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Letarouilly, Paul Marie
Antikvariat Antiqua
ansB8358
Paris, Morel, (1860)-1874. 58x42. VIII; + VI; + VI pp. + engraved frontispiece + 354 engraved plates + folding engraved map. Loose as issued, kept in three fine green/black cloth portfolios with gilt-lettered spines and tie-strings. The map is browned, one title leaf is chipped (not affecting text), otherwise fine. A monumental collection of elevations, sections, perspectives and plans of buildings in Rome, from Renaissance to latter day Classicism. Letarouilly, a pupil of Percier, first traveled to Italy in 1820 and began his sketches then. The published collection was widely consulted by the Classicist Revival architects in France and abroad. A text volume was published separately and is not present in this set.
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Regild, Carsten / Rolf Börjlind (red.)
Antikvariat Antiqua
ansY18842
Hägersten 1974-(1975). 30x21. 132 s. + inklistrad plansch + inklistrat tidningsurklipp; 124 s; 142 s; 50 blad; 188 s; 98 s; 72 s; 198 s. Tryckta främre omslag, bakre kartongomslag. Upplagans storlek varierade kraftigt mellan 500 ex. (4, 8) och som mest 2000 ex. (3). Vargen var en stencillerad tidskrift med material som tillställdes redaktionen gratis eller hämtades ur andra tidskrifter och böcker, såväl som teckningar och collage av Carsten Regild samt texter av Rolf Börjlind och Jan Olof Mallander (för de två första numren ingick Mallander och Olle Granath i redaktionen). Ett minnesvärt inslag i Nr 3 är enkätsvaren till fyra frågor som skickades till bl.a. Erik Dietman, Harry Schein, Allan Fagerström, Kjell Alinge, Lars Gyllensten, Kerstin Vinterhed, Torbjörn Säfve och Mikael Wiehe. Nr 4 utgörs av 49 kopior av ett kedjebrev på engelska, där man under parollen "Occupy the brain!" bjuder in folk från hela världen att skicka in material (med ett första blad som återger texten på svenska), och Nr 5 innehåller bilder och texter som inkom från 24 länder, däribland svenska bidrag av bl.a. Jarl Ingvarsson, Bengt af Klintberg, Anna-Clara Tidholm, Ulf Lundell och Bruno K. Öijer. I Nr 6 är alla texter på engelska, även dem av Börjlind, Eric Fylkeson, Bruno K. Öijer, Bengt Emil Johnson, C F Reuterswärd, Ulf Linde, Olle Granath, och andra svenskar varav flera skulle bidra till Vargens utställning på Moderna Museet i November 1975. Nr 7 utgör katalog till utställningen (Moderna Museets kat. nr 132), och Nr 8 består av bidrag av besökare på utställningen, som framställdes på den tryckutrustning som fanns till hands där.
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Antikvariat Antiqua
ansY15467
Stuttgart, Galerie Lutz und Mayer / München, Moderne Galerie Otto Stangl, 1949. 15x11. 16 pp. 7 full-page reproductions. Stapled as issued with printed opaque wrapper over blank card covers. Small rupture in the opaque paper at bottom of spine, otherwise a fine copy of a rare and fragile publication. Published in conjunction with an exhibition organised by the participating artists led by Max Bill and realised by the I.P.C. (Institut für Progressive Kultur). The catalogue is designed by Max Bill, with text in lower case only, each artist presented with text faced by a representative reproduction. On first page there is a text by Max Bill taking the form of a Concrete Art manifesto: "konkrete kunst nennen wir jene kunstwerke, die auf grund ihrer ureigenen mittel und gesetzmässigkeiten - ohne äusserliche anlehnung an naturerscheinungen oder deren transformierung, also nicht durch abstraktion - entstanden sind ... konkrete kunst ist in ihrer eigenart selbständig ... "
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Blochet, Edgard
Antikvariat Antiqua
ansA11542
Paris 1926. 32x25. IV+164 pp. + 3 photo plates + 120 heavy-paper photogravure plates (one folding) with ca 230 photographs. Half brown calf, top edge gilt, printed front wrapper bound in. Extremities of spine lightly worn with tiny cracking, otherwise a very fine copy kept in a marbled flannel-lined slipcase. No. 459 of an edition limited to 510 copies. Scarce, magnificently produced study and documentation of Turkish, Arabian and Persian illuminated manuscripts in the Bibliothèque Nationale in Paris.
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Schmidt, Louis Florenz Karl (ed.)
Antikvariat Antiqua
ansB385
Dresden 1912. 2 leaves (title and list of plates) + 60 plates (48x35) with ca 60 elevations and perspectives and 75 site, house and flat plans; + 48 pp. textbook (28x22) with 33 photos and designs, in printed wrappers. Plates loose as issued, together with the textbook in a pictorial cloth-backed portfolio. An attractive collection of designs for courtyard tenement-blocks, mainly contributions by Dresden architects to a competition announced by the Saxonian Heimatschutz, also illustrating some other schemes including terraced house designs by Bruno Möhring.
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Ponti, Lisa Licitra
Antikvariat Antiqua
ansM4225
London, Thames and Hudson, 1990. 28x25. 288 pp. Ca 600 photos, designs and plans (90 in colour). Publisher's boards, dust jacket, very fine.
Gräff, Werner (ed.)
Antikvariat Antiqua
ansD11182
Stuttgart 1928. 29x20. 164 pp. including 114 pages with 184 photos. A very fine copy in publisher's grey cloth with black and red lettering on front and spine. The account of the interiors and furniture in the 'International Style' houses at the pioneering exhibition arranged by the German Werbund at Weissenhof. Photos of furniture designed by Breuer, Gropius, Mies, Josef Frank, Lilly Reich, Schuster, Mart Stam, Oud, Le Corbusier and others; lamps by Marianne Brandt, W H Gispen, Richard Döcker, Poul Henningsen, etc. Includes texts by Breuer, Gispen, Josef Frank, Mart Stam and Le Corbusier.
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Cendrars, Blaise
Antikvariat Antiqua
ansB11184
Lausanne 1929. 33x25. II+56 p. including three leaves which are etchings by Clément. Half orange morocco, orange printed wrappers bound in. Offset from plates and other scattered foxing onto text leaves, not affecting the etchings. Printed on handmade paper, edges uncut. No. 274 of an edition limited to 500 copies (one of 150 copies "reservés aux éditions "Au sans Pareil", à Paris"). The Swiss-born artist Charles Clément was a co-founder and illustrator of the satirical and pacifist journal l'Arbalète published in Lausanne. In 1927 he left Switzerland to settle in Paris.
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Lenz, Eduard von
Antikvariat Antiqua
ansD11966
S.-Peterburg 1908. IV+376 pp. More than 400 marks and monograms (reproduced in the text as well as in an alphabetical index) plus ca 30 photos and other illustrations. Bound up with: Eduard von Lenz (ed.), IMPERATORSKIJ ÉRMITAZH'. AL'BOM' IZOBRAZHENIYA VYDAYUSHCHIKHSYA PREDMETOV' IÉ' SBRANIYA ORUSHCHIYA - COLLECTION D'ARMES DE L'ERMITAGE IMPÉRIAL. S.-Peterburg 1908. Title leaf + 30 heliogravure plates with ca 220 photos + 30 leaves with descriptions in Russian and French. 25x17. Neat half grey cloth. Book-plate of Karl Konrad Meinander. Rare inventory and study of the collection of arms and armour in the Hermitage Museum (published as part 1 of the Catalogue of the Mediaeval and Renaissance Department), supplemented with a bilingual volume of plates. This copy is from the library of the art scholar Karl Konrad Meinander, curator at the Historical / National Museum of Finland 1900-1933 and founder of the Helsinki City Museum in 1912.
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Coxon, Herbert
Antikvariat Antiqua
ansD25282
London, T. Fisher Unwin, 1884. 21x14. XVI+76+IV pp. + 11 plates (one coloured and some tinted) + a folding map. Publisher's grey green cloth with black lettering and gilt images of cargo camels. A very nice copy with some very light wear to extremities.
Antikvariat Antiqua
ansD5374
Kiev, Komiteta Jugo-Zapadnago Fronta Vserossijskago Soyuza 1919. 33x26. 68 pp. + 6 plates (2 folding) with ca 60 coloured designs + 3 tables (2 folding). 23 photos in the text and 11 ornamental vignettes printed in red and black. Neat later half black cloth with red boards, original printed wrappers with ornamental design bound in. A rare, attractively produced survey of folk art and ornamentation in Bukovina and Galizia published by the Comittee for the South-Western Front of the Pan-Russian Union.
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Gropius, Walter
Antikvariat Antiqua
ansB10980
München 1925. 23x18. 116 pp. + 4 colour plates. Ca 110 mostly full-page photos. Publisher's printed cloth designed by Moholy-Nagy. Minor external signs of wear. First edition. (Bauhausbücher, 7). A presentation of recent works from the Bauhaus workshops with an introduction by Gropius and photos of furniture, light fixtures, metal work, textiles and ceramic ware designed by Gropius, Breuer, Albers, Dieckmann, Wagenfeldt, Marianne Brandt, Otto Lindig and others.
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Weihrauch, Jürgen (ed.)
Antikvariat Antiqua
ansY18448
München, Galerie van de Loo, 1976. 26x23. XXII+270 pp. including one folding leaf with original colour lithograph. Nearly 500 reproductions, 100 full-page including 42 in colour. Cloth-backed as issued in blank covers and jacket with colour lithograph by Jorn. Jacket spine and edges slightly rubbed, otherwise fine.
Antikvariat Antiqua
ansY18684
(Amsterdam 1949). 30x24. 28 pp. including pictorial wrappers (with photo montages by the Danish film-script writer Jørgen Ross and artist Wilhelm Freddie) + two mauve paper leaves with drawings by five-year-old Warner. Ca 30 other reproductions and photos including work by Constant, Corneille, Appel, Alechinsky, Wolvenkamp, Asger Jorn, Eiler Bille, Egill Jacobsen, Carl Henning Pedersen, C.O. Hultén, and Shinkichi Tajiri. The fourth issue of the Cobra review was edited by the Dutch Experimental Group that constituted the letter A (for Amsterdam) of the name Cobra - hence it was realised in great part by Corneille who had taken over from Constant as secretary of the group, although the issue opens with a manifesto by Constant (C'et notre désir qui fait la révolution). Other text contributions by i.a. Corneille, Dotremont, Edouard Jaeger, Bert Schierbeek, and Marcel Havrenne, and the issue is illustrated with children's pictures mixed up with reproductions of works by artists participating in the November 1949 Exhibition of International Experimental Art at Stedelijk, with slogans by Corneille appearing throughout.
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Morand, Paul (text) / Demetrios Galanis (prints)
Antikvariat Antiqua
ansG24790
Paris, La Sphère, 1926. 25x32. 92 pp. + 12 plates with original sepia engravings by Demetrios Galanis. No. 93 of 300 copies printed on Arches paper (from an edition of 306 numbered copies with the Galanis prints). Pictorial wrappers printed in black, maroon and grey. A very good copy, several textfolds unopened.
Twining, Lord (Edward Francis)
Antikvariat Antiqua
ansD11648
London 1960. 30x22. XL+708 pp. + 116 leaves with ca 750 photos. Publisher's cloth, dust jacket. Many neat pencil underlinings. The jacket is lightly worn with tiny repair. A monumental standard work on the subject.
Nicholson, William / William Ernest Henley
Antikvariat Antiqua
ansD22598
London, Heinemann, 1898. 34x19. 18 pp. + 12 plates with colour lithographs after Nicholson's original coloured woodcuts. Publisher's cloth-backed printed boards with a colour lithograph. An oval stamp (C. Roberson & Co. Artists' Colourmen, 154 Piccadilly) on title page. Contents of the book including the plates in fine condition, but there is some exterior foxing mainly to the cloth spine, minor wear to extremities of covers, one small stain to rear cover, and browning to free endpapers. List of the plates printed on reverse of title leaf: Guardsman, Hawker, Beef-eater, Sandwich-Man, Coster, Lady, Bluecoat Boy, Policeman, News-Boy, Drum-Major, Flower Girl, and Barmaid (all of which are faced by a printed quatorzain by Henley), and Bus Driver (on front board).
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Chagall, Marc / Léopold Senghor
Antikvariat Antiqua
ansH25148
Paris, Éditions du Seuil, 1973. 28x22. 64 pp. + eight card leaves with colour lithographs by Chagall printed by Mourlot (as is his colour lithograph on front cover). No. 1131 of 2000 copies printed on vélin Mazarine. A perfect, unopened copy, with the original printed title slip loosely inserted at top of front cover.
Farge, Louis (ed.)
Antikvariat Antiqua
ansD23962
Paris: André, Daly fils & Cie, (ca 1892). 40x30. II+28 pp. + 79 plates numbered I-LXXX including a folding plate numbered LXIV-LXV. Ca 75 perspective renderings and elevations (37 full-page) and 40 plans and sections. Loose as issued in pictorial cloth-backed boards, the original tie-strings neatly substituted with new ones. Some plates with minimal fraying of outermost edge, a fine set, from the library of the Swedish architect Rudol Enblom. An attractive documentation of edifices at the grand World's Fair held in Paris in 1889, including the grandiose national pavilions and other buildings. The twelve first plates present Charles Garnier's idiosyncratic and picturesque "History of Habitation" project, illustrating the history of human habitation with twenty houses designed as dwellings from prehictoric times and early civilizations through the Middle Ages and Renaissance to modern, as well as a general view of the entire ensemble.
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Schmitz, Hermann
Antikvariat Antiqua
ansB14900
Berlin, Verlag für Kunstwissenschaft, (1919). 43x33. Textbook comprising 24 pp. + 6 heliogravure plates; + 37 loose heliogravure plates (comprising five leaves eaves, each with one tipped-in colour plate, and 32 heliogravure plates with 51 photographs). 12 plans, elevations, etc. in the text. Textbook in printed wrappers kept together with the loose plates as issued in a beautiful marbled portfolio with printed front label and tie-strings. Light browning of the outermost margins of plates, otherwise an excellent copy. No. 105 of an edition limited to 300 copies. A rare, sumptuously produced documentation of the Paretz country palace built to design of David Gilly around 1800. The building and its interiors and furniture are shown on the photographs; the five colour plates are reproductions of colour renderings by the artist Wilhelm Blanke.
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Neÿ, Bela (ed.) / Károly Divald
Antikvariat Antiqua
ansB17092
Budapest 1901. 56x44. II+12 pp. + 16 fine photogravure plates with eleven photographs, elevation, section, perspective, and two renderings of decorative ceiling (one coloured) + 4 plates with plans. Loose as issued in a gilt-lettered portfolio with tie-strings, covers slightly stained. (Magyar Mérnak- és Építész-Egylet Knyvkiado Vállalato. A Vállalat Ügyeinek Intézéré Válaszlott Bizottság Megbizás ábol Szerkeszti: Nëy Béla. III-ik Cyklus, I-sö Illetmény). A presentation of the Royal Hungarian Palace of Justice building built 1893-1896 to the design of Alajos Hauszmann. The photographs and the photogravure plates were prepared by the pioneering Hungarian photographer Károly Divald (1830-97) and/or his son Károly Divald Jr.
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Antikvariat Antiqua
ansB1784
København 1900-20. 36x27. Each volume contains one title leaf and one leaf with list of contents. There is a total of 305 plates (15 folding) with more than 570 measured elevations, sections, plans, and drawings of building details, doors, gates, windows, mountings, etc., and volume 5 also contains 32 leaves with ca 80 photographs and text. Contemporary uniform half cloth bindings (Anker Kyster), volumes 1-4 slightly grubby, contents of all volumes in fine condition. A complete set of these measured drawings and photos of old Danish buildings published by the Association of December the Third 1892, which took its name from the day that the association was formed with the purpose to promote the documentation and preservation of old Danish architecture.
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Desgodetz, Antoine
Antikvariat Antiqua
ansD23477
(Paris, Coignard, 1682) Facsimile edition: Farnborough, Gregg, 1969. 39x26. II+XIV+323+I pp. (including 158 pages with reproductions of the engraved plates). Publisher's gilt-lettered cloth. Full facsimile of the first edition of Desgodetz's work providing detailed engravings of the monuments and antiquities of Rome and determining the precise proportions of many Roman structures. Reissued in 1729 and again in 1779, it proved as helpful to Neoclassical architects as it had been to the classicizing Late Baroque ones.
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Antikvariat Antiqua
ansY18629
München 1958. 29x21. One-leaf rose-pink paper flyer with text on front page only. Very fine, with weak trace of having been folded once. The first manifesto of the German section of the Situationist International, dated München, 1. Januar 1958, with the printed signatures of Asger Jorn and Hans Platschek. "Das is des letzte Gefecht! 1957/58 ist die grösste Jahrhundertswende aller Völker und Zeiten. Es ist errreicht. Der neue Mensch ist da! ... Kunst ist Aktion. Kunst ist Tod. Die Kunst ist tot. Also ist töten Kunst. Kunst ist Töten." etc.
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Luhti, Jean-Jacques
Antikvariat Antiqua
ansD13483
Paris 1982. 27x21. LXVIII+272 pp. Ca 1340 reproductions (41 in colour including 23 full-page). Publisher's gilt-lettered cloth, dust jacket, a fine copy. The fully illustrated standard Catalogue Raisonné of Emile Bernard's paintings.

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