Skip to Content

PICKLES = Stephen Pickles:

QUEENS.

Kirkegaards Antikvariat
kir57169
London: Quartet Books, 1984. Hardcover, w jacket. 289 pp. Light wear to jacket. Overall a very good copy. 1st edition.Queens is a novel, written in 1984 by an author under the apparent pseudonym "Pickles," which describes gay life in London. The author was Stephen Pickles, who at the time was working as an editor at Quartet Books, the publisher of the novel, with responsibility for its Encounters series. The novel Queens is an important social history : it is written in a variety of styles: third-person, omniscient narrator, overheard dialogue, and epistolary. In many ways Queens is unclassifiable: it mentions numerous real-life bars, pubs, and cruising spots, as well as other less anecdotally gay parts of London. Heaven, the Coleherne, and The Bell on Pentonville Road are just three of the main gay locations mentioned in the novel. In some regards, due to the absurdist tone of the novel's overall narration it could be considered to be written in mockumentary style. The omniscient narrator appears to have a pessimistic and ultimately unamused opinion of the characters described which contributes greatly to the novel's comedic value. Though the narration is choppy the main focus appears to be that of a specific set of characters that are both overlaid and interlinked in one way or the other. The exact identity of each character requires close observation on the reader's part as most characters are initially introduced under an alias (usually of a female variety) or referred to by the author as what type of "queen" they are. Most of the "queens" mentioned in the novel's exordial phases have their stories elaborated further. Scenes in which their way of conduct and process of thinking is demonstrated in one narrative mode or the other. Some of the "queens" stories feature frequently throughout the story however the only consistent plot line is the epistolary styled narration of a young early twenty something named Ben and his courtship and love affair with an aspiring male model Danny.(...). It was "lambasted by the gay press for its allegedly 'negative' portrayal of London's gay community". Part of the controversy was due to the depiction of characters in the novel. Many are lonely, bored or superficial. The author's own interviews contributed to the controversy, both for his insistence that he needn't present an affirmative picture of gay life in London and also for his unwillingness to publicly come out. The novel has been described as "a funny, and kind of mean, taxonomy, of gay types in London in the Thatcher years." Instead of names, the author often refers to characters by their position in gay life: Clone, Opera Queen, Northern Queen, Leather Queen, City Queen, Rent Boy, Insidious Queen. The author also accepts genderfucking names that gay men use for each other: Doris Mavis, Gloria". - "Anyone who was ‘on the scene’ in the mid 1980s will recognise these (stereo)types, like the leather queen who carries a motorcycle helmet but travels by taxi to The Colerherne, the vicar who justifies visiting gay bars as being an opportunity for pastoral work. One of our members said: I enjoyed Queens in a voyeuristic sort of way and as an historical record of an era. My memories of living in Lambeth predate the time Pickles was writing, being the early 1970s, when my haunts and hunting ground centred on Kings Road and Vauxhall, but also included The Salisbury in St Martins Lane where much of Queens is based. Such a Grand gay meeting place for intellectual, theatre, church, opera, suited and booted Queens in those days, as well as working class lads and 6th Formers on a day trip to London. There was a wider spread of social and economic class than you could find anywhere else in London. Members of Parliament, priests of all denominations and lawyers chatting with builders and soldiers (always lots of soldiers) without any judgement or malice. We were all there for the same reason and it felt safe……but with just a hint of risk."
Address:
Islands Brygge 25
2300 Copenhagen
Denmark
Phone:
CVR/VAT:
DK 28 01 76 34

Recently Added From Kirkegaards Antikvariat

Nordbrandt, Henrik. - Jens Winther. - Krass Clement:
Kirkegaards Antikvariat
kir60124
Gyldendal, 2013. 262 sider. Hft. Pænt eksemplar.
Nørgaard, Bjørn. - Prins, Henning. - Leif Varmark et al:
Kirkegaards Antikvariat
kir60115
Eks-skolens trykkeri, København September 1970. 4 sider. Velbevaret. Extremely rare! One of the 48 original issues of the Danish avantgarde artist magazine, the "newspaper" HÆTSJJ (Haetsjj = "Kerchoo") published between 1968 and 1970, this copy from September 1970. This issue deals with the "happening" at Hjardemål 31st August 1970 - the occupation or liberation of Hjardemål Church, which is close to the Thy camp - by Bodil Marie Nielsen, Peter Louis Jensen, Lene Adler Petersen, Bjørn Nørgaard among others. - The magazine is an example of what Nylen describes, and with most of the mentioned elements featured in it - "From the start of the Campaign for Nuclear Disarmament and the public events staged by the situationists and Fluxus in the early 1960s, symbolic actions in public spaces became the focus of political movements, youth culture and the arts. Collective action became the favoured mode of the 1960s, not only in political movements but also in the communes formed by young people who wanted alternative lifestyles, or just an affordable place to live, and in, for instance, popular music, where the rock group took the place of the individual pop star, as well as in art collectives, which organised their own schools (such as the Ex-School in Copenhagen) or assembled to produce little magazines, experimental films or utopian societies, animated by the do-it-yourself style of the new youth culture. For a moment in the second half of the ’60s it seemed possible for the politi-cal movements, the youth culture and the avant-garde to merge and create a huge wave of change that would permanently transform society. The Swedish writer Leif Nylén has described how these three movements overlapped in Sweden: The political students’ movement had its emotional background in the youth revolt, and any political demonstration would be full of Dylan lovers and Beatles fans. Young avant-garde artists were attracted to the concerts and dance halls of the youth culture, where the distinction between high and low culture would dissolve in a way that had been the aim of the avant-garde movements ever since the discussions of cultural democracy and the culture wars of the early 1960s. And the simple pop and rock music of the early 1960s developed into more sophisticated and experimental music which fused with the avant-garde scene".
More info
Nordbrandt, Henrik:
Kirkegaards Antikvariat
kir60123
Brøndums Forlag, (1986). Stor 8vo. Original heftet med tråd og med det originale omslag. Illustreret med en tegning af Jørgen Haugen Sørensen. Ikke signeret. Med originalgrafik af Jørgen Haugen Sørensen. Godt eksemplar.
Blixen, Karen. - Dinesen, Isak. - Tania:
Kirkegaards Antikvariat
kir60122
Exlibris / Gyldendal 1987 (1953). Original LP. Near fine / Fine. Karen Blixer læser op / Isak Dinesen reading her own text.
Højholt, Per:
Kirkegaards Antikvariat
kir00082
Edition After Hand / OLGA, 1982. LP. Gatefold. Omslag med hyldeslid ellers velholdt exemplar. Optaget den 2/10-1982 i Leif Ramløv Svendsens studie i Kollemotten for indbudt publikum, efter ide af Per Højholt og Teddy Hoffbeck.
Biilman Petersen, Gunnar. - Ejlers, Steen:
Kirkegaards Antikvariat
kir53178
Arkitektens Forlag, 2002. Stort format. Hardcover, med smudsomslag. 242 sider. Rigt illustreret. Omslag lidt slidt, ellers ren og pæn. Manden bag mange fine bomærker og kendt grafisk design, fx. Hellesen's batterier.