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Antikvariat Antiqua
ansD22479
New York, Blumarts, 1995. 32x24, 200 pp. including eight pages on two folding leaves + one tipped-in colour plate. Ca 65 photos (11 in colour) including 33 full-, double, or triple-page, and 33 drawings (four coloured) including 22 full- or double-page. Publisher's cloth, dust jacket, very fine. Second edition. Includes texts by Steven Holl, Hans Kollhoff, Rem Koolhaas, Eduardo Souto de Moura, and Theodor Vischer.
Antikvariat Antiqua
ansY18423
(København) 1956. 24x16. 34 pp. + 8 original lithographs including four in colour. 20 reproductions (8 full-page) in the text plus a portrait photo. Publisher's pictorial boards, covers lightly warped. Inscribed by Mogens Balle to Gunnar Hellman. Enclosed is an inserted handwritten letter (35 lines) from Balle to Hellman, and four leaves with original linocuts (ca 24x11), three of them signed "Mogens Balle 1959" on reverse, lightly stained but all but one in margin only. In the letter the artist discusses a forthcoming exhibition for which Gunnar Hellman shall write the catalogue introduction, and the enclosed linocuts are suggestions for illustrations in the catalogue.
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Antikvariat Antiqua
ansD14130
Berlin 1926. 26x19. 24 pp. text + 64 pp. with ca 160 photos. Publisher's cloth-backed boards with printed title and DWB-monogram. Boards very lightly discoloured; spine lacks one of two printed title labels. Signed by former owner, the Swedish silversmith Baron Erik Fleming. (Bücher der Form im Auftrag des Dutschen Werkbundes, 3). German Werkbund publication on contemporary German silver ware and jewellery.
Antikvariat Antiqua
ansY18526
New York, The Women's Interart Center Gallery, 1977. 21x28. 48 pp. 52 reproductions. Double wrappers in different size, printed in black on white and white on black respectively, designed by Jacqueline Wray. Includes biographical data on the eight photographers / artists: Jacqueline Livingston, Dianora Niccolini, Stella Snead, Helen Soreff, Susan Weil, Ronnie Geist, Carole Goldner, and Susan Sadler Hoeltzel.
Antikvariat Antiqua
ansD11613
München 1987. 24x20. 216 pp. Ca 260 photos (9 in colour; 67 full-page). Publisher's pictorial boards, dust jacket. On one page there are a few markings with a light yellow marker pen, otherwise an immaculate copy. The text is in German.
Antikvariat Antiqua
ansD23906
New York, Rizzoli, 2010. 34x29. 686 pp. including eight pages on two folding leaves. Profusely illustrated with photos and reproductions, several full-page and the majority in colour. Publisher's cloth, dust jacket, in pictorial slipcase with cloth bottom and top; as new. Includes an interview with Piero Fornasetti, Bibliography, Index of the Fornasetti archive, chronology of exhibitions, and biographical chronologies of Piero and Barnaba Fornasetti.
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Antikvariat Antiqua
ansD4229
(Helsinki) 1986. 26x24. 344 pp. Ca 210 colour photos including many full-page. Publisher's cloth, in lightly tainted dust jacket, minor scratch on rear endpaper. Layout by Sarpaneva and Marjatta Svennevig. Beautifully produced monograph on Timo Sarpaneva with illusy´trations of glass, ceramic and metal ware, textiles, posters and book design, packages, door handles, etc.
Antikvariat Antiqua
ansD23811
Uddevalla, Svenska gods och gårdar, 1938. 26x20. 656 s. Ca 2350 foton. Förlagets halvskinnband.
Antikvariat Antiqua
ansY19000
Paris, Yvon Lambert, 1972. 17x11. 40 leaves including first and last blank leaf. Printed card covers. A conceptual artists' book which might be regarded as a counterpart to Bernardo Salcedo's "what is it ? qué es ?" published a year earlier. Set in minimalistic layout, the book is a collection of adjectives divided into two parts, the first expressing what may be, the second what may not.
Antikvariat Antiqua
ansD23985
London, Pace Gallery, 2012. 31x31. 86 pp. including four pages on one folding leaf. 17 full-page colour reproductions of paintings by Mark Rothko and 16 full-page reproductions of gelatin silver print photographs by Hiroshi Sugimoto. Publisher's printed boards. Introductory essay by Richard Schiff.
Antikvariat Antiqua
ansD7506
London 1877. 22x14. XXVIII+352+IV+353-376 pp.+ 41 plates (7 folding, one coloured). Engraved vignettes, illustrations and marks in the text. Publisher's leather-backed cloth, top edge gilt. Second, extended, handsomely produced edition of the classic work on Worcester porcelain.
Antikvariat Antiqua
ansD799
Berlin, Der Zirkel, 1920. 28x19. VIII+464 pp. 566 plans, drawings and (a few) photos. Publisher's half cloth. Spine slightly faded, Edges lightly browned, otherwise a fine copy. Comprehensive town planning manual influenced by contemporary trends, covering various aspects of modern urban building and planning. Gurlitt was one of the first to lecture on urban planning at German technical universities, and as Professor at the Technische Universität Dresden, he was the supervisor of Hermann Muthesius's doctoral thesis.
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Antikvariat Antiqua
ansD24045
Paris, De Nobele, 1968. 30x22. XXVIII+612 pp. including 24 pages on six folding leaves. More than 6500 photos and reproductions of marks, ca 260 photos of objects, 32 full-page maps, and other illustrations. Publisher's printed linen cloth, dust jacket. Edge chippings to jacket, otherwise excellent. Gift inscription by the author. A standard reference work on the marks of goldsmiths' and silversmiths' work produced in the French provinces from the middle of the 17th century to the 19th century. Arntzen/Rainwater P489.
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Antikvariat Antiqua
ansD24166
Boston ..., Little Brown and Company / Bulfinch Press, 1996. 32x26. 144 pp. 85 photos, all but a few full-page, plus small-size photos in a catalogue identifying the photos. Blind-lettered cloth with front plate, as new. Second printing. Portrait photos mostly of movie actors/actresses and other celebrities as well as some unidentified women.
Antikvariat Antiqua
ansB6438
Berlin, Paul Parey, (1909). 40x30. 46 plates, 11 more or less coloured (includes 22 larger folding plates - 17 folded once and 5 folded twice). Loose as issued in a printed cloth-backed portfolio with tie-strings, exterior slightly rubbed and darkened, some of the plates worn in margins. "2. Auflage". The plates only, without the text volume, of this work published by a renowned garden designer who was Gartenbaudirektor of the Kingdom of Saxony (Sachsen). The garden plans and bird's-eye perspectives include the Thürmsdorf and Bockstadt Schloss-Gärten and other private gardens in i.a. Dresden, Leibniz, Graz in Steyermark and Riga as well as Pension-Kurgärten, a children's playground in Blasewitz, and a garden for the German Town Building Exhibition in Dresden 1903.
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Antikvariat Antiqua
ansD24059
Dietikon-Zürich, Stocker-Schmid, 1962. 27x28. 408 pp. + 27 mounted wood samples (each 22 x 6,5 cms). Ca 415 photos (90 full-page) and 80 drawings. Publisher's cloth. One text leaf with closed tear. Former owner's name on front pastedown.
Antikvariat Antiqua
ansC24845
Braunschweig, Privatdruck durch die Kandinsky-Gesellschaft, (1930). 29x22. II+22 pp. A German translation of the texts in the monograph published by Cahier d'Art in Paris. Printed wrappers; front wrapper and pagination in Bauhaus style typography. A fine copy with minor traces of handling. On inside of front wrapper neatly inscribed in ink "Gunnar Jungmarker 1932" (Swedish art scholar and art critic). At top of the inside of rear wrapper there is a pencil inscription "Gummeson 1.50" in Jungmarker's handwriting. Kandinsky had been exhibiting at the Gummeson art gallery in Stockholm in 1916 and 1922, and this 1930 publication may well have been for sale there.
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Antikvariat Antiqua
ansD24683
Tokyo, Toto, 2005. 30x30. 240 pp. More than 150 colour photos including 75 full-page and 40 double-page, 25 colour reproductions of Aalto's drawings and plans, 16 earlier black and white photos, and seven measured plans. Publisher's silver-coloured, blind-lettered boards, dust jacket, as new. Also includes an interview with Kristian Gullichsen (The Villa as an Experiment for Aalto). Bilingual text and captions in English and Japanese.