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Antikvariat Antiqua
ansB16939
Berlin, Verlag für Kunstwissenschaft, 1936. 32x24. 56 pp. + 18 heavy paper plates with 43 photographs and 4 drawings. 18 photos and 23 drawings and renderings in the text. A fine copy in publisher's gilt-lettered cloth. Rare first edition of this important study by the pioneering German orientalist, archaeologist and art historian, on the tile-decorated kiosk of the Royal palace of Konya (Ikonion) which was built by Kilidj Arslan II in the 12th century.
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Antikvariat Antiqua
ansD25247
Paris, Robert Delpire, 1954. 27x21. 156 pp. 75 photos (62 full-page and 13 double-page). Publisher's blue cloth, spine slightly sunned. With an ink inscription "Pour Monsieur Hård af Segerstad, hommage amicale de Brassaï, Paris, le 3 mai 1954". (Collection Neuf , 12). Signed presentation copy from Brassaï to the Swedish design and photography critic Ulf Hård af Segerstad. First leaf has small printed title at top "Séville en fête"; second leaf has ditto "Photographies de Brassaï" (and the ink inscription); next leaf is the main title leaf, with imprint on reverse. This is followed by page 11, and nothing seems to be missing so apparently the front endpapers may be regarded as included in pagination.
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Antikvariat Antiqua
ansB11003
Berlin 1930. 25x17. 76 pp. Pictorial wrappers. Typography and wrapper design by Jan Tschichold. An excellent copy of this rare and fragile book, with only very light wear to the sensitive backstrip. (Fototek, 2). 60 full-page photographs by Aenne Biermann, one of the major protagonists of the New Objecivity movement in photography, who died at the young age of 34 shortly after the publishing of this book. The last photograph in the book is a portrait of Franz Roh who has written the text (which appears in German, English and French). The "Fototek" series was a collaboration between Roh and Tschichold - the creators of the 1929 publication Foto-Auge - and several issues were planned but only two were realised, on Moholy-Nagy and Biermann respectively.
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Antikvariat Antiqua
ansG24719
København 1918. 36x25. 62 s. + 42 planscher med 70 ljustryck av fotografier + 56 planscher (3 kolorerade) med talrika ritningar av byggnaden, interiörer, möbler och inredningsdetaljer. 18 reproduktioner av gravyrer etc. i texten. Tryckt i 620 ex. av vilket detta är nr 144. Oskuret exemplar inbundet, med båda omslagen och ryggremsan, i ett elegant halvpergamentband med sparsamt förgylld rygg (August Sandgren). De marmorerade pärmarna lätt nötta i översta och nedersta kanterna, i övrigt ett mycket fint exemplar. En uttömmande beskrivning av det lilla lustslottet Liselund med dess intredning och anslutande byggnader, uppförda på ön Møn 1792-95 enligt ritningar av Andreas Kirkerup. De detaljerade uppmätningsritningarna är utförda av Hack Kampmann, Christian Kampmann, Kay Fisker, Aage Rafn, Poul Stegmann and Max Rée, och boken är i sig utformad som en pastisch av en bok från det sena 1700-talet. Att Liselund blev en inspiration för den Moderna Klassicismen i skandinavisk arkitektur är särskilt uppenbart i Gunnar Asplunds Skogskapell på Skogskyrkogården.
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Antikvariat Antiqua
ansD21961
Praha, Panorama, 1979. 29x20. 28 pp. including printed wrappers + title plate + 18 plates with silver gelatin prints. 10 photos in the text. Text booklet and loose plates as issued in pictorial card portfolio; its backstrip slightly worn, contents very fine. (Profily z praci mistru ceskoslovenské fotografie, 2). A portfolio of eighteen original photographs by Josef Ehm, dating from 1938, 1946-47 (4), 1950-57 (5), 1960-69 (7), and 1976. A Czech protagonist of the New Objectivity movement in photography, Ehm taught at the State School of Graphic Arts in Prague from 1934 to 1946, and edited the magazine Photo Horizon together with Jaromir Funke between 1939 and 1941. Text and captions in Czech, Russian, German, English, and French, with an essay by Petr Tausk and a biographical chronology compiled by Tausk and Ehm together.
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Antikvariat Antiqua
ansB6530
Berlin, Wasmuth, 1882. 48x32. X+18; + IV+18 pp. + 194 plates numbered 1-200 including 7 folding double-plates and one plate "43a". Loose as issued in two gilt-lettered half cloth portfolios, covers rubbed, neatly rebacked; contents fine. An imposing documentation of eighty-seven contemporary buildings designed by German architects: sixty-five villas and residential houses and twenty-two hotels, banks, schools, museums, etc. More than half of the plates are heliogravures with full-page photographs; on the other plates there are plans, elevations and sections. Among the architects are Wendelin Braunwald, Adolf Gnauth, Gropius & Schmieden, Conrad Wilhelm Hase, Georg von Hauberrisser, Christian Heidecke, Franz von Hoven, Wilhelm von Mörner, Heinrich Müller, Mylius & Bluntschli, Edwin Oppler, Hermann Otto Pflaume, Johann Georg Poppe, Robert von Reinhardt, Albert Schmidt, Heinrich Theodor Schmidt, and Karl Weissbach.
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Antikvariat Antiqua
ansD22240
Barcelona, Polígrafa, 1973. 33x25. 88 pp. on stiff paper leaves, including nine full-page and seven double-page original lithographs by Tapiès . From a total edition of 556 copies, this is no. 261 of 425 copies numbered 76-500. Original cloth binding designed by Tapiès.
Antikvariat Antiqua
ansA1957
Tokyo 1899. 26x37. 3 leaves with title, introduction and colophon + 16 collotype plates with reproductions of photographs by Ogawa, tinted probably by hand. Publisher's decorated, printed boards. A nice copy despite minor unobtrusive damp-ripples and a small hole in one plate. Tinted photographs of the Count Okuma house built at the turn of the century in traditional Japanese style. The album provides an uncommon look at a Japanese mansion of the time, including interior views and the rock gardens with miniature lake and rivers, as well as Okumas elaborately displayed collection of chrysanthemums. Kazumaza Ogawa (1860-1929) was a pioneering Japanese photographer and a founding member of the Japan Photographic Association (Nihon Shashin Kai)
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Antikvariat Antiqua
ansY19031
Stockholm, Kerberos, 1964. 46x35. Four leaves with text reminiscent of Fahlström's 'concrete poetry', superimposed on large irregular maplike figures in various colours. Loose as issued in a printed paper portfolio, a very good copy. A "Promemoria" for the large installation 'Dr. Schweitzer's Last Mission' which was created by Fahlström 1964-1966 and first exhibited at the Venice Biennale in 1966.
Antikvariat Antiqua
ansD16444
Stockholm 1993. 28x29. 128 pp. 81 full-page reproductions of colour photographs. Publisher's silver-coloured boards with red and green lettering, a fine copy. First edition of Tunbjörk's (sur)realistic photographic portrayal of contemporary Sweden and Swedes, published in conjunction with an exhibition at the Hasselblad Center in Gothenburg. Text by Thomas Tidholm and Göran Greider, bilingual in Swedish and English.
Antikvariat Antiqua
ansC23971
München 1928. 23x18. 104 s. 47 full-page reproductions. Printed wrappers, a very good copy with some light external traces of handling and age toning, and lacking three nethermost cms of backstrip. (Bauhausbücher, 13). First edition of the Bauhaus book providing a German translation of Gleize's important essay on Cubism. The illustrations show works by all the major Cubist painters, with commentary arguing that they have passed through two phases and are now in a third, characterised by the rejection of the perspective mechanism altogether. This trait also defines a younger group of painters whose work is shown in the book - essentially pupils of Gleizes and Léger.
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Antikvariat Antiqua
ansD22675
Wien, Verlag des K.K. Österr. Handels-Museums, 1891. 26x18. 290 pp. + 18 pp. advertisements + one folding plan. Ca 80 illustrations mostly from photographs, plus a number of vignettes. Neat contemporary linen cloth. Enay / Azadi 501. The catalogue of the exhibition of Oriental carpets arranged by Imperial Royal Austrian Trade Museum in 1891, comprising 429 carpets. The first internationally effective impetus to consider oriental carpets as collector's items, and arguably the most extensive exhibition of its kind that had ever taken place, although Wilhelm von Bode commented: "little modern goods hung next to wonderful old carpets as disorderly as in an ordinary Turkish bazaar."
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Antikvariat Antiqua
ansD22214
Stockholm 1897. 32x25. II+8 pp. + 8 photo plates displaying an abundance of objects. Printed wrappers, a fine copy with minor wear to backstrip. From his expeditions to Central Asia and Caucasus 1894-1895, F.R. Martin brought an important collection of Persian, Islamic, Egyptian and Coptic art. At the monumental Arts and Crafts exhibition held in Stockholm in 1897, a pavilion was designated to the collection, and this catalogue was produced to accompany it.
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Antikvariat Antiqua
ansG10840
Paris, Morel, between 1867 and 1869. 24x15. IV+XVI+508; + IV+546; + IV+514; + IV+512; + IV+566; + IV+458; + IV+572; + IV+522; + IV+554; + VIII+432 pp. + portrait frontispiece. Profusely illustrated throughout. A good set in uniform, contemporary half brown leather bindings, light unobtrusive age wear, stamps on half title pages "Aage H Mathiesen, Architect, Rigensgade 28". Viollet-le-Duc's monumental, alphabetically arranged history of French architecture in the 11th through 16th century, more influential than any other 19th-century architectural dictionary.
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Antikvariat Antiqua
ansB16769
Paris, Claude-Antoine Jombert, 1771. 17x10. IV+IV+LXXXII+420; + IV+548 pp. A very nice set in contemporary full calf, spines gilt, red edges; spine ends and raised bands lightly worn. First French edition of 'Le Vite de' Piu` Celebri Architetti d'ogni nazione et d'ogni tempo' which was published anonymously in 1768. This dictionary of famous architects was the first of a number of influential books by Milizia on the history and theory of architecture, articulating the 18th-century sentiment against the Baroque - a term employed in a strictly derogatory sense by Milizia who likens the "raving mad" Borromini to the "contagious architectural madness" of his buildings. Includes an extensive preface by the French translator.
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Antikvariat Antiqua
ansB1775
Moscou 1922. 32x24. 56 pp. + 7 leaves, each with one tipped-in colour plate. 49 photos and 13 marks and monograms in the text. Vignettes and wrapper design by Sergei Chekhonin and J. Roehrberg. Half cloth, marbled boards, printed wrappers bound in (former owner's name with "Moscou,1923" on the blank page 3). Edition was limited to 750 copies. Rare, early documentation of the Soviet State Porcelain Factory. After the 1917 February Revolution the Russian Imperial Porcelain Factory was renamed the State Porcelain Factory, and it was placed under the authority of the Narkompros (Commissariat for Enlightenment), largely through the efforts of Sergei Chekhonin who was appointed director of the factory's Art Section. The most frequent designers featured are Natalya & Elena Danko (the latter was director of the Sculpture Workshop); among the others are Chekhonin, Shchekotikhina, Zinaida Kobyletskaya, Mikhail Adamovich, Valentin Shcherbakov, Maria Lebedeva, Liubov Gausch, Vasili Timorev and Varvara Freze.
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Antikvariat Antiqua
ansB11106
Wien 1902. 27x20. 190 pp. 185 photos of buildings and other works by Wagner, and numerous decorative designs. Publisher's printed limp cloth, a nice copy with small tears expertly repaired at top and bottom and spine. Third edition of Wagner's challenging statement of architectural belief and practice, forming an assault upon the prevailing, historical style eclecticism. The text was first published in 1896, without illustrations, for the guidance of his students. In this edition each page is topped with a photograph flanked by Secessionist ornamental designs.
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Antikvariat Antiqua
ansG15392
Roma, Istituto per il Medio ed Estreme Oriente, 1958. 29x22. XL+540 pp. + 46 leaves (including coloured frontispiece) with ca 130 photos and reproductions (including 29 of seals printed in red); + loosely inserted 12-page appendix with 42 tipped-in samples of Chinese coloured and patterned painter's silk and paper. 71 drawings and reproductions in the text. An excellent copy, handsomely bound in red morocco backed grey cloth, top edge gilt, red cloth labels with Chinese characters on covers. Former owner's bookplate inside front cover. The appendix, in printed wrappers, is kept in a cloth pocket on inside of rear cover. (Serie Orientale Roma, XIX). Yuan 918.
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Antikvariat Antiqua
ansH17095
Berlin, Cassirer, 1918. 26x19. VIII+192 pp. + one original etching by Munch with printed guard-tissue. 100 reproductions including 79 full-page. Publisher's pictorial cloth-backed boards, exterior lightly rubbed and darkened. 'Drittes und Viertes Tausend'.