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Antikvariat Antiqua
ansD15923
Salzburg, Residenz Verlag, (1963). 28x24. XVIII pp. text + 74 pp. with 76 photoghraphs (including 51 full-page and 7 double-page). Publisher's decorated cloth in near fine (slightly unevenly faded) dust jacket. First edition of the celebrated publication in which Abraham and Dapra explore anonymous architecture by means of vernacular wooden and stone buildings in the Tyrolian and French Alp districts. Abraham's intention was to extract the primitive building forms from domestic tradition in order to reveal them as recurring elements of architecture obeying a timeless order.
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Antikvariat Antiqua
ansB12708
Stockholm 1881. 25x25. Litographed title plate + title leaf + 60 chromolithographed plates + 268 text leaves + 38 pp. errata, addenda and index + duplicates of Ulfsunda (plate + 3 text leaves) and Vallstanäs (plate + 2 text leaves). Contemporary red cloth with gilt title and decorations. A fine copy with lightly worn and sunned spine and a few minor external stains. An exquisite collection of lithographed colour renderings of manors in picturesque settings in the Swedish province Uppland, with descriptive text.
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Antikvariat Antiqua
ansD22952
Stockholm 1897. 32x25. II+8 pp. + 8 photo plates displaying an abundance of objects. Publisher's printed boards, minor unobtrusive edgewear, exterior slightly darkened. From his expeditions to Central Asia and Caucasus 1894-1895, F.R. Martin brought an important collection of Persian, Islamic, Egyptian and Coptic art. At the monumental Arts and Crafts exhibition held in Stockholm in 1897, a pavilion was designated to the collection, and this catalogue was produced to accompany it.
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Antikvariat Antiqua
ansB11106
Wien 1902. 27x20. 190 pp. 185 photos of buildings and other works by Wagner, and numerous decorative designs. Publisher's printed limp cloth, a nice copy with small tears expertly repaired at top and bottom and spine. Third edition of Wagner's challenging statement of architectural belief and practice, forming an assault upon the prevailing, historical style eclecticism. The text was first published in 1896, without illustrations, for the guidance of his students. In this edition each page is topped with a photograph flanked by Secessionist ornamental designs.
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Antikvariat Antiqua
ansG15392
Roma, Istituto per il Medio ed Estreme Oriente, 1958. 29x22. XL+540 pp. + 46 leaves (including coloured frontispiece) with ca 130 photos and reproductions (including 29 of seals printed in red); + loosely inserted 12-page appendix with 42 tipped-in samples of Chinese coloured and patterned painter's silk and paper. 71 drawings and reproductions in the text. An excellent copy, handsomely bound in red morocco backed grey cloth, top edge gilt, red cloth labels with Chinese characters on covers. Former owner's bookplate inside front cover. The appendix, in printed wrappers, is kept in a cloth pocket on inside of rear cover. (Serie Orientale Roma, XIX). Yuan 918.
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Antikvariat Antiqua
ansH17095
Berlin, Cassirer, 1918. 26x19. VIII+192 pp. + one original etching by Munch with printed guard-tissue. 100 reproductions including 79 full-page. Publisher's pictorial cloth-backed boards, exterior lightly rubbed and darkened. 'Drittes und Viertes Tausend'.
Antikvariat Antiqua
ansD24020
Berlin, Wasmuth, 1892. 36x27. 22 pp. + 264 plates. Publisher's silver-lettered half cloth. Very light wear to extremities of boards, otherwise a very good copy.
Antikvariat Antiqua
ansG20884
Berlin, Der Sturm, 1918. 31x24. 144 pp. + 4 leaves, each with one tipped-in colour plate. Ca 100 reproductions in the text including 35 full-page. Publisher's pictorial boards, neat later cloth spine. A good copy with minor external wear, one corner mildly scuffed, and some stains on reverse of one of the leaves with tipped-in plate. First edition of this anthology published by the important discoverer, sponsor and promoter of German avant-garde art. To Walden, Expressionism was a "Kunstwende" - a turning point in art. He bridged the gap between the futurists' cult of technology and the spirituality of artists like Kandinsky and Franz Marc, by paralleling the concepts of "futurism", "expressionism" and "cubism" while at the same time making Expressionism the inclusive concept - a new spiritual and intellectual movement with ramifications for all art forms. Text contributions by i.a. Walden, Kandinsky, Franz Marc, and Blaise Cendrars, and reproduced works by Gösta Adrian-Nilsson, Archipenko, Rudolf Bauer, Boccioni, Campendonk, Carra, Chagall, Robert Delauney, Max Ernst, Gleizes, van Heemskerck, Jawlensky, Kandinsky, Klee, Kokoschka, Kubin, Léger, Macke, Franz Marc, Metzinger, Gabriele Münter, Picasso, Severini, and others.
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Antikvariat Antiqua
ansH23904
Milano, Galleria Apollinaire, 1966. 48x33. 78 pp. on heavy paper, including an 8-page colour facsimile of the original 1946 manifesto, and 27 photos (22 full-page including five in colour and 11 in monocolour). Publisher's printed, cloth-backed boards; title on spine MANIFIESTO BIANCO 1946 - SPAZIALISMO. Covers slightly warped, very light exterior foxing, contents immaculate, a very good copy. Edition limited to 2000 copies. (Documenti e personaggi, 1). A reproduction and commemoration of the Manifiesto Blanco (White Manifesto), the first introduction of Spazialismo (Spatialism), published in 1946 by Lucio Fontana in Buenos Aires where he founded the Altamira academy the same year. This publication also includes translations of the manifesto into French, English, and German, a full-page facsimile of a letter by Fontana (1966), and texts by Alain Jouffroy, Michel Fougères, Raffaele Carrieri, and Leonardo Sinisgalli.
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Antikvariat Antiqua
ansB1778
Berlin, Wasmuth, 1909-17. 48x32. 46; + IV+47-86; + IV+87-102; + 103-134 pp. + 300 heliogravure plates with photographs (and some drawings). 538 plans, drawings and photos in the text. Loose as issued in printed portfolios with cloth spines and tie-strings. Very light wear to two spines, contents in excellent condition. Studies and large-format pictorial documentations of mediaeval Italian castles, covering 1-2. Oberitalien, 3. Mittelitalien, 4. Unteritalien. A portfolio on South Italy and an Index were published as parts 5 and 6, not present on this set.
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Antikvariat Antiqua
ansG24661
Paris, Floury & Pellet, (1910). 26x20. IV+276 pp. + 12 original etchings (six prints, each in two states) + 22 plates with fine heliogravure reproductions of etchings (11 prints, each in two states) + six colour plates. All plates provided with guard-tissues. Ca 120 reproductions in the text (30 full-page) as well as 20 vignettes by Legrand. No. 56 of the 'Édition de luxe' in 100 copies with the print plates in two states. Contemporary full green morocco, spine with five raised bands, gilt cover borders, all edges gilt, pictorial wrappers bound in. Spine evenly sunned, otherwise excellent; kept in a flannel-lined slipcase. (Études sur quelques artistes originaux).
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Antikvariat Antiqua
ansG24925
New Haven & London, Yale University Press for the Paul Mellon Centre for Studies in British Art, 2000. 30x25. VIII+612+IV; + VIII+630+II pp. 1478 reproductions including 136 full-page in colour. Publisher's cloth, dust jackets, a fine set kept in the original sturdy pictorial slipcase.
Antikvariat Antiqua
ansD18786
(Stuttgart, Wittwer) impressum cancelled with new label of Kanter & Mohr, Berlin, 1885/86. 50x35. Title leaf + 60 plates comprising 40 colour lithographs, each with one coloured elevation, and 20 plates with a total of 99 plans. Loose as issued in a printed half clothportfolio with tie-strings. The boards slightly worn, with an oval stamp on front removed by scratching, spine expertly repaired. Contents very fine apart from light browning in margins of some plates.
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Antikvariat Antiqua
ansB17136
Berlin, Wasmuth, (1880-83). 55x40. IV; + VIII; + VI pp. + a total of 122 plates with ca 275 elevations, sections, perspectives, etc. and 75 plans. Loose as issued in slightly worn gilt-lettered portfolio with tie-strings, neatly rebacked. Title leaves of vol. 3 chipped in margin, otherwise fine. A complete set of these measured drawings of German mediaeval architecture comprising churches, castles, rectories, and other residential buildings as well as bridges and other structures.
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Antikvariat Antiqua
ansD22142
Paris, Bernard, 1902. 37x27. IV+48 pp. text + 48 plates with more than 360 photographs of nude women, men, children, and couples. Contemporary maroon cloth, the twelve pictorial front wrappers preserved, the first one with a printed dedication "A Mon Vénéré Maître et Ami William BOUGUEREAU de l'Institut", the others bound at end of the volume. A rare complete copy of this publication, originally sold by subscription in twelve monthly issues. Preface by Jean-Léon Gérome.
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Antikvariat Antiqua
ansB11072
Råsunda, Handpresstryckeriets Förlag, 1917. 31x25. 38 pp. + 13 original woodcut plates with printed guard-tissues. Woodcut title leaf (printed in brown, green and black) and vignettes by Brunius. Entirely untrimmed as issued in publisher's printed, decorated boards; minor foxing to a few text leaves. No. 12 of 200 copies only. A handsomely produced study of modern woodcut art, with original woodcuts by thirteen Swedish artists including Siri Derkert and Isaac Grünewald. The book was printed in a hand-press in 200 copies, and the editions of the woodcuts were limited to 200 copies for the book and additional 50 copies for each artist.
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Antikvariat Antiqua
ansB8534
London, Country Life, & New York (ca 1902-08). 36x24. XXIV+300; + XLVI+286; + XL+348 pp. Ca 1165 photos including 400 full-page. Publisher's blue gilt-decorated cloth, top edges gilt. Volume 1 in forth edition. A fine set of this classic, richly illustrated work on British Country House gardens.
Antikvariat Antiqua
ansH25299
Bottrop, der Stadt Bottrop, 1973. 22x25. 24 pp. + seven card leaves, each with one original colour serigraph by Albers. 20 reproductions in the catalogue. Black card covers with white lettering. Introduction by Jürgen Wissmann.
Antikvariat Antiqua
ansG22117
Stockholm, Almqvist & Wiksell, 1928-29. 44x32. 134+XXVI; + 108+XXX pp. + a total of 220 plates (40 in colour, most of which are leaves with tipped-in plates). 160 photos and drawings in the text including four smaller tipped-in colour plates. Publisher's gilt-lettered cloth with gilt cover ornaments, top edges gilt, the other edges untrimmed, a very fine set. No. 75 of an edition limited to 100 numbered copies. A classic, sumptuosly produced work on mediaeval woven and embroidered fabrics in Sweden, mostly ecclestiacal; the two volumes covering Swedish and foreign works respectively.
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