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Antikvariat Antiqua
ansG17483
Stockholm 1937. 30x24. 272 s. inklusive 88 blad (s. 93-268) med helsides reproduktioner varav 24 i färg. 30 reproduktioner och foton i texten. Elegant mörkrött halvmarokängband i utmärkt fint skick, upphöjda förgyllda bind, vackert marmorerat pärmpapper, övre guldsnitt. Upplagan begränsad till 1000 ex.
Antikvariat Antiqua
ansD19851
München & Stuttgart 2001. 28x25. 208 pp. Ca 150 photo colour photos including 38 full-page, and 50 drawings and plans. Publisher's boards, dust jacket, very fine. All text biliingual in German and English.
Antikvariat Antiqua
ansD24003
Stuttgart, Arnoldsche / Linden-Museum, 2000. 30x22. 288; + 416 pp. More than 1000 colour photos (33 full-page) and nearly 500 black and white photos of signatures, prints, etc. Publisher's printed boards, dust jackets, as new. Text and captions bilingual in German and English in volume 1 (112 Meisterwerke / Masterpieces); in German in volume 2 (Gürtelschmuck aus Japan).
Antikvariat Antiqua
ansD23986
Portland, Oregon: Nazraeli, 2013. 32x30. 88 pp. 62 full-page photographs. Publisher's satin cloth, dust jacket, kept in a satin cloth slipcase; an excellent copy.
Antikvariat Antiqua
ansB8350
Leipzig (ca 1864). 40x29. Printed title leaf + engraved ornamented title leaf + II+24 pp. (with columns 1-48) + 48 engraved plates with more than 500 drawings. Contemporary gilt-lettered cloth. Minor rumpling and damp stain in lower corner of text leaves and some plates. A comprehensive collection of designs for wooden doors, windows, stairs, framework façades, balconies, canopies, oriels, turrets and wooden ornamentation. One of the last publications prepared by this German Gothic Revival architect and teacher. The publications and teachings of Georg Ungewitter (1820-1864) aimed to maintain high standards of craftsmanship and precision, and his finely detailed Gothic columns, windows and canopies would become mainstream only a generation later.
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Antikvariat Antiqua
ansG14489
Paris 1945. 27x21. 254 pp. + 2 plates. Ca 400 photos, plans and designs. An excellent copy in handsome half green morocco binding with marbled boards, pictorial wrappers bound in. (Les Architectes Françaises, 1).
Antikvariat Antiqua
ansG23170
(Paris), Le Sagittaire, 1955. 21x18. IV+158+II pp. including 16 leaves with illustrations and die-cut holes, provided with a magnifying glass on a string. Black wrappers with four grey text fields including "PARENTS ! racontez vous rêves à vos enfants" etc; over card covers as issued. Very light external wear and minor corner scuffing.
Antikvariat Antiqua
ansD22479
New York, Blumarts, 1995. 32x24, 200 pp. including eight pages on two folding leaves + one tipped-in colour plate. Ca 65 photos (11 in colour) including 33 full-, double, or triple-page, and 33 drawings (four coloured) including 22 full- or double-page. Publisher's cloth, dust jacket, very fine. Second edition. Includes texts by Steven Holl, Hans Kollhoff, Rem Koolhaas, Eduardo Souto de Moura, and Theodor Vischer.
Antikvariat Antiqua
ansY18423
(København) 1956. 24x16. 34 pp. + 8 original lithographs including four in colour. 20 reproductions (8 full-page) in the text plus a portrait photo. Publisher's pictorial boards, covers lightly warped. Inscribed by Mogens Balle to Gunnar Hellman. Enclosed is an inserted handwritten letter (35 lines) from Balle to Hellman, and four leaves with original linocuts (ca 24x11), three of them signed "Mogens Balle 1959" on reverse, lightly stained but all but one in margin only. In the letter the artist discusses a forthcoming exhibition for which Gunnar Hellman shall write the catalogue introduction, and the enclosed linocuts are suggestions for illustrations in the catalogue.
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Antikvariat Antiqua
ansD14130
Berlin 1926. 26x19. 24 pp. text + 64 pp. with ca 160 photos. Publisher's cloth-backed boards with printed title and DWB-monogram. Boards very lightly discoloured; spine lacks one of two printed title labels. Signed by former owner, the Swedish silversmith Baron Erik Fleming. (Bücher der Form im Auftrag des Dutschen Werkbundes, 3). German Werkbund publication on contemporary German silver ware and jewellery.
Antikvariat Antiqua
ansF18283
Paris 1827. XVI+168 pp. + 53 engraved plates + engraved portrait + engraved frontispiece. 20th-century red cloth. Light to moderate foxing, often only in margins, and affecting the text more than the plates.
Antikvariat Antiqua
ansY18526
New York, The Women's Interart Center Gallery, 1977. 21x28. 48 pp. 52 reproductions. Double wrappers in different size, printed in black on white and white on black respectively, designed by Jacqueline Wray. Includes biographical data on the eight photographers / artists: Jacqueline Livingston, Dianora Niccolini, Stella Snead, Helen Soreff, Susan Weil, Ronnie Geist, Carole Goldner, and Susan Sadler Hoeltzel.
Antikvariat Antiqua
ansD11613
München 1987. 24x20. 216 pp. Ca 260 photos (9 in colour; 67 full-page). Publisher's pictorial boards, dust jacket. On one page there are a few markings with a light yellow marker pen, otherwise an immaculate copy. The text is in German.
Antikvariat Antiqua
ansD23906
New York, Rizzoli, 2010. 34x29. 686 pp. including eight pages on two folding leaves. Profusely illustrated with photos and reproductions, several full-page and the majority in colour. Publisher's cloth, dust jacket, in pictorial slipcase with cloth bottom and top; as new. Includes an interview with Piero Fornasetti, Bibliography, Index of the Fornasetti archive, chronology of exhibitions, and biographical chronologies of Piero and Barnaba Fornasetti.
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Antikvariat Antiqua
ansD4229
(Helsinki) 1986. 26x24. 344 pp. Ca 210 colour photos including many full-page. Publisher's cloth, in lightly tainted dust jacket, minor scratch on rear endpaper. Layout by Sarpaneva and Marjatta Svennevig. Beautifully produced monograph on Timo Sarpaneva with illusy´trations of glass, ceramic and metal ware, textiles, posters and book design, packages, door handles, etc.
Antikvariat Antiqua
ansD23811
Uddevalla, Svenska gods och gårdar, 1938. 26x20. 656 s. Ca 2350 foton. Förlagets halvskinnband.
Antikvariat Antiqua
ansY19000
Paris, Yvon Lambert, 1972. 17x11. 40 leaves including first and last blank leaf. Printed card covers. A conceptual artists' book which might be regarded as a counterpart to Bernardo Salcedo's "what is it ? qué es ?" published a year earlier. Set in minimalistic layout, the book is a collection of adjectives divided into two parts, the first expressing what may be, the second what may not.