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Antikvariat Antiqua
ansC23972
Milano, Muggiani, 1956. 24x17. Publisher's black boards with title and image in blue and (the cat's eyes) yellow. An excellent copy of the first edition, inscribed by Munari July 9, 1957, to the photographer Kary Lasch. A remarkable publication by the innovative Italian artist and designer at his most hilarious. The book consists of: 12 black leaves (including free endpapers), eight with a die-cut hole and one with 16 ditto; twelve translucent leaves (including four smaller slips), and eight grey leaves including seven with large irregular holes. Text and images throughout in black, blue, green and red, plus, tipped-in, a black treasure chest foldout printed in gold, and a small yellow paper slip; on the inside of rear cover there are two tipped in foldouts, one with text on Munari and one with his homage to the book's printer-typographer Giuseppe Muggiani.
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Antikvariat Antiqua
ansB8340
Vicenza, Giovanni Rossi, 1797. 4to. 24x17. 56 pp. + 25 engraved plates, 16 of which are folding. A fine, clean copy in contemporary boards, lacks front endpaper. Palladio's elevations, sections, plans and detail drawings of the Roman Thermae, copied from the plates published by Richard Boyle, Third Earl of Burlington, and engraved by Carlo Barrera. Palladio was greatly impressed by the ancient Roman bath establishements, and studied them carefully, making accurate measured plans and drawings. Their domed ceilings and their lighting proved useful lessons that would be applied in due course in the design of his Venetian churches. First published in Vicenza by Francis Modena in 1785; this second Italian edition is considered as the fifth volume of ''Le fabbriche e i disegni di Andrea Palladio'' edited by the architect Bertotti Scamozzi, the doyen of the Italian Palladian revival in the 18th century.
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Antikvariat Antiqua
ansG23265
(Vallauris), Madoura, 1988. 29x24. 320 pp. 645 photos, 570 in colour including 54 full-page. Publisher's cloth, dust jacket.
Antikvariat Antiqua
ansY18866
Paris, L'Internationale Situationiste, 1958. 28x22. 140 pp. Ca 30 reproductions and photos, plus small drawings in the text, and a double-page "psychogeographic town plan" by Debord printed in black and red. Printed wrappers designed by Jorn. Presentation copy with a large signed inscription by Jorn. Edition limited to 750 copies. A collection of texts written between 1954 and 1957, according to the author's introduction constituting a chronicle of an experimental approach the development of which corresponds to the historical transition between the activity organised around the magazine "Cobra" (1948-1951) and the present positions of the Situationist International. Illustrated with works by Jorn as well as Alechinsky, Wols, Corneille, Dubuffet, Michaux, Pollock, etc.
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Antikvariat Antiqua
ansB17045
Berlin, Wasmuth, 1891. 46x32. X+88; + IV; + IV; + IV pp. + a total of 300 plates. An extraordinarily fine set in publisher's four gilt-lettered half black leather bindings, top edges gilt. A complete, attractive ensemble of this massive photographic survey of German Renaissance architecture.
Antikvariat Antiqua
ansH18261
Hong Kong 1974. 29x21. 252 pp. Ca 200 reproductions, 150 full-page including 41 in colour, plus 8 reproductions of calligraphy, and a full-page portrait photo. Publisher's gilt-lettered red boards, a fine copy with former owner's bookplate on insides of covers. Catalogue of paintings by Ch'i Pai-Shi (Qi Baishi, 1864-1957), bilingual in English and Chinese.
Antikvariat Antiqua
ansD21160
Tokyo, Mayuyama & Co., 1976. 32x26. IV+VIII+476; + VI+340 pp. Altogether 2151 photos including 28 in colour. Publisher's cloth, a fine set. Originally not for public sale, and very scarce. Magnificent documentation of objects possessed or sold by the company founded by Matsatutaro Mayuyama in 1906. Volume 1 covers Chinese, Korean and Japanese ceramics; volume 2 covers Asian sculpture, painting and woodblock prints, laquer work, metal work, textiles, glass ware, etc. with captions identifying each object and occasionally the museum where it has found its home. Titles, introduction and captions bilingual in Japanese and English.
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Antikvariat Antiqua
ansY19395
Bari, Bonomi Gallery, 1978. 20x20. 100 pages, including 92 pages with 823 renderings. Printed wrappers with title "Five Cubes on Twenty-five Squares". Inscribed by Sol Lewitt. Signed presentation copy of this artist book consisting of renderings of five cubes positioned in various patterns on a twenty-five square grid..
Antikvariat Antiqua
ansB17001
Berlin, Wasmuth, (1896-1904). 49x33. VIII+58; + IV; + IV pp. + 200 heliogravure plates with 212 photographs. 52 plans in the text. Loose as issued in three volumes, publisher's printed cloth-backed boards with tie-strings, minor repairs to spines, contents fine. A comprehensive archive of large-format photographs of German Mediaeval architecture. Unlike the sequence of plates, the descriptive text is classified into Romanesque and Gothic and further into various building types. This copy is supplied with a leaf with a list written in ink by a former owner, providing a cross-index from the descriptions to the plates, and the corresponding numbers are written in pencil on the reverse sides of plates.
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Antikvariat Antiqua
ansB10985
Berlin, Wasmuth, (1905). 25x22. IV+60 pp. 26 full-page photos and 15 pages of plans, elevations and sections. An attractive copy in later morocco-backed yellowbrown cloth, original wrappers bound in (these slightly wrinkled and discoloured with minor discreet repairs), first owner's name on title page. Secession-style lettering on front cloth cover, identical to the title lettering on front wrapper. An illustrated account of the Colour Gardens (Farbengärten) and adherent buildings and furnishing designed by Olbrich for the Gartenbauausstellung in Darmstadt 1905. The Secessionist architect's three octagonal gardens based upon the colours red, yellow and blue respectively, was the main attraction of the exhibition. When the exhibition was over, it was all obliterated.
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Antikvariat Antiqua
ansG25071
(Paris), Éditions "Art d'aujourd'hui", 1952. 22x20. 300 pp. including endpapers + 30 plates on thick card including 27 original colour pochoirs. Ca 170 reproductions and photos including 145 full-page, plus 34 portrait photos. Boards with original jacket printed in black and yellow. An excellent copy kept in a custom-made box with gilt-lettered spine. From the library of the Swedish art scholar and museum curator Folke Holmér, signed by him at top of title page. A survey of thirty-four protagonists of modern Abstract art, including conversations and statements by the artists, and exquisite original colour pochoir plates by Jean Arp / Edgar Pillet, André Bloc, Silvano Bozzolini, Sonia Delaunay, Jean Dewasne, Jean Deyrolle, César Domela, Jean Gorin, Auguste Herbin, André Lanskoy, Alberto Magnelli, Serge Poliakoff, Marie Raymond, Nicolas de Staël, Victor Vasarely, Fahrelnissa Zeid, and others. Introduction by Léon Degand.
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Antikvariat Antiqua
ansY19396
Geneve, Salle Simon I. Patino / Centre d'art contomporain (sic), 1976. 15x15. 53 leaves, including 50 with drawings. Printed wrappers, very fine. Inscribed by Sol Lewitt. Signed presentation copy of this artist book composed of a series of various configurations of uniform squares within the limitations of a presupposed grid.
Antikvariat Antiqua
ansB17129
Paris, Massin, (ca 1925). 45x32. 16 pp. + 100 plates; 10 pp. + 200 plates; IV+4 pp. + 100 plates. Loose as issued in three uniform, red gilt-lettered cloth portfolios, neatly repaired. The second volume lacks text pages 5-6, this gap falls between the title leaves and a complete list of the plates, presumably the missing leaf may be some kind of preface. In the third volume (Moyen Age et Renaissance) there is light foxing to text leaves and first plate and some even lighter occasional foxing; otherwise the plates are in excellent condition. A rare, fine set of the remarkable corpus of plates with renderings of architectural ornaments and fragments from Antiquity to Renaissance, produced under the auspices of Marie Désiré Hector Jean-Baptiste d'Espouy, the architect, painter and Professor at the École Nationale Supérieure des Beaux-Arts. The photo-aquatint plates were first published in installments around 1900 by by Charles Schmid - Librairie Générale de l'Architecture et des Arts Décoratifs. Although it has been a matter of dispute whether the plates of Massin's 1920s editions are reprints or origin from the original stock of plates, the 200 plates depicting antique architecture are excellent photo-aquatints, particularly those in the first volume of unsurpassable quality, while the 100 plates in the third volume are very fine albeit not of the extraordinary brilliance of the former.
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Antikvariat Antiqua
ansD15159
Hamburg 1911. 48x32. X+102 pp. + 88 plates (numbered 1-91 including a folding plate "88-91") with ca 135 fine photographs in heliogravure (14 full-page) and more than 200 plans, sections, and drawings of doors, windows and other details. 201 photos and detail drawings in the text. Textbook in printed wrappers, kept with loose plates as issued in a printed half cloth portfolio. Former owner's neat signature on front cover and title page. A very fine copy of a very scarce publication. A magnificent documentation and history of old residential houses in Hamburg, with excellent photographs of buildings, exterior and interior, and meticulous measured drawings and plans. The large folding plate (64x95 cms) is an 1860 town plan of Hamburg.
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Antikvariat Antiqua
ansB1665
Paris & Ermonville 1788. 21x14. 68 pp. + 25 exquisite acquatint plates + one folding leaf with engraved music (Chanson du Berger de la Grotte verte) on green paper. A fine copy in a nineteenth century quarter leather binding. First edition of the description of the famous Ermenonville garden created by the Marquis de Girardin between 1769 and 1778, written by his son. A tour through one of the earliest French picturesque gardens, beautifully illustrated with aquatints including a view of the island where Girardin's friend Jean Jaques Rousseau was entombed -the park was largely designed around ideas suggested by Rousseau's Nouvelle Héloise.
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Antikvariat Antiqua
ansB11095
Paris, Caractères, 1955. 32x24. IV+48 pp. including 7 leaves being original etchings by Villon. Unbound as issued in printed wrappers over initial and last pairs of blank leaves. No. 95 of 111 copies only; signed by Jacques Villon and Tristan Tzara. A rare poetry-art collaboration between the Dada Doyen and the painter, printmaker and innovator in the cubist movement who was the elder brother of Marcel Duchamp and Raymond Duchamp-Villon. Born Gaston Emile Duchamp, he adopted the name Jaques Villon in order to to distinguish himself from his siblings.
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Antikvariat Antiqua
ansB2235
Petrograd, Wolf, 1916. 30x23. XII+752 pp. + 36 pp. index and classified bibliography + 28 plates (facsimiles of engravings) + 4 leaves, each with one tipped-in colour plate. Ca 500 reproductions, photos and plans in the text. Original decorated cloth. A massive work on the history, theory and practice of garden and park design, written by a versatile Saint Petersburg scientist and scholar, a member of the Russian Physics and Chemistry Society from 1901, and from 1922 Chairman of the Department of Physics and Chemistry at the Petrograd Technological Institute. Being close to the Mir Iskusstva circle, he had also studied history of art and architecture, and after the October Revolution he worked at the Agency for the Protection of Monuments of Art and Antiquity, and was appointed commissar and head of the Department of Gardens and Parks. From 1920 he served as a professor at the Petrograd Institute of Art History while successfully pursuing his career as a chemistry scientist.
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Antikvariat Antiqua
ansD5300
Moskva 1950. 29x22. 276 pp. including 216 pages with 227 photos and elaborate scale drawings + 2 colour plates + erratum slip. Publisher's printed cloth-backed boards. A standard reference work on Russian 18th-19th century chandeliers, sconces etc.