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Antikvariat Antiqua
ansD13483
Paris 1982. 27x21. LXVIII+272 pp. Ca 1340 reproductions (41 in colour including 23 full-page). Publisher's gilt-lettered cloth, dust jacket, a fine copy. The fully illustrated standard Catalogue Raisonné of Emile Bernard's paintings.
Antikvariat Antiqua
ansD25282
London, T. Fisher Unwin, 1884. 21x14. XVI+76+IV pp. + 11 plates (one coloured and some tinted) + a folding map. Publisher's grey green cloth with black lettering and gilt images of cargo camels. A very nice copy with some very light wear to extremities.
Antikvariat Antiqua
ansY18448
München, Galerie van de Loo, 1976. 26x23. XXII+270 pp. including one folding leaf with original colour lithograph. Nearly 500 reproductions, 100 full-page including 42 in colour. Cloth-backed as issued in blank covers and jacket with colour lithograph by Jorn. Jacket spine and edges slightly rubbed, otherwise fine.
Antikvariat Antiqua
ansG24790
Paris, La Sphère, 1926. 25x32. 92 pp. + 12 plates with original sepia engravings by Demetrios Galanis. No. 93 of 300 copies printed on Arches paper (from an edition of 306 numbered copies with the Galanis prints). Pictorial wrappers printed in black, maroon and grey. A very good copy, several textfolds unopened.
Antikvariat Antiqua
ansD11648
London 1960. 30x22. XL+708 pp. + 116 leaves with ca 750 photos. Publisher's cloth, dust jacket. Many neat pencil underlinings. The jacket is lightly worn with tiny repair. A monumental standard work on the subject.
Antikvariat Antiqua
ansD22598
London, Heinemann, 1898. 34x19. 18 pp. + 12 plates with colour lithographs after Nicholson's original coloured woodcuts. Publisher's cloth-backed printed boards with a colour lithograph. An oval stamp (C. Roberson & Co. Artists' Colourmen, 154 Piccadilly) on title page. Contents of the book including the plates in fine condition, but there is some exterior foxing mainly to the cloth spine, minor wear to extremities of covers, one small stain to rear cover, and browning to free endpapers. List of the plates printed on reverse of title leaf: Guardsman, Hawker, Beef-eater, Sandwich-Man, Coster, Lady, Bluecoat Boy, Policeman, News-Boy, Drum-Major, Flower Girl, and Barmaid (all of which are faced by a printed quatorzain by Henley), and Bus Driver (on front board).
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Antikvariat Antiqua
ansH25148
Paris, Éditions du Seuil, 1973. 28x22. 64 pp. + eight card leaves with colour lithographs by Chagall printed by Mourlot (as is his colour lithograph on front cover). No. 1131 of 2000 copies printed on vélin Mazarine. A perfect, unopened copy, with the original printed title slip loosely inserted at top of front cover.
Antikvariat Antiqua
ansD23962
Paris: André, Daly fils & Cie, (ca 1892). 40x30. II+28 pp. + 79 plates numbered I-LXXX including a folding plate numbered LXIV-LXV. Ca 75 perspective renderings and elevations (37 full-page) and 40 plans and sections. Loose as issued in pictorial cloth-backed boards, the original tie-strings neatly substituted with new ones. Some plates with minimal fraying of outermost edge, a fine set, from the library of the Swedish architect Rudol Enblom. An attractive documentation of edifices at the grand World's Fair held in Paris in 1889, including the grandiose national pavilions and other buildings. The twelve first plates present Charles Garnier's idiosyncratic and picturesque "History of Habitation" project, illustrating the history of human habitation with twenty houses designed as dwellings from prehictoric times and early civilizations through the Middle Ages and Renaissance to modern, as well as a general view of the entire ensemble.
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Antikvariat Antiqua
ansB14900
Berlin, Verlag für Kunstwissenschaft, (1919). 43x33. Textbook comprising 24 pp. + 6 heliogravure plates; + 37 loose heliogravure plates (comprising five leaves eaves, each with one tipped-in colour plate, and 32 heliogravure plates with 51 photographs). 12 plans, elevations, etc. in the text. Textbook in printed wrappers kept together with the loose plates as issued in a beautiful marbled portfolio with printed front label and tie-strings. Light browning of the outermost margins of plates, otherwise an excellent copy. No. 105 of an edition limited to 300 copies. A rare, sumptuously produced documentation of the Paretz country palace built to design of David Gilly around 1800. The building and its interiors and furniture are shown on the photographs; the five colour plates are reproductions of colour renderings by the artist Wilhelm Blanke.
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Antikvariat Antiqua
ansB17092
Budapest 1901. 56x44. II+12 pp. + 16 fine photogravure plates with eleven photographs, elevation, section, perspective, and two renderings of decorative ceiling (one coloured) + 4 plates with plans. Loose as issued in a gilt-lettered portfolio with tie-strings, covers slightly stained. (Magyar Mérnak- és Építész-Egylet Knyvkiado Vállalato. A Vállalat Ügyeinek Intézéré Válaszlott Bizottság Megbizás ábol Szerkeszti: Nëy Béla. III-ik Cyklus, I-sö Illetmény). A presentation of the Royal Hungarian Palace of Justice building built 1893-1896 to the design of Alajos Hauszmann. The photographs and the photogravure plates were prepared by the pioneering Hungarian photographer Károly Divald (1830-97) and/or his son Károly Divald Jr.
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Antikvariat Antiqua
ansB10980
München 1925. 23x18. 116 pp. + 4 colour plates. Ca 110 mostly full-page photos. Publisher's printed cloth designed by Moholy-Nagy. Minor external signs of wear. First edition. (Bauhausbücher, 7). A presentation of recent works from the Bauhaus workshops with an introduction by Gropius and photos of furniture, light fixtures, metal work, textiles and ceramic ware designed by Gropius, Breuer, Albers, Dieckmann, Wagenfeldt, Marianne Brandt, Otto Lindig and others.
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Antikvariat Antiqua
ansD23477
(Paris, Coignard, 1682) Facsimile edition: Farnborough, Gregg, 1969. 39x26. II+XIV+323+I pp. (including 158 pages with reproductions of the engraved plates). Publisher's gilt-lettered cloth. Full facsimile of the first edition of Desgodetz's work providing detailed engravings of the monuments and antiquities of Rome and determining the precise proportions of many Roman structures. Reissued in 1729 and again in 1779, it proved as helpful to Neoclassical architects as it had been to the classicizing Late Baroque ones.
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Antikvariat Antiqua
ansY19489
(Stockholm) / Frankfurt am Main / Berlin - Wien 1972. 31x22. 38 + 43-364 pp. (complete, 39-42 omitted in pagination) + cardboard plate with original colour drawing made with Tinguely's Méta-matique on 4 September 1973 and pencil signed by Tinguely + 33 rpm gramophone record inside rear cover. Profusely illustrated with photos and reproductions, ca 90 full- or double-page. Original pictorial binding designed as a briefcase with handle and lock, very fine. In the non-Swedish editions, pages 39-42 are on two semi-opaque leaves with translation of the text in Hultén's 1955 publication on kinetic art reproduced on pages 38 and 43; in this Swedish-language edition those two leaves were simply omitted.
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Antikvariat Antiqua
ansD7139
London, Benn, 1923. 29x22. XVI+156 pp. + 69 plates, each with printed guard-leaf, with 112 photos (9 in colour). No. 11 of 12 copies printed on Japanese vellum-paper and bound in gilt-decorated full vellum, top edge gilt; signed by Neurdenburg and Rackham. A very fine copy. Arntzen/Rainwater P346.
Antikvariat Antiqua
ansB10687
Wien 1931. 18x12. VIII+192 pp. Publisher's printed cloth (backstrip neatly repaired). First edition. Author's presentation copy inscribed "Für Karin Ahlin dieses Buch als Symbol. Josef Frank". Despite the title focusing on architecture, the book constitutes an extended essay on what Frank viewed as the problems of contemporary design. At its core is an attack on the German functionalists who "lacked the courage to rely on any human feeling". Citing the tubular steel chairs which he believed summed up the recent tendencies in design he writes that "steel is not a material but an ideology" and notes sarcastically that "the new German feels he is under a moral obligation to sit uncomfortably, and does not want to know that any other type of chair exists. The God who made iron grow did not want wooden furniture".
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Antikvariat Antiqua
ansH16265
Neuchâtel, Ides et Calendes, 1994. 30x25. 256 p. including three foldout leaves. Ca 125 full- or double-page colour reproductions and 55 photos. Publisher's cloth, dust jacket.
Antikvariat Antiqua
ansH18648
Tokyo, The Nihon Keizai Shimbun, 1970. 32x26. VI+X pp. title and text in English + in reverse order from a Western point of view: XII pp. + 70 leaves (four folding) with 81 tipped-in colour plates (of 73 works) + 160 pp. with 520 reproductions + 212 pp. text in Japanese with ca 270 reproductions including 210 of signatures and calligraphy. Publisher's printed cloth, kept in printed cloth slipcase with colour plate. Edition limited to 2000 copies. Scarce. Fully illustrated Catalogue Raisonné of 593 works by Utagawa (Ando) Hiroshige. Text in Japanese but includes catalogue in English giving descriptive title, technique, size, publisher and dating of each work.
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Antikvariat Antiqua
ansB9301
Moskva 1939. 22x17. 84 s. 73 photos and renderings mainly of the station buildings and interiors, and one map. Pictorial wrappers. Backstrip slightly worn with tiny loss of paper, otherwise a fine copy. (Populjarnaja biblioteka po architekture). Rare presentation of the architecture of the Moscow Metro stations.The author was one of the architects of the grandiose Dvorets Sovetov station (renamed Kropotkinskaya in 1957). When opened in 1935, the Moscow Metro was the first underground railway system in the Soviet Union. It was named (until 1955) after Lazar Moiseyevich Kaganovich, the Communist Party Secretary who organised and contributed greatly to the building of the Moscow Metro. From 1935 to 1937 he was Narkom (minister) for the railways, and was given the nickname "Iron Lazar" for his ruthless implementation of Stalin's purging policy, organizing the arrests of railway administrators and managers as alleged saboteurs.
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Antikvariat Antiqua
ansB1958
Paris, Morancé, (ca 1925). 27x22. 24 pp. textbook + 32 colour pochoir plates + one advertisement leaf. Textbook and loose plates as issued in printed cloth-backed boards with embossed design, tie strings. A very fine copy. (Documents d'Architecture). Excellent pochoir-coloured reproductions of 19th-century renderings of elaborate classicist shopfronts in Paris during the First Empire (1804-15): Milliners, jeweller, perfumer, pharmacies, butcher, porcelain shop (purveyors to her Majesty the Emperess), tobacco shops, restaurant etc. The original renderings are kept in the Cabinet des Estampes at the Bibliothèque Nationale.
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