Søkeresultat

Tokyo; Galerie Watari, 1980. 30,5x12 cm. (16) pp. Original printed wrappers, stapled. A few minimal specks on the wrappers. Very fine. Illustrated with 15 of Lewitt's wall drawings. Published in conjunction with the exhibition in Tokyo. From the library of Swedish collector Lars Thulin.

Los Angeles; Gemini G.E.L., [1971]. First edition. 24,5x17 cm. (16) pp. Corrugated cardboard, stapled, and with sealing tape on spine. Very fine. Designed by John Coy, photographs by Malcolm Lubliner. The book contains an introductory text by Rauschenberg, and ten photographs of different cardboard collages. Signed by Rauschenberg on front board. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on rear board.

Helsinki; Galerie Kaj Forsblom, 1985. 21x14,5 cm. 31, (1 blank) pp. Illustrated. Original printed wrappers. There are a few light stains on the first blank page. A fine copy. Exhibition catalogue with text in Finnish, Swedish, and English. Inscribed by the artist in Swedish to gallery owner Anders Tornberg: ""Till Anders! Hälsningar Mari"", and with a loosely inserted silkscreen print, artist's proof, signed and dated 1985 by the artist and additionally inscribed to Anders Tornberg.

[Köln]; Dokoupil & Dickhoff, 1988-1990. 28x21 cm. 95, (1) & 64 & (2, 2 blanks) pp. + 20 leaves of plates & 70, (1, 1 blank) & (3, 3 blanks) pp. + 21 leaves of plates & 175, (1) pp. & 71, (1) pp. Seven volumes in original printed wrappers, housed in the original printed cardboard slipcase. There are a few light dampstains on the slipcase. A fine, complete set. The volumes, which contain drawings without text, were published in conjunction with exhibitions at the following galleries: Vol. I. Massimo Minini Gallery, Brescia / Vol. II. Galerie Nikolaus Sonne, Berlin / Vol. III. Gallery Leyendecker, Santa Cruz de Tenerife / Vol. IV. Gallery Bonomo, Bari/Rome / Vol. V. Anders Tornberg Gallery, Lund / Vol. VI. Galerie Pfefferle, München / Vol. VII. Galería Juana de Aizpuru, Madrid & Sevilla. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

Malmö; Galerie Colibri, 1955-56. 23,5x16 cm. Klammerhäftade med litograferade omslag. 39, (5) & 41, (3) & 47, (5) s. Obetydligt nötta nötta ryggar. Tredje häftat med en liten mörk prick på ryggen. En fin svit. Innehåller bl. a. André Breton: ""Bruden som fyrbåk"" / Marcel Duchamp: ""Surcensur"" / Göran Printz-Påhlson: ""Den passionerade pilgrimen. Anteckningar om E. E. Cummings' situation"" / Lasse Söderberg: ""Giacometti"" / Ilmar Laaban: ""Ghérasim Luca och den rumänska surrealismen"" / Ghérasim Luca: ""ur Héros-Limite"" / Ingemar Gustafson [Leckius]: ""Wifredo Lam"" / Tomas Tranströmer: ""Svenska hus ensligt belägna"" / William Empson: ""Fyra dikter"". Med originallitografier av Acke Oldenburg, Stanley William Hayter, Roberto Matta, Anders Österlin, Öyvind Fahlström, C. O. Hultén, Wifredo Lam och Corneille. Komplett svit av imaginisternas påkostade tidskrift som, i symbios med Galerie Colibri, introducerade viktiga internationella konstnärskap, liksom Öyvind Fahlström och Ragnar Thoursie, för en svensk publik. 3 volumes in original lithographed wrappers, stapled. Spines are slightly worn. The third volume has a few small specks on the wrappers, and there is a slight nick in top margin of rear wrapper and a few leaves. A fine set. A complete set of the art & literature magazine ""Salamander"", edited by C. O. Hultén and others. Only 3 issues were published in the years 1955 & 1956. One of the very best examples of the ""little magazine"" in Sweden. Each issue contains one or more original litographs by Swedish or international artists; Roberto Matta, Wifredo Lam and Corneille, and others. Runnquist, Litterära tidskrifter 1920-1960 s. 86-87. Holmberg, Litterära tidskrifter i Sverige 1900-1970. En kommenterad bibliografi s. 90.

Stockholm; Bonniers, 1964. Originalupplaga. 20,5x12 cm. 99, (1) s. Häftad med tryckt vikomslag. Främre omslag obetydligt solkat. Fint ex. Kyrklunds tredje roman som utgavs samma år som han erhöll Övralidspriset. Dedikation till förläggaren Gerard Bonnier: ""Till Gerard som tåligt stod mig bi med boken / från Willy"".

Köpenhamn; Gyldendal, 1888. Originalupplaga. [18x12,5 cm]. (4), 223, (1 blank) s. Förlagets ljusbruna dekorerade klotband med marmorerade snitt och mönstrade försättsblad. Ryggändar och pärmhörn aningen tilltryckta. Några små mörka prickar på rygg och bakre pärm. Fint ex. Schiøtz & Ringstrøm, Norske førsteutgaver 170. Publisher's brown, decorated cloth with marbled edges and patterned endpapers. Spine ends and corners are slightly bumped. There are a few small specks on spine and rear board A fine copy. First edition of The Lady from the Sea.

Reims; Le Colle?ge E?ditions & Calais; Le Channel, Galerie de l'ancienne Poste & Anvers; Galerie Micheline Szwajcer, 1996. 21x15 cm. 64, (49, 7 seven blanks) pp. Illustrated, also with a number of tipped-in photographic plates. Stapled, loose in the original printed wrappers, as issued. The mounted photo on front wrapper has a light cornerfold and an insignificant stain. A fine copy. Catalogue for the travelling exhibition. With texts in French and English by Durham, Jean-Pierre Rehm, and Denys Zacharopoulos. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

Copenhagen; Victor B. Andersens Maskinfabrik, 1996. 24x17 cm. 127, (1) pp. Illustrated. Original printed wrappers. With the label of Anders Tornberg Gallery on front wrapper. A fine copy of the book, which was published in conjunction to the touring exhibition ""Memento Metropolis"". With text in Danish and English by Annesofie Becker and Willie Flindt, Arno Victor Nielsen, Dieter Bachmann, and Kippenberger. Koch, Annotated catalogue raisonné of the books by Martin Kippenberger 1977-1997, no. 145. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

New York, 1992. 29,5x31,5 cm. 239, (1 blank) pp. Publisher's white linen with printed dustjacket. With 158 illustrations, including 133 plates in full colour. Very fine. This work ""provides a complete analysis of the development of Marden's art, from his student days to the present. An account of Marden's early development, in the 1960s, and his seminal role in redefining the nature of abstract painting is given in the context of the culture of the 60s and in the larger context of 20th-century modernism. Marden's changing influences, his peers, and his followers are all taken into account, as is the importance of drawing to the overall development of his work."" (Front flap). From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

Stockholm; Bonniers, 1938. Originalupplaga. 20,5x14 cm. 142 s. Häftad med tryckt omslag. Omslag av Bror Hjort. Lätt snedläst och ryggen skrynklad samt med ett par små förluster. Förlust nedtill på främre omslag som drabbar förlagsnamnet. Bakre omslag samt sista blanka bladet med Y-formad reva (3x1 cm) mitt på sidan. Svag fläck på titelbladet. Den andra av Martinsons tre böcker med naturessäer, föregången av ""Svärmare och harkrank"" (1937) och följd av ""Det enkla och det svåra"" (1939). Dedikation på halvtitelbladet med det tryckta författarnamnet överstruket: ""Till Artur från Harry / en hälsning"". Mottagare var författaren Artur Lundkvist (1906-1991) som Martinson lärt känna 1927, ett möte som Kjell Espmark beskriver i ""Harry Martinson erövrar sitt språk"" (1970): ""Lokalen var Folkets Hus i Stockholm, där Lundkvist försökte sälja ett stycke till tidningen Den Arbetslöse, när en ung man kom fram till honom och frågade: ""Är du skald?"". Den andre som 'såg kvalificerat arbetslös ut', drog fram en tidning, uppvikt kring en dikt, och fortsatte: ""Är det du som har skrivit det här?"" Lundkvist erkände författarskapet och dikten fick, tillägger han vid samtal, betyget ""djävligt bra"". Så presenterade främlingen sig som Harry Martinson: ""Jag försöker också dikta lite. Vill du titta på en sak?"" De båda blev snabbt vänner, översatte på Lundkvists förslag Carl Sandburg tillsammans och utgjorde två av de fem unga 1929, senare i livet var de kolleger i Svenska Akademien där Martinson blev invald 1949 och Lundkvist 1968. von Sydow, Harry Martinsons bibliografi 1:10.

Dresden; Bey Joh. Christoph Zimmermann, 1718-1723. 8:o. 17,5x12 cm. Frontispiece, (13, 1 blank), 864 & (7, 1 blank), 736 pp. Contemorary vellum with title in handwriting on spine, red edges. Signature of Swedish vicar Torsten Hildebrand Svartengren (1847-1920) on front free endpaper and on the first title leaf. There are short cracks at spine ends and the binding is a bit soiled. The first part has a loss at lower corner on pp. 163/164 and a mending in lower margin on pp. 179/180. There are a few small scattered specks in both parts. A very well-preserved copy. The two parts were originally published in 1694 and 1710, respectively.

Three letters in handwriting on folded sheets measuring 22,5x18 cm. The letters, all in French, are dated 13th Nov. 1895, 14th Dec. 1895, and 6th Feb. 1896; comprising 46, 112 and 14 lines, respectively. The sheets have been folded twice and are insignificantly soiled. Without envelopes. Lucien Jousselin was a close friend of Pierre Loti and played an extraordinarily important role in the making of Loti's first novel Aziyadé, which gave Loti immense success as a writer of the Orient and also managed to spread sympathy for the Ottoman cause against Russia. The novel, which claims to be the authentic writings of an English marine lieutenant translated into French, was in fact a compilation of Loti's semi-autobiographical diary entries and fictional letters, the latter either to his sister in Brightbury or to and from his closest friend ""Plumkett"". It is widely recognised by Loti experts that Plumkett in reality was identical to his long-time friend Lucien Jousselin, without whom the novel most likely wouldn't have been published at all. The manuscript was originally sent to G. de Polignac who didn't manage to get it published and was then transmitted to Lucien Jousselin. It was clear to Jousselin that he needed to rewrite and improve Aziyadé and also leave out parts he deemed too shocking for the French public. He then managed to get it published at the famous publishing house Calmann Levy. The contract was signed on 16th February 1878 by Jousselin himself under the name of ""M. Julien Viaud, officier de marine, actuellement en voyage"". The letters offered here are dated almost twenty years later. They are very personal and begin with a response to the death of one of Loti's children. Jousselin, now stationed in Rome as a diplomat, writes that the news of Loti's grief caused him immense suffering. ""My affection for you has always been bizarre, irregular and complicated, just like myself and yourself."" The handwriting is in this first letter shaky and upset. The following letter mentions a rendez-vous in Rochefort (where Loti lived at the time) and how he, Jousselin, hopes to talk about memories from the past. The last, and perhaps most interesting and personal letter, deals with the existential responsibility of being a father. ""Because you really have to try to make their lives happier than ours once were, easier, more balanced between glorious beliefs and mortal anxiety"".

Stockholm, 1947. 22,5x15,5 cm. (2 blanka), 40 s. + 12 planschblad med fotografier av Staffan J. Kronberg. Häftad med tryckt omslag. Omslag av Iwan W. Fischerström. Omslaget lätt solkat samt med några korta revor. En tunn remsa från insidan av främre omslag har fastnat i titelbladets inre marginal. Några små hörnveck. Hyfsat exemplar av skriften som gavs ut till 25-årsjubileet av den nyöppnade inrättningen, vilket även firades med en fest 14 december samma år. Föreliggande exemplar har vid festen signerats av bl. a. källarmästaren Sven Frisack, Henrik Alm, konstnären Oskar Bergman, skulptörerna Bror Marklund och Edvin Öhrström. Ett tryckt exlibris med Den Gyldene Fredens logotyp samt ""Erik Asklund"" i maskinskrift. Troligen fick Den Gyldene Fredens stamgäster, till vilka Asklund hörde, varsitt exemplar av boken vid tillfället.

Cologne; chez Corneille Egmond, 1694. First edition. 12:o. 15,5x10 cm. 153, (3 blanks) pp. 18th century half leather with gilt decorations on spine, with spine label in red leather and marbled boards. The spine and corners are worn, and there are two small holes in the leather in the top compartment, foot of spine has a small loss, as has the spine label. A small dampstain on the top edge is visible in top margin of pp. 55-128. A small speck on the title leaf. A short tear in lower margin of pp. 21/22. A small chip in outer margin of pp. 123/124. A few insignificant scattered specks, but generally a clean copy. Jean Balthazar de Simmeren (c:a 1600 -- c:a 1688), born in Simmeren in Pfalz, a prominent mercenary captain (after 1653 lieutenant general) who served partly the French royal forces, partly the Prince of Condé during the Fronde and the Franco-Spanish War. This is his record of the campaigns during the last years of the Fronde. A scarce item.

Monaco; Éditions André Sauret, 1972. 33x25 cm. 249, (2, 1 blank) pp. + original lithograph. Illustrated. Publisher's grey linen with black lettering on spine and front board, pictorial dustjacket. Housed in the original card slipcase. Lower front corner is slightly bumped. A fine copy.

Stockholm; Bonniers, 1929. Originalupplaga. 19,5x13 cm. 317, (1, 2 blanka) s. Häftad med tryckt omslag. Exlibris för Anders Ollfors. Ryggen med läsränder och svaga fuktringar. Liten förlust vid rygghuvudet, kort reva i nedre bakre fals. Det överdimensionerade omslaget är aningen veckat i främre omslagets yttermarginal. En liten mörk prick på bakre omslag. En liten fläck på främre snittet är synlig i yttermarginalen på s. 219-238. Bra ex. Dedikation: ""Till Göran / Hjärtligast från Frans G. / Lund 13/12 1929"". Mottagare var med största sannolikhet Bengtssons gode vän Göran Lindblad (1894-1930), litteraturhistoriker, kritiker och litterär rådgivare på Norstedts från 1924. På ett löst bifogat vykort från antikvariatsbokhandlaren Gunnar Johanson-Thor till Anders Ollfors, intygar den förre att Lindblad är mottagaren och att exemplaret härrör från Lindblads brors bibliotek. Lindblad startade och redigerade Norstedts kalender PAN, där Bengtsson 1927 publicerade essän ""Promenad till en myrstack"". Detta uppmärksammades av Karl-Otto Bonnier som kontaktade Bengtsson med förslag om att ge ut en essäsamling på Bonniers. ""Litteratörer och militärer"" blev Bengtssons första essäsamling, vilken vidgade hans läsekrets och starkt tilltalade kritikerkåren. Arvidsson & Malmqvist: Frans G. Bengtsson. En bibliografi I:5.

New York; Brooke Alexander Editions, 1992. 28x21,5 cm. 57, (1) pp. Illustrated, and with the original lithograph ""Summer, State II"" as frontispiece. Original printed wrappers. Head of spine is slightly worn. A fine copy. Published in 3000 copies in conjunction with the exhibition that toured Brooke Alexander Editions, San Diego Museum of Art, and Galeria Weber, Alexander y Cobo in Madrid. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

Albuquerque; Hoshour Gallery, 1988. 28,5x24 cm. 34 folded sheets, unbound in double yellow card slipcases by the Publishers Bookbindery, as issued. Reproductions of paintings, drawings and sculptures by Robert Therrien are accompanied by seven poems by Creeley and six prose pieces by Butor. Very fine. Issued in an ordinary edition of 1500 copies and a limited edition of 35 copies. This is one of the 1500 copies. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the colophon page.

New York; Albondocani Press, 1980. First edition. 21x16 cm. (26, 2 blanks) pp. + a loosely inserted prospectus of the book. Publisher's blank wrappers with fastened marbled dustjacket. The jacket is a little faded at spine and has two short tears on top of front panel. A fine copy. Published in 326 copies, of which 300 numbered copies for sale, and 26 copies lettered A to Z, for the use of the publisher and the author. All copies are signed by the author. This is copy ""P"", and is additionally inscribed by Oates to the Swedish author couple Margareta Ekström and Per Wästberg in 1980. Both Ekström and Wästberg have been writing appreciative reviews on the works of Oates through the years.

Captiva Island (Florida); Untitled Press, [1976]. First edition. 35,5x28 cm. Unpaginated. (120) pp. Original printed and laminated wrappers. Double book to be read in both directions. Spine and margins of front wrapper are slightly toned. A fine copy. Inscribed by Weil to gallery owner Anders Tornberg and his then wife: ""For Anders and Monica with love / Susan"", and with a greeting in handwriting on the last blank page: ""If I write this in here, Anders can not say 'shut up' or 'shit'. But you have made us so happy, another home for us. A 'family' for us. The most special time ever."" There are five further entries in the artist's handwriting, mainly comments upon the pictures and poems in the book. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

Basel; Kunsthalle Basel, 1984. 40x31 cm. (22) pp. + an original screenprint & colophon. A 4-page leaflet with the text in German is loosely inserted. Variant binding in leopard patterned cloth, with gilt title on front board. Spine has a slight lean, and there are a few insignificant stains on front board. A fine copy. The book was published on the occasion of Clemente's exhibition on Kunsthalle Basel, printed and bound by Kalakshetra Publications Press in Madras in 1111 copies, of which this in no. 336. The book contains offset lithographs by Clemente to poetry by Ginsberg, inspired to the combination of words and images by the works of William Blake. From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.

Stockholm; Fritzes, 1881-82. Originalupplaga. (3), 500, (2) & (3), 480 s. Två röda halvfranska band med 5 upphöjda bind och förgyllda ryggtitlar, klotöverdragna pärmar, marmorerade försättsblad och snitt. Exlibris (Sture Helander). Verket utgavs i 20 häften, från 10:e numret i dubbelhäften, avsedda för inbindning i två band. De båda bandens inledande främre häftesomslag medbundna (Häfte 1 resp. Häfte 12-13). I slutet av första bandet har de tre första bakre häftesomslagen medbundits; på det första görs reklam för kommande delar, på de två följande bemöter författaren den kritik som riktats mot verket. Första häftesomslaget med ett litet riss i högermarginalen, det första bakre med liten hörnförlust, det andra bakre med en lång reva, snyggt lagad med japanpapper. Bra inlagor med ett fåtal marginalfläckar. Ett par mycket svaga fläckar på andra volymens rygg. Zetterlund I:19.

New York; Random House, 1959. First edition, stated first printing. 21x14,5 cm. (8, 4 blanks), 436 pp. Publisher's blue cloth with yellow top edge, printed dustjacket. With the author's photo on rear panel by Ralph R. Thompson. The jacket is slightly faded at spine, and a trifle creased at head of spine and front top corner. There is also a short tear at bottom of front panel. Head of spine is a little bumped. A fine copy. Concluding part of the Snopes Trilogy, preceded by ""The Hamlet"" (1940) and ""The Town"" (1957), forming a chronicle of the Snopes family, set in the fictional Yoknapatawpha County in Mississippi. From the library of Swedish collector Gunnar Larsson-Leander (1918-2020), professor of astronomy. Petersen A36a.

Lund; LeanderMalmsten, 1997. First edition. 28x21,5 cm. (133, 3 blanks) pp. Original printed wrappers. A fine copy. The book contains around 60 short poems, each one of them combined with a picture. With a preface by Anders Tornberg, owner of the Tornberg Art Gallery in Lund, to whom Weil during 12 years sent a daily picture-poem, a total of around 4500 picture-poems. These poems were created while the artist had her morning coffee, hence the title ""En kopp kaffe"" (A Cup of Coffee). With Tornberg's preface in English on a loosely inserted leaflet. Inscribed by Weil to Anders Tornberg on the half-title: ""&y / ENKOPPKAFFE / ALL FOR THOUSAND SIX HUNDRED AND THIRTY NINE POEMUMBLES SO FAR HAVE BEEN FOR YOU. THIS DEAR BOOK IS A WONDERFUL CELEBRATION OF OUR FOREVER DIALOGUE / K. K. O K. / DIN DINDIN / Susan (Weil) / Lund Jan. 21 1997"". From the library of Anders Tornberg Gallery in Lund, Sweden, and with a stamp confirming this on the last blank page.