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Kirkegaards Antikvariat
kir48807
Forlaget Samleren, 1981. 428 pp. Hft. Omslag med brugsspor, indvendig ren.
Kirkegaards Antikvariat
kir06505
Lindhardt og Ringhof, 1988. 149 pp. Hft. Første danske udgave.
Kirkegaards Antikvariat
kir59781
Forlaget Arkona (Repertoire), 1983. 8vo. 62 pp. Heftet med tråd og med det originale omslag. Bogen fremtræder i pæn stand. 1. oplag.
Kirkegaards Antikvariat
kir59035
Persephone Books, 2002. 556 pp. Light edgewear but clean and overall well preserved. Written in 1936-7 by a young Austrian playwright living in exile in London, Manja opens, radically, with five conception scenes all set on the same night in 1920. In the midst of the turbulent Germany of the Weimar Republic, it goes on, equally dramatically, to describe the lives of the children and their families up until 1933 when the Nazis came to power. The four boys and one girl, Manja, become friends, but their companionship is doomed because of the differences between their parents; one father is a left-wing activist, another a Nazi, another a financier, another a Jewish musician. Yet Manja is far from being a political novel. Its startling originality lies in the way the the political background is perceived, steadily, from the child's point of view. We have all read about Germany in the 1930s from the historian's angle; there is, however, no novel we know of which sees German life during the period from the end of the First World War until 1933 in quite this clear-sighted way. 'What is so unusual,' wrote the playwright Berthold Viertel in 1938, 'is the way the novel contrasts the children's community - in all its idealism, romanticism, decency and enchantment - with the madhouse community of the adults.' Like The Priory, Manja was first published in English in September 1939: a reader 'spent seven nights totally beguiled and shocked by your clever juxtaposition of the two books.' The Preface is by the author's daughter, writer Eva Ibbotson; the new translation is by Kate Phillips.
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Kirkegaards Antikvariat
kir55611
London: Tate Gallery, 1970. Square 8vo hardcover, no dustjacket. 99 pages. Illustrated b/w. Name to free front endpaper, else clean and very good copy. 1. edition.
Kirkegaards Antikvariat
kir53694
Copenhagen: Statens Museum for Kunst, 1957. Small squarish 8vo in yellow wraps as issued (20) pages. Illustrated. Fine copy. First edition. Very pretty catalog in a cool modernist book design.
Kirkegaards Antikvariat
kir44713
Maison du Danemark, Paris, 1975. 4to. Publisher's wraps. (12) pp. Illustrated. Fine copy.
Kirkegaards Antikvariat
kir08172
Kbh., Gyldendalske Boghandel, 1927. Ubeskåret og stadig uopskåret i original hæftet omslag. 72 pp. Med vignetter af Axel Nygaard. Omslag slidt med skjold. Indvendig ren. Første udgave.
Kirkegaards Antikvariat
kir58119
Penguin Paperback, 2000. LXXXIX, 939 pp. Very good clean copy.
Kirkegaards Antikvariat
kir42284
Lindhardt & Ringhof, 1985. 181 sider. Hardcover, med omslag. Navn foran ellers ren og pæn.
Kirkegaards Antikvariat
kir47412
Kbh: Vintens Forlag, 1972. 193 sider. Heftet.
Kirkegaards Antikvariat
kir59670
Forlaget KLIM, 2011. Hardcover, med omslag. 313 pp. Pænt ulæst eksemplar.
Kirkegaards Antikvariat
kir59852
Aschehoug / Gyldendals Bogklub 2003 (2002). Kartonbind med smudsomslag (hardcover). 102 sider. Pænt eksemplar. Med illustrationer af Lise Rønnebæk. På dansk ved Jeannet Ulrikkeholm.
Kirkegaards Antikvariat
kir39604
Arnold Busck - Nyt Nordisk Forlag, 2004. Stort format. Hardcover, med omslag. 143 sider. Pænt eksemplar. Om værkstedsfællesskabet mellem de 3 keramikere Beate Andersen, Jane Reumert og Gunhild Aaberg, deres keramiske produktion og deres udstillinger samt om deres individuelle kunstneriske udvikling.
Kirkegaards Antikvariat
kir48990
Copenhagen: A/S Filmcentralen / Dansk Videnskabs Forlag, 1955. Original film programme from the Danish premiere of the movie 'Ordet' (The Word) based on the text of Kaj Munk. Illustrated with pictures from the film. Text in Danish. A bit worn, has been folded.
Kirkegaards Antikvariat
kir56732
Mentor, 1971. Paperback as issued. XLVIII, 317 pages. Well preserved and clean. Seventh printing.
Kirkegaards Antikvariat
kir45700
Suhrkamp Taschenbuch, 1985. 607 Seiten. Name. Gut erhalten.
Kirkegaards Antikvariat
kir26425
Roskilde Museums Forlag, 2007. Hardcover. 194 pp. Illustrated throughout with photographies by Jytte Rex. Text in both Danish and English. Name else clean. First edition.
Kirkegaards Antikvariat
kir57938
CINÉMA, Le Terrain Vague, 1960, In-8 broche, photos hors texte, 121pp.
Kirkegaards Antikvariat
kir51868
Edinburgh University Press, 1977. Publishers hardcover, with slightly worn jacket. IX, 172 pages. Very good clean copy. First edition thus. - The Spanish poem Fábula de Polifemo y Galatea, The Fable of Polyphemus and Galatea, or simply the Polifemo, first published in 1627 - here with an English translation and a long thorough introduction. The poem, though borrowing heavily from prior literary sources of Greek and Roman Antiquity, attempts to go beyond the established versions of the myth by reconfiguring the narrative structure handed down by Ovid. Through the incorporation of highly innovative poetic techniques, Góngora effectively advances the background story of Acis and Galatea’s infatuation as well as the jealousy of the Cyclops Polyphemus. The Polifemo was completed in manuscript form in 1613 and was subsequently published in 1627 after Góngora’s death. Luis de Góngora y Argote was a Spanish Baroque lyric poet. Góngora and his lifelong rival, Francisco de Quevedo, are widely considered the most prominent Spanish poets of all time. His style is characterized by what was called culteranismo, also known as Gongorismo. This style existed in stark contrast to Quevedo's conceptismo.
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Kirkegaards Antikvariat
kir50891
Leipzig: Galerie für Zeitgenössische Kunst Leipzig, 2000. 8vo in wraps as issued. 80 pages. Text in both German and English. Illustrated. Fine copy. Rare item by Michael Elmgreen & Ingar Dragset - the catalogue booklet on occasion of the exhibition in Leipzig, "Zwischen anderen Ereignissen" . First edition. "Michael Elmgreen: Our show at Galerie für Zeitgenössiche Kunst in Leipzig was our first institutional solo exhibition in Germany. During the last couple of years there has been this tendency all over Europe to produce ambitious and spectacular shows. So we started to think about all the activity that lies in between these shows, all the preparations and the labor of installing such giant art events. In the end we decided to focus on that : To use our production budget to employ two craftsmen from the city of Leipzig and let them paint the entire kunsthall white - over and over again - throughout the duration of exhibition, which was approximately seven weeks. An almost endless renovation of the space. We wanted to highlight this important though unnoticed side of the process of exhibiting. The intension was to expand the little "time gap" that is usually only a week or so in between two shows. And turn this gap into the show itself. - Ingar Dragset : In previous works we've been dealing with the issue of borderl ines in a physical way - works that have been penetrating the architecture which divides the art institution from the surrounding environment. In Leipzig the work was situated in a kind of inter-time-zone... in the break between two other art events. At the same time we tried to make a link between the institution and its surroundings by interfering with the social situation of the city. Leipzig has, as a lot of other cities in the former eastern part of Germany, an extremely high rate of unemployment."
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Kirkegaards Antikvariat
kir51454
Stalke Gallery, 1997. Squarish 8vo in wraps as issued. 21 x 23 cm. Catalogue of an exhibition held at Stalke Out of Space, Copenhagen, in 1997. Text by Staffan Boije af Gennäs.
Kirkegaards Antikvariat
kir51273
Copenhagen [2002].Large 4° in stiff wraps as issued. 60 pages. Richly illustrated in colour. Fine.
Kirkegaards Antikvariat
kir51295
Gyldendals Bogklub, 1981. Hardcover, med omslag. 235 pp. Illustreret af Svend Otto S. og oversat af Per Øhrgaard. Den nyeste oversættelse til dansk.