York Dance Floor',‘Love Saves the Day: A History of American dance music culture, 1970-79’ and ‘Hold on to your Dreams: Arthur Russell and the Downtown Music Scene, 1973-92’. Voguing came out of the extraordinary house ballroom scene that emerged in Harlem, New York in the 1980s where men competed against one another for their dancing skills, the realness of their drag and their ability to walk on a catwalk runway like a model. These wild years of voguing and the house ballroom scene are vividly captured at its height in hundreds of amazing, previously unpublished photographs. A visual riot of fashion, gender, polysexuality and subversive style, Voguing and the House Ballroom Scene of New York 1989-92 is also a fascinating and timely document on sexuality and race.
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Kirkegaards Antikvariat
kir51525
Cambridge, Massachusetts: The MIT Press, 2001 (1999). Paperback issue. IX, 455 pp. Sparsely illustrated in bw. Fine clean unread copy. An exploration of the use of sound in activities such as literature, music, theatre, visual arts, and film; Focuses on activity in Europe for the first half of the 20th century, then post-war America; Artists include William Burroughs, Yoko Ono, George Brecht, Fluxus, Allan Kaprow, and others
Kirkegaards Antikvariat
kir41839
Denmark: Pork Salad Press, 2011. 8vo. Softcover. 351 pp. Fine copy.
Kirkegaards Antikvariat
kir56109
Leipzig, A. Hahne, s.d. [around] 1924 or no later than 1925. Square 8vo in original rather worn boards [16 pp.]. Color illustrated. Binding rubbed and pages loosening but still holding. Some brownspotting throughout, but overall an acceptable copy. "A Day At Bunny School" is one of the most famous German illustrated children's book and was written by Albert Sixtus and illustrated by Fritz Koch-Gotha. Written in rhyme, the novel tells the tale of young rabbits going to school to learn good manners, how to paint Easter Eggs, how to identify plants, and how to elude foxes and other dangers. Offered here is a very rare early copy of this fragile German children's classic. Nr. 32 in the illustrated books series from the publisher.
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Kirkegaards Antikvariat
kir52391
Porto: Fundacao de Serralves. First edition, 1996.Large Quarto in wraps as issued, 111 pp., heavily illustrated (much in color), clean unmarked text. An bit of wear to the tips of the covers. Text in Portugese and English. First edition. SIGNED COPY. Boldly signed to front cover by Dennis Oppenheim (see phtoto) / Inscribed to Patricia (Asbaek), Danish gallerist.
Kirkegaards Antikvariat
kir54014
Milano : Charta for Galleria civica di arte contemporanea & Fondazione Antonio Ratti, 2007. 8vo in stiff wraps as issued. 134 pages. Illustrated in color. Text in both Italian and English. Fine clean copy. Issued on the occasion of the exhibition "Joan Jonas : my theater" held at the Galleria civica di arte contemporanea, Trento, Nov. 25, 2007-Mar. 2, 2008; includes an overview of Jonas's works from the 1960s, and documentation of her performance in 2007 at the Fondazione Ratti, in Como. First edition.
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Kirkegaards Antikvariat
kir03087
NY, Pocket Books, 1968. 213 pp. Richly illustrated. Paperback. Light wear to cover, with one corner with a small fold, but overall a tight very good clean copy. 1st printing thus, June 1968.
Kirkegaards Antikvariat
kir50380
Spector Books, 2011. Tall 4to in original boards. 145 pages, illustrated with text in both German and English. Fine copy. 1. ed. With texts by Jan Wenzel, Denise van de Beek, Stephanie Tasch. By the end of 1979, Sir Anthony Frederick Blunt was no longer Sir. The reason can be traced back to Cambridge where he was a student – and a member of a secret circle of men who were young and ardent advocates of Communism. Later they became known as the Cambridge Five. The first of them was exposed in 1951, the second one a year later. By this time, Blunt was professor of Art History and Adviser for the Queen’s Pictures and Drawings. He was in charge of managing the Royal Family‘s collection of paintings. His focus was on French and Italian art, especially Poussin. In 1963, the third member of the Cambridge Five was uncovered. Like the others, he had sought refuge in Moscow. Blunt’s secret identity became known the year after, but it was not publicly revealed to avoid damage to the Queen. It took another 15 years for Margaret Thatcher to publicise it. Book designed by Joachim Bartsch.
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Kirkegaards Antikvariat
kir42871
Bruxelles Fonds Mercator and London National Portrait Gallery, 2013. 4to hardcover with jacket. 224 pages with 200 photographic plates. Text in French. Light edgewear, else clean very good copy. NB: The photo show the book still in plastic, but the copy is now opened and without the plastic wrapping. Large very heavy book, extra shipping may apply: please inquire before ordering this item!
Kirkegaards Antikvariat
kir06248
Forlaget Povl Branner, 1947. 144 pp. Ubeskåret i det originale omslag. Meget velbevaret med kun små brugsspor. Dansk første udgave.
Kirkegaards Antikvariat
kir59699
Duke University Press, 2016. Thick and heavy paperback. XXI, 578 pages. Light shelfwear, else a clean and unread copy. "For the last 20 years London-based author and party organiser Tim Lawrence has dedicated himself to excavating the history of New York City party culture and bringing some of the most powerful aspects of that culture to London’s dance scene, from where it has ricocheted around the world. Having conducted the first set of major interviews with David Mancuso, Lawrence started to put on Loft-style Lucky Cloud Sound System parties with David and friends in London in June 2003. In early 2004 he published Love Saves the Day: A History of American Dance Music Culture, 1970-79, which tracked the influence of the Loft on the wider New York DJ, dance and disco scene. In 2009 his biography of the iconic musician Arthur Russell became the first book to map the wider downtown music scene. These beautifully written and politically insightful histories have educated, inspired and celebrated the previously overlooked foundations of contemporary dance music. Lawrence’s most recent publication, Life & Death On The New York Dancefloor, 1980 – 1983, published in late 2016, shines a light on 'one of the most dynamic and creative periods in the history of New York City'. Falling between the more regularly celebrated sounds of disco, house and techno, the period produced a uniquely hybrid series of sounds that never acquired a settled name. This led them to be largely ignored by historians and even DJs, yet the power of the period’s music and the scenes it birthed, Lawrence argues, remains undeniable. Met with a rapturous response, Life and Death On The New York Dance Floor saw Lawrence on the road for most of the next year as he spread the word about the characters, the records, the clubs and the bands that shaped the post-Disco, post-Punk, and burgeoning Hip Hop landscapes of New York City during the early 1980s—a period when freedom still ruled."
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Kirkegaards Antikvariat
kir59479
Primary Information, 2019. Small 8vo in wraps as issued. 575 pages. Light wear to cover. Essential writings from the downtown New York legend and polymath, pioneer of both structural film and drone musis. Tony Conrad (1940–2016) was a legendary multidisciplinary artist known for his groundbreaking contributions in experimental film, music, and video. Upon moving to New York City in 1962, he began making music with John Cale, La Monte Young and Marian Zazeela in the Theatre of Eternal Music, a group that helped shape what would come to be known as minimalist music. He later went on to perform with Lou Reed in a pre-Velvet Underground band called The Primitives and cut a classic 1972 record with the German Krautrock band Faust that set a new standard for drone music. In the 1960s and 1970s, Conrad was perhaps best known for his contribution to film, where he helped to redefine structural filmmaking with The Flicker and Yellow Movies. Conrad went on to create an extensive body of work in a variety of media such as installation, photography, and performance until his death in 2016. Throughout his life, Conrad also wrote prolifically on topics including his own work (and that of his peers), music, art, media theory and activism. Writings is the first book devoted solely to Conrad's writing, collecting 57 hard-to-find or previously unpublished texts from 1961 to 2012. These writings provide a critical lens into the artist's multitudinous identities and wide-ranging creative pursuits and, as with his diverse artistic output, consistently challenge and dismantle authoritarian notions of culture.
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Kirkegaards Antikvariat
kir60067
Gyldendals Bogklubber, 1995. Tyve bind komplet samlet i ti paperbacks. Sættet er rent og virker nærmest ubrugt. Alle Kierkegaards værker, inklusiv "Enten Eller" med Forførerens Dagbog, 'Philosophiske Smuler', 'Begrebet Angest' , 'Afsluttende uvidenskabelig Efterskift', 'Kjerlighedens Gjerninger' og 'Sygdommen til Døden'. No foreign shipping for this set.
Kirkegaards Antikvariat
kir36214
Gyldendal, 2008. Kvadratisk hardcover. 368 pp. Illustreret i s/h og farver. Nærmest som ny.
Kirkegaards Antikvariat
kir49851
Engeler Publishers 2020 (1974). Publishers hardcover, with jacket. 371 pages. Bilingual German-English edition. As new. First edition thus.
Kirkegaards Antikvariat
kir56301
Ordrupgaard, 2022. Stort format. Original hardcover. 143 sider. Rigt illustreret i s/h og farver. Som ny.
Kirkegaards Antikvariat
kir51770
Published by Danish Museum of Decorative Art, Copenhagen, 1996. Oversized tall folio in wraps as issued. 130 pages, richly illustrated. Text in Danish, and English. Fine copy. 1. edition. Monograph on Bindesboll: "Thorvald Bindesbøll, born on 21 July 1846, was the son of architect Michael Gottlieb Bindesbøll. Although a boy of ten years at the time of his father's death, he carried forth Michael's interest in art and architecture. Thorvald Bindesbøll was born into the artistic elite of Copenhagen. In early childhood, he showed considerable artistic talent. He trained as an architect at the Royal Danish Academy of Fine Arts in Copenhagen and also passed the polytechnic examinations in chemistry. While studying at the Royal Academy of Fine Arts, he received his first independent architectural commission. In 1882 he set off on a study tour of Northern Germany, the Netherlands and Northern Italy. Finding little demand for his architectural services upon his return to Denmark, he entered the field of industrial design. From 1880 onwards, he became increasingly interested in ceramics and produced hundreds of ceramic works in a virile, spontaneous style. Professional potters wheel-turned the majority of his pieces following his instructions or working drawings. Bindesbøll decorated the wet clay and applied the glaze. From the early 1880s, Bindesbøll became seriously engaged with ceramics, gradually adapting Far Eastern sources, and later developing his own personal form of non-figurative art. He was also well respected for his designs in silver. In 1900 Bindesbøll contributed to the Danish section for craft and design at the Paris Exposition Universelle. There he displayed ceramics and silver of his own design. Although Bindesbøll's contemporaries did not recognize his genius, famed art historian Nikolaus Pevsner called him "the most original ceramic artist of his generation."
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Kirkegaards Antikvariat
kir58688
University of Minnesota Press, 1971. Publishers hardcover, with fine jacket. IX, (1) 277 pp. Fine clean copy. First edition thus - uncommon. "For the last century and a half, Friedrich Schlegel (1772–1829) has enjoyed a reputation for being the critical grey eminence behind the coming to power of the Romantic Movement. It was Schlegel, in his three series of aphoristic fragments (Lyceum, Athenaeum, and Ideas), who actually first defined and employed the word "romantic" in the present sense; and it was he who in a chaotic, fragmentary, and often mysterious but forceful manner first proclaimed the doctrine that was to usher in the modern age in literature. He too was among the first to put his new program into practice in the shape of his unfinishedLucinde,a work variously denounced as pornography and heralded as a forerunner of modern novelistic experimentation, and probably the most famous novel to come out of German Romanticism. Both the Fragments and Lucinde,along with a brilliant tour de force, the "Essay on Incomprehensibility," are available now for the first time in a complete English translation in this volume, together with a brief scholarly introduction. This translation will enable non-German readers to examine at first hand the work of a man whom Rene Wellek has called "one of the greatest critics of history." ".
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Kirkegaards Antikvariat
kir54584
Typolygon, Russia, 2003. 8vo in wraps as issued. 108 pages. Richly illustrated in color. Text in both Russian and English. Fine clean copy. NB: No cd's with this copy! First edition. Probably very rare. Since the 90s Arkhipov has been travelling around Russia and Europe, exploring people and collecting their self-made functioning objects - "thingumajigs". The objects he has found are made by everyday people, inspired by the desire to create something themselves because of their passion for the home-made or as a consequence of hard times.
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Kirkegaards Antikvariat
kir47806
Aarhus Universitet / Studenterforeningen, 1961. Slim 4to in wraps as issued. (28) pp. Illustrated b/w. Fine copy. 1. ed. Inklusiv Eugene Ionesco's tekst om Robert Jacobsen og et situationistisk "Manifest" , en version af Situationist Manifesto som den fremgik af Internationale Situationniste No. 4 fra 1960.
Kirkegaards Antikvariat
kir55964
Occasional Papers, 2012. Tall 4to in glossy black wraps as issued. 304 pages, illustrated bw. Light edgwear to cover else fine clean copy. 1st ed. The first anthology of its kind, Graphic Design: History in the Writing (1983–2011) comprises the most influential texts about graphic design history published in English. Edited by a graphic design theorist and a practicing graphic designer, the book chronicles the development of the emerging field of graphic design history from 1983 to 2011, underscoring the aesthetic, theoretical, political and social tensions that have underpinned it from the beginning. Graphic Design: History in the Writing is a long-overdue sourcebook for students, teachers, curators and anyone else interested in the past and future of a field in rapid development. With texts by Jeremy Aynsley, Steve Baker, Andrew Blauvelt, Piers Carey, François Chastanet, Wen Huei Chou, Denise Gonzales Crisp, Brian Donnelly, Johanna Drucker, Steven Heller, Richard Hollis, Robin Kinross, Ellen Lupton, Victor Margolin, Ellen Mazur Thomson, Philip B. Meggs, Gérard Mermoz, Abbott Miller, Rick Poynor, Martha Scotford, Catherine de Smet, Teal Triggs, Massimo Vignelli and Bridget Wilkins.
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Kirkegaards Antikvariat
kir32818
Copenhagen: Arnold Busck, 1986. Original blue glossy hardcover boards. 108 pp. + plates (a illustrated (handdrawn) catalogue of Per Lütken's production, unicas etc. from 1942 to 1986). Text in Danish. Spine sunned else fine clean copy. First edition.
Kirkegaards Antikvariat
kir38194
Hundige, Denmark, Portalen, 1995. 88 pp. Illustrated throughout. 1. edition. Including original inserted SUPERFLEX 3,5-inch floppy disk in pocket at end!
Kirkegaards Antikvariat
kir58510
Oxford, Clarendon Press, 1967. Publishers blue clothed hardcover, w jacket. XXXIV, 336 pages, complete with illustrations and folded plates at end. Feeble scattered pencil notes else very good copy. First edition. Social Organization of a Brazilian Tribe by David Maybury Lewis, a pioneer in Brazilian Ethnography and Indigenous Rights.