Search Results
You Searched For: Booksellers = Kirkegaards Antikvariat
1740 Results Found
Graphis Annual 73 / 74 - The International Annual of Advertising and Editorial Graphics 1973 / 1974.
Kirkegaards Antikvariat
kir60014
Graphis Press Corp., Zurich 1973. Large heavy 4° hardcover with jacket. 230 pages, plus adv. Profusedly illustrated, trilingual edition. Minor wear to jacket, in all a very good copy. With cover by Friel.
Kirkegaards Antikvariat
kir45574
København: SMK Forlag, 2016. Stor hardcover. 296 sider. Rigt farveillustreret. Pænt, rent eksemplar.
Kirkegaards Antikvariat
kir55053
Sternthal Books January 2011, Tel Aviv. 8vo in original hardcover, no jacket as issued. 103 pages, plus plates at end 140 pages in all. Fine clean copy. 1. ed. Publised on the occasion of the exhibition First We Feel Then We Fall 12 May - 8 July, 2011 Alon Segev Gallery in Tel Aviv. “First We Feel Then We Fall” mixes photography, drawing, and painting in the elaboration of a unique visual language. The book opens with a trove of found images that have informed and inspired Yanai’s practice. The ‘Sources’ are followed by drawings, curatorial essays by Nuit Banai and James Trainor, and twenty two plates, including twelve oil paintings on linen, and ten oil paintings on custom birch panels.
More info
Kirkegaards Antikvariat
kir56248
Denmark: Aarhus Kunstforening (Aarhus Art Society), 1969. (144) pp. Richly illustrated throughout with short notes, partly in English. Only wear to cover (see photo) else a clean and very good copy. COMPLETE WITH INSERT. The very rare original 1. printing. Important AARHUSRAPPORT - rare documentations from the fluxus art scene in Denmark, documenting a number of happenings, exhibitions and concerts taking place in and around Aarhus during the years 1961-1969: "In June 1969, Danish composer and Fluxus artist Eric Andersen presented an interactive artwork called By som værk (City as work) that connected different places in Aarhus in a complex composition through posters mounted on billboard triangles on the city’s squares and in bus stops, communication over walkie talkies and analogue cameras to document which places had been visited. The posters on billboard triangles simultaneously gave the audience instructions for their tour through the city and served as a log of which instructions had been carried out. This conceptual framework for a mapping of Aarhus resulted in an on-going and choreographed, but not planned or scheduled, performance as well as a series of photographs and inscriptions on the posters made by people following the instructions of the work as it guided them through the city. The composition was a way to connect people in different places, sharing information over the walkie-talkie with others on the same channel, but also a way to connect places with places, transferring a mark from one location to another. Eric Andersen writes about the piece, ‘A city is an instrument that doesn’t always have to play the same phrases. City as Work involved the entire city as an interactive artwork, through which visitors and local population could enjoy quite different urban routes and activities than the common and worn out ones. Printed on the inside covers of the original Århus Rapport are a number of photographs from Andersen’s project, contrasted by a black/white topographic map of the city of Aarhus on its outside. In other words, the map and images of specific sites of Aarhus are what holds together the different artistic practices documented inside the Rapport. It is an example of the avantgarde ‘politics of the ultra-local,’" (Lars Bang Larsen).
More info
Kirkegaards Antikvariat
kir55390
Helsinki: Suomalaisen Kirjallisuuden Seura, 2015. Oblong large and very heavy8vo in hardcover. 192 pages, richly illustrated. Text in English. Fine clean copy. 1. ed. n his book Sivonen explores the relationship between a human and nature through Ahtila's video works from mid-1990s to this day. A central theme in Ahtila?s work is the relationship between humanity, animals and the natural world.
Kirkegaards Antikvariat
kir45213
Copenhagen: Arkitektens Forlag, 1965. 4°. Original heftet, beskyttet i syrefri plasticomslag. 127 sider. Godt eksemplar. The classic finely printed, richly illustrated monograph on the Danish graphic design pioneer Knud Valdemar Engelhardt (1882–1931) "Denmark's first industrial designer. Influenced by the architect Thorvald Bindesbøll, Engelhardt understood that successful production depended on both an industrial and a graphical approach. The font he developed for Gentofte's road signs is sensitive and personal but also eminently readable. From 1908 to 1910, he designed electric trams for Copenhagen with intricate detail. The vehicles were functional and cleanable in all weathers, and were well manufactured. Although Engelhardt was an architect, he also exerted a considerable influence on the development of Danish billboards and graphic design traditions. More than anyone else, Engelhardt paved the way for a Danish approach to design and industrial production" (wiki).
More info
Kirkegaards Antikvariat
kir53318
Copenhagen, 1961. Original illustrated wraps. Unpaginated. Illustrated. Text in Danish. Very good clean copy. Furniture and design by Mogens Koch, Hans J. Wegner, Ole Wanscher et al. First edition.
Kirkegaards Antikvariat
kir59474
Suhrkamp Taschenbücher, 1983. 1350 Seiten. Ohne Schuber. Bücher sind gut erhalten. 1200 = N.F., Band 200, Erste Auflage / First edition, 1st printing (stated). First publication was as part of Gesammelte Werke, Volume V the year before, this being the first seperate edition. Very well preserved, clean and complete set of Das Passagenwerk, The Arcades Project.
Kirkegaards Antikvariat
kir53512
Vejle Kunstmuseum, 1984. 4to i original heftet omslag. 96 sider samt 438 skitser trykt med sort på gult papir. Velbevaret rent eksemplar. Af Gernes tilrettelagt meget smuk antologi udgivet i forbindelse med udstilling af samme navn, arrangeret af Vejle Kunstforening og Vejle Kunstmuseum, som viste en lang række forslag til udsmykning af Vejle.
Kirkegaards Antikvariat
kir23926
Max Niemeyer, Tübingen, 1971. Original Ganzleinen mit OU. 175 Seiten. Name auf Vorsatz, sonst sauberes und insgesamt schönes Exemplar.
Kirkegaards Antikvariat
kir43954
London: The Architectural Press, 1962 (1961). 8vo. Hardcover, with original jacket. 315 pages, richly illustrated. Jacket is unclipped with some chips and wear to edges. Book itself clean. Overall a very good copy. First edition, 2nd impression.
Kirkegaards Antikvariat
kir57751
EMI / MUTE, 2009. Squarish hardcover. 84 pages, illustrated throughout, Corbijn photographs next to DM lyrics. Light shelfwear to cover, a little foxing to endpapers. Overall very good. 1st edition. Photobook issued as part of the special box set of Sounds of the Universe, the twelfth studio album by English electronic music band Depeche Mode, released on 17 April 2009 by Mute Records.
Kirkegaards Antikvariat
kir57617
Paris: Vogue, 1950. 4to magazine format. 100 pages. Complete, minor wear to spine. Clean and complete. Lovely classic vintage Vogue with photographs by Rutledge and Penn among others. Cover by Randall.
Kirkegaards Antikvariat
kir60017
Bern, Brigitte Schuster Éditeur, 2014. 24 x 16 cm. 256 pp. Softcover. Illustrated in colour. - Between 2010 and 2013, editor Brigitte Schuster interviewed thirteen prominent Dutch book designers, reproduced here along with a wealth of images of the designers and their work, much of which has never before been reproduced. Joost Grootens - Karen Polder - Ron van Roon - François Berserik - Armand Mevis - Hansje van Halem - Walter Nikkels - Robbert & Oscar Schrover - Caroline de Lint - Bram de Does - Tessa van der Waals - Adriaan de Jonge. - Fine copy.
More info
Kirkegaards Antikvariat
kir59542
Brøndum, 1993. 44 pp. Hft. Pænt eksemplar.
Kirkegaards Antikvariat
kir55903
Berlin: The Green Box Kunstedition, 2010. 4to in wraps as issued. 84 pages. Illustrated throughout. Minimal, very light rubbing to lower spine, barely noticable, else clean fine copy. First edition.
Kirkegaards Antikvariat
kir50425
MIT press for Chicago Institute for Architecture and Urbanism, 1992. Publishers hardcover, w jacket. 256 pages. Illustrated. Near fine clean copy. First edition. Book designed by Esterson Lackersteen. On architecture, gender, philosophy; minor architectural possibilities; the interiors of (Adolf) Loos; an inadvertant homage to Ray & Charles Eames; the posthumanist tjheory of Ludwig Hilberseimer; the burdens of linearlity; forms of irretionality; architectural theory is no discipline; body troubles; spatial narratives; Frank Lloyd Wright at the Midway, Chicago 1893; refractions of the art object in the self-images of ontology; the translation of architecture
More info
Kirkegaards Antikvariat
kir58290
Intellect Books 2017. 8vo in wraps as issued. 344 pp. Fine clean copy. The culture wars - intertwining art, culture and politics - have sparked prominent political debates across the globe for many years, but particularly in Europe and America since 2001. Focusing specifically on the experience of Denmark during this period, Culture War aims to analyse and understand the rise of right-wing nationalism in Europe as part of the globalisation and mediatisation of the modern nation state and the culture war and affective politics arising from it. This culture war provides an example of an affective cultural politics in which institutional structures become entwined with media representations, events and patterns of belonging. Employing a detailed and critically reflective argument covering social media, television, political campaigns, advertising and 'artivism,' Camilla Mohring Reestorff refuses the traditional distinction between the world of visual culture and the political domain, and she provides multiple tools for understanding the dynamics of contemporary affective cultural politics in a highly mediatised environment.
More info
Kirkegaards Antikvariat
kir58258
Philadelphia Museum of Art, 2008. Large quarto [9" x 11.75"] in stiff wraps. 252 pages, richly illustrated in color, text in English, DVD in pocket at rear. Front corners dented (see photos) else very good and clean copy. 1. ed. "James Castle (1899-1977) was an American artist born in Garden Valley, Idaho. James Castle was a self-taught artist who created drawings, assemblage and books throughout his lifetime. Castle was born profoundly deaf and for at least some time attended the Gooding School for the Deaf and the Blind in Gooding, Idaho, but it is not known to what extent he could read, write, or use sign language. Castle's artworks were created almost exclusively with found materials such as papers salvaged from common packaging and mail, in addition to food containers of all types. Castle mixed ink using soot from the woodstove with saliva and applied it with tools of his own making, including sharpened sticks, and other found objects. His drawings sensitively depict interiors, buildings, animals, landscapes and people based on his family's rural Garden Valley homestead as well as the architecture and landscapes of the places he lived and visited. His former home in Boise, Idaho is now a cultural center devoted to his work and includes an artist-in-residence venue."
More info
Kirkegaards Antikvariat
kir56814
Bologna: Cappelli Editore, 1965. Tall 8vo in original hardcover boards with dustjacket. 202 pp. With black and white plates. Text in original Italian. Scraping to free front endpaper else clean. Well preserved copy. First limited edition, published as part of the series "Collana cinematografica", 34.i. Numbered copy (# 153). Includes the original screenplay in Italian, as well as essays Visconti, Bianchi et al. "Sandra" (Italian: Vaghe stelle dell'Orsa, lit. 'Glimmering stars of the Great Bear') is a 1965 drama film directed and co-written by Luchino Visconti, and starring Claudia Cardinale, Jean Sorel, and Michael Craig. A modern-day retelling of the Electra story, the film centers on the incestuous relationship between a young Italian woman (Cardinale) and her brother (Sorel), on her return to their ancestral home of Volterra. It premiered at the 26th Venice International Film Festival, where it won the Golden Lion. "As ever with Visconti, he is ambivalently drawn to the decadent society he is ostensibly criticising; and Armando Nannuzzi's camera lovingly caresses the creaking old mansion, set in a landscape of crumbling ruins, where the incestuous siblings determine to wreak revenge on the mother (Bell) and stepfather (Ricci) who supposedly denounced their father. The title, culled from the poem "Le ricordanze" by Giacomo Leopardi, could be translated as 'Glimmering stars of the Great Bear', and has a strong resonance with the movie's plot".
More info
Kirkegaards Antikvariat
kir28061
Gyldendal, 1964 til 1967. 20 bind. Originale hardcover (s) uden omslag. Godt, pænt og rent indbundet sæt af den komplette samling af den klassiske udgave af alle Kierkegaards værker. Alle Kierkegaards værker, inklusiv "Enten Eller" med Forførerens Dagbog, 'Philosophiske Smuler', 'Begrebet Angest' , 'Afsluttende uvidenskabelig Efterskift', 'Kjerlighedens Gjerninger' og 'Sygdommen til Døden'. No foreign shipping for this set.
Kirkegaards Antikvariat
kir59087
Bidoun Projects, 2011. 8vo in original blue hardcover, gilt titles, no jacket as issued. 104 pages, chiefly illustrations black and white. Text in English. Fine clean copy. First edition. Further Reading a glossary of sort, from Admiral to Zero. Printed by Bidoun in an edition of 500. - "Bidoun Library is a presentation of printed matter, carefully selected with zero regard for taste or excellence, that documents the innumerable ways that people have depicted and defined — that is, slandered, celebrated, obfuscated, hyperbolized, ventriloquized, photographed, surveyed, and/or exhumed — the vast, vexed, nefarious construct known as “the Middle East.”"
More info
Kirkegaards Antikvariat
kir55035
The MIT Press, 2003. 8vo. Softcover. 236 pages, illustrated. Gift inscription to half title else clean. First edition, 2nd printing.
Kirkegaards Antikvariat
kir35493
New York: Simon and Schuster - an Xavier Moreau Book, 1979. 4to in original full cloth hardcover, no dustjacket. 144 pp. with 110 illustrations in color. Binding a little soiled. Clean inside and overall good to very good. First edition.
Kirkegaards Antikvariat
kir59225
DOM Publishers, 2015. 8vo in wraps as issued. 584 pages. As new copy, unopened. "The ideas of architects are usually conveyed by their buildings. Vladimir Belogolovsky takes a different approach in his new work. The New York-based author gives a detailed picture of contemporary architects – through words. The publication consisting of almost six hundred pages presents interviews with thirty architects, which Belogolovsky conducted in the framework of his long-term, international activities as a curator and author. The names of the interviewees read like a “Who-is-Who” of modern architecture. The fame surrounding these avant-garde masters has eclipsed merely professional circles and reached the conscience of the wide general public. Their iconic work has attracted so much attention in recent years in the mass media that it is often referred to as “Starchitecture." Interviews with: David Adjaye, Will Alsop, Alejandro Aravena, Shigeru Ban, Elizabeth Diller, Winka Dubbeldam, Peter Eisenman, Norman Foster, Zaha Hadid, Steven Holl, Bjarke Ingels, Kengo Kuma, Daniel Libeskind, Jürgen Mayer H., Giancarlo Mazzanti, Richard Meier, Paulo Mendes da Rocha, Glenn Murcutt, Gregg Pasquarelli, Joshua Prince-Ramus, Wolf Prix, Kevin Roche, Robert Stern, Sergei Tchoban and Sergey Kuznetsov, Bernard Tschumi, Robert Venturi and Denise Scott Brown, Rafael Viñoly, Alexandro Zaera-Polo.
More info