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Antikvariat Antiqua
ansD12459
Braunschweig, Klinkhart & Biermann, 1965. XIV+320; + X+302; + X+306 pp. + 62 plates with colour photos. More than 750 black and white photos, plus reproductions of marks. Publisher's gilt-lettered cloth, dust jackets with colour plates, a very fine set. Arntzen/Rainwater P307. Monumental history and study of porcelain from the Fürstenberg manufactory in the second half of the 18th century, comprising: 1. Geschichte der Fabrik; 2. Geschirre; 3. Figuren.
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Antikvariat Antiqua
ansD22764
(London: Burns ?) 2002. 33x23. 320 pp. 100 full-page colour photos of rugs (plus eight double-page), ca 160 small-size colour photos of details; ca 50 photos and reproductions and 13 maps in the text. Publisher's printed cloth, dust jacket, an excellent copy, inscribed by the author.
Antikvariat Antiqua
ansD12249
Paris 1854-(1890). 22x15. VIII+640; + IV+640; + VIII+626; + VI+272 pp. Contemporary half brown calf with marbled boards. Occasional light foxing; one volume with small unobtrusive repair to top of spine; a nice set. Arntzen/Rainwater N38. A classic international dictionary of engravers and their works.
Antikvariat Antiqua
ansB17082
(Oppenheim), Verein zur Wiederherstellung der Katharinenkirche ... 1889. 67x43. II+44 pp. + 16 photogravure plates on heavy stock, with 7 elevations, sections etc. (four full-page and two double-page), 18 smaller detail drawings, and 12 photographs. 12 additional photos in the text. Loose as issued in a gilt-lettered half cloth portfolio with tie-strings (one missing), head and tail of spine slightly cracking, title leaf slightly browned, the plates moderately foxed with weak dampstains. (Festschrift zur Feier der Vollendung am 31. Mai 1889 zugleich dem 200jährigen Erinnerungstrage der Zerstörung Oppenheims). The Saint Catherine church in Oppenheim is one of the most important Gothic churches on the Rhine. It was heavily damaged in the late 17th century, and a first renovation was made in 1834-45. This large album was published as a documentation of the major restoration carried out between 1879 and 1889 by the Viennese architects Friedrich and Heinrich von Schmidt.
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Antikvariat Antiqua
ansH23745
Berlin, Galerie Kornfeld, 1988. 31x30. 284 pp. Ca 125 reproductions, 80 full-page, 36 in colour including 30 full-page. Publisher's printedlinen cloth, dust jacket, very fine.
Antikvariat Antiqua
ansG2223
Monte-Carlo, Sauret, 1978. 32x24. 376; + 344 pp. Illustrated throughout including 64 colour reproductions of colour lithographs. Publisher's printed linen, dust jackets, a very fine set. The definitive catalogue raisonné of Rouault's engraved and lithographed uvre in all its states, fully illustrated, with annotated essays in French, English and German.
Antikvariat Antiqua
ansD21897
New York 2008. 22x22. 224 pp. Ca 190 photos by Keld Helmer-Petersen (76 full-page) and 46 reproductions of furniture drawings (22 full-page). Publisher's cloth, dust jacket, as new.
Antikvariat Antiqua
ansB8779
Stockholm 1762. 17x10. XII+108 s. + 6 utvikbara graverade planscher med 44 fasadritningar, sektioner, planer och detaljritningar. Samtida halvskinnband. Andra upplagan av ett arbete som först utgavs 1761.
Antikvariat Antiqua
ansD24818
Berlin, Wasmuth, 1881. 48x32. 8 pp. + 22 plates (including two folding) with 41 colour rendering. Loose as issued in printed, cloth-backed boards; old bookplate inside front board. A fine set with minor unobtrusive darkening of top margins.
Antikvariat Antiqua
ansG14770
Helsingfors 1951. 24x16. 552 pp. text and reproductions of marks + 40 pp. with 75 photos of gold and silver works. A beautiful copy, handsomely bound in half morocco with marbled boards, printed wrappers bound in (minor discolouring of front wrapper, one leaf with repaired tear in margin). Inscribed by the author. No. 231 of an edition limited to 500 copies. Scarce, classic dictionary of the gold- and silversmiths and jewellers of Saint Petersburg 1714-1870.
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Antikvariat Antiqua
ansB10978
Stuttgart 1929. 29x23. VII+128 pp. Ca 300 photos and renderings and 75 plans, sections, etc. Publisher's gilt-lettered cloth. An influential work on modern architecture, with an introduction that put the new style firmly in a line of descent from selected aspects of 19th-century designs and gave importance to he Expressionists and the Amsterdam school at a time when their reputations were declining. The introduction is followed by an 158-page survey of buildings designed by Bruno Taut, his brother Max, Mendelsohn, Döcker, Gropius, Mies, Scharoun, Häring, Ernst May, Josef Frank, Josef Hoffmann, van der Vlugt, Oud, Rietveld, Bohuslav Fuchs, Le Corbusier, Lurçat, Mallet-Stevens, and others. A truncated version in English, without the plans and sections, was published in the same year.
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Antikvariat Antiqua
ansB6450
Paris 1867. 40x29. VIII+56; + VIII+114+II; + VIII+90+II; + VIII+114+II pp. + 293 engraved plates (3 folding) and 2 coloured lithographed plates. Ca 220 drawings and plans in the text. Contemporary half brown morocco, top edges gilt, bindings slightly rubbed but a very good set with fine, clean plates. Descriptions and carefully drawn elevations, perspectives, details and plans illustrating twenty-five French buildings from the 15th-18th centuries including Le Vau's Hôtel Lambert in Paris and other prominent houses and major Châteux.
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Antikvariat Antiqua
ansA7713
Stockholm 1948. 31x23. XVI+148 pp. + 110 plates (24 coloured and 86 heliogravure plates) with ca 470 photographs. 332 drawings in the text. Publisher's cloth. A Royal presentation copy of the sumptuously produced catalogue, inscribed by Crown Prince Gustaf Adolf, February 1949. Yuan 1615. When Gustaf Adolf ascended the throne shortly before his 68th birthday in 1950, much of his life as Crown Prince had been devoted to the assembling of an important collection of ancient Chinese pottery and other art objects.
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Antikvariat Antiqua
ansG20869
Paris 1933. 24x16. 92 pp. 40 photos, designs and plans. Pictorial wrappers. A very good copy with minor traces of handling and light wear to backstrip. First edition of the "Crusade, or the Twilight of the Academies". Le Corbusier was constantly on guard against the academic establishment, and this crusade against academism and traditionalism may be regarded as a response to the prolonged campaign against Le Corbusier mounted by the 'Art National' journal published by the Association des Architectes Anciens Combattants.
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Antikvariat Antiqua
ansA13136
Leipzig 1925-29. 32x25. VIII+448; + VIII+284; + IV+250 pp. + a total of 65 plates with ca 100 heliogravure reproductions, 35 coloured. 137 reproductions in the text including 40 full-page. Publisher's decorated, gilt-lettered cloth, some foxing of edges. Herman Lindberg's name in pencil on front free endpaper. Classic, scholarly history of Japanese woodcut art, covering: 1: from earliest times to Harunobu, 2: from Harunobu to Eishi, 3: from the Sekien school to Hiroshige. Includes numerous reproductions of signatures, and dictionary of important Japanese terms and concepts with their Japanese characters.
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Antikvariat Antiqua
ansV23387
(Stockholm 1917). 16x11. 72 s. katalog (inklusive personregister) + 16 s. med 23 foton + 45 s. annonser över möbler, inredningsartiklar, husgeråd, etc. + 3 s. annonsregister (där sista bladet saknas men har ersatts med ett faksimil). Fint exemplar av denna sällsynta katalog, bunden i ett klotryggsband där pärmarna klätts med tapet vars mönster skapades av Uno Åhrén för Hemutställningen; de tryckta omslagen medbundna (det främre med liten bläckfläck nedtill). Katalogen över den legendariska Hemutställningen, ett genombrott för Slöjdföreningens yngre och radikalare falang. Utställningen föregicks av en tävling i tre klasser: 1. Enkelrum med kakelugnsspis, 2. Bostadskök med ett rum, 3. Två rum och kök. Ytterligare tävlingar tillkom om ugnar, spisar och kaminer, samt om nya bohagsting. Fotografierna visar rum skapade och inredda av Uno Åhrén, Carl Malmsten, Gunnar Asplund (bostadskök) och Ernst Spolén (kök), ugnar av Asplund och Ragnar Hjorth, bohagsföremål av porslin, glas och metall av Wilhelm Kåge, Edgar Böckman, Edvard Hald, Simon Gate, Edvin Ollers, Eva Jancke-Björk, Hakon Ahlberg, Paul Hedqvist, Folke Bensow, och Jacob Ängman, samt ritningar till arbetarbostäder av Gunnar Asplund.
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Antikvariat Antiqua
ansD25265
(Stockholm), Bokomotiv, 1980. 30x21. 240 s. inklusive 226 sidor med 452 fotografier + inklistrad tryckt rättelselapp. Förlagets pappband med skyddsomslag, ett utmärkt fint ex. Svartvita fotografier tagna av De Geer framför allt åren 1965-1975. Först 2004 kom "Med kameran som tröst, del 2" i form av en dokumentärfilm som visades på Folkets Bio i Stockholm.
Antikvariat Antiqua
ansD7731
Stockholm 1928. 34x27. XVI+124 pp.; + 8 pp. + 93 fine heliogravure plates (one folding). Marks and monograms and other illustrations in the text. No. 74 of an edition limited to 150 copies. Bound in one volume, half red leather, top edge gilt A beauiful copy of Böttiger's descriptive catalogue of pictorial tapestries from the 16th and 17th centuries in private Swedish collections.
Antikvariat Antiqua
ansD23595
New York & Oxford, Oxford University Press, 1993. 30x21. 352 pp. Ca 370 photos (nearly 100 in colour including 50 full-page) and 300 drawings. Publisher's gilt-decorated semi-limp cloth, printed mylar jacket. A very fine copy, with small chipping and edge rift in the jacket; the binding and contents in excellent condition.
Antikvariat Antiqua
ansG14850
München 1929. 23x18. 108 s. 55 mostly full-page photos, perspectives, etc. A very nice copy in publisher's yellow cloth with red lettering and design. (Bauhausbücher, 10). Second, extended edition of Oud's Bauhaus book on modern Dutch architecture.
Antikvariat Antiqua
ansB17079
Stuttgart, Julius Hoffmann, (1913). 40x29. 4 pp. + 45 plates with ca 200 photographs of façade details and ornaments, portals, church decoration, etc. Loose as issued in publisher's half cloth portfolio. Light wear to the boards, contents fine. A photographic documentation of architectural ornamernt by the sculptor, goldsmith and art teacher Karl Gross (1869-1934). Gross contributed to the development of the German Jugendstil, and was involved in the ornamental design of numerous churches in Dresden. From 1914 he was Director of the Staatliche Akademie für Kunstgewerbe (from which he retired in 1933 as his ideals were confronted with the cultural politics of the Nazi regime).
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