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LOMBARDI, INES:

Ines Lombardi, Past Present, Close and Distant, Secession.

Kirkegaards Antikvariat
kir51127
Wien: Secession & Revolver Publishing, 2011. Large tall 4to in stiff wraps as issued. 80 pages illustrated with full page colour plates. Text at end in German and English. Fine copy with only minimal shelfwear.

Openness, complexity, and difference, reality as a hybrid and dynamic construct: these are the hallmarks of a steadily growing corpus of works on which Inés Lombardi has been working since the late 1980s. Through endless variations and concatenations in a variety of media including photography and video as well as installations and objects, the artist demonstrates how complex human perception is. Space plays a significant role in the artist's presentation of her works, which perpetually call for new contexts and settings that endow them with new meaning. The new series Past Present Close and Distant, which Inés Lombardi developed for her exhibition at the Secession, continues this process. In questioning the relationship of the garden, surrounding landscape, and architecture at Residência Olivo Gomes and the Fazenda Vargem Grande, two gardens by the Brazilian landscape architect and painter Roberto Burle Marx, the artist examines the relationship between past and present and addresses questions of identity and diversity. Further aspects of her investigation concern the Self and the Other and the appropriation of the unknown, nature as a construct, modernity in Brazil, and the formation of national identities. Her research covers the writings of travelers and explorers, the Romantic naturalism of the nineteenth century, and our own complex relationships to this part of our history. By publishing a hybrid text, Inés Lombardi offers a magisterial solution for expanding the exhibition concept, which she has opened up to encompass book format. Weaving together statements from her artist, architect, and theorist friends about their personal impressions of the images the artist sent to them, she has created a text collage that forms a new ensemble from the sum of its parts. The result is open and complex and as dynamic as all of the artist's works.
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