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EZHEGODNIK OBSHCHESTVA ARCHITEKTOROV-KHUDOZHNIKOV. Nos. 12-14.

Antikvariat Antiqua
ansB6601
Leningrad 1927-35. No.12, 1927: 29x21. VIII+108 + folding plate + 112-125 + plate + 127-212 pp. (complete). No.13, 1930: 34x26. VIII+174 pp. No.14, 1935: 30x24. VI+282 pp. + editorial slip. Altogether ca 1500 perspective renderings, photos, elevations, plans, etc. No. 12 neatly bound in later half cloth, original printed cardboard covers bound in; No.13 in original printed wrappers designed by Armen K. Barutshev (front wrapper and first/last leaves slightly damp stained in margins, extremities of wrappers slightly chipped and a crease mark on lower wrapper); No. 14 in publisher's decorated cloth. The two latter volumes have bilingual titles and indices of architects in German and French respectively.

A complete set of the postrevolutionary issues of the Russian Society of Architect-Artists' yearbook. Founded in 1903, the society published eleven uniformly designed yearbooks annually from 1906 to 1916. Some years after the revolution the society was reformed, and three further volumes appeared under the same title but differing in design and devoted to the contemporary Soviet architecture. The 1927 and 1930 volumes reflect the modernist currents of the early Soviet years - still much alive in the 1935 volume (including projects by Chernikov) although at this stage Stalin Baroque ideals are clearly on the rise. Senkevich # 71.
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Debord, Guy-Ernest / Asger Jorn
Antikvariat Antiqua
ansY18864
(Paris), Internationale Situationniste / printed in Copenhagen by Permild & Rosengreen, 1959. 28x21. 64 pp. Original sandpaper covers, a fine copy kept in a protective black cloth / brown board box with printed front title "MÉMOIRS" copied from the book. In accordance with a statement on the title page, Mémoires is produced according to the practice of 'détournement' established by the Lettrist International founded by Debord and adopted by the Situationists. The book is a collage of cut-ups of text and images printed mostly in black and adorned with Jorn's 'portable structures' - vivid colour shapes reminiscent of Jackson Pollock paint drippings. In 2009, the French government stepped in to prevent Yale University from acquiring Debord's personal archives, continuing almost everything he produced from the 1950s as well as his library, typewriter and spectacles. Andrew Gallix commented in an article in The Guardian, that Debord would be spinning in his grave - had he not been cremated following his suicide in 1994 - at the idea of being officially recognized as a national treasure: "In 1959, Debord and the artist Asger Jorn published Mémoires, which was bound in sandpaper so that it would attack any book placed next to it. For years, this lethal dust jacket served as a perfect symbol of Debord's abrasiveness: he was the ultimate outsider whose ideas could never be assimilated by the mainstream."
Mer informasjon
Wissman, Jürgen (introductions)
Antikvariat Antiqua
ansG21635
Recklinghausen, Aurel Bongers, 1977. 23x25. 18 leaves with text, nine full-page reproductions of compositions in black, grey and white, and two photos + nine double-folded thick paper leaves, each with one colour silkscreen plate. A very good copy in publisher's printed white boards. The nine silkscreen plates are reproductions of works from Albers's "Homage to the Square" series: Study to Homage to the Square - R-I d-5, 1969 / Homage to the Square - R-III a-4, 1968 / Study to Homage to the Square - blue + darkgreen with 2 reds, 1955 / Homage to the Square - Protected Blue, 1957 / Homage to the Square - Renewed Hope, 1962 / Homage to the Square - Grisaille and Patina, 1965 / Study to Homage to the Square - La Tehuana, 1951 - 1956 / Study to Homage to the Square - Yes Sir, 1955 / Homage to the Square - Selected, 1959. The other reproductions are from Albers's 'Transformation eines Schemas'. Introductory studies by Jürgen Wissman ('Homages to the square als Wechselwirkung der Farbe'; 'Strukturale Konstellationen als Mehrdeutigkeit der Linie'); poems and statements by Albers, biographical chronology, and catalogue of the reproduced works.
Mer informasjon
Berker, Nurhayat
Antikvariat Antiqua
ansD22233
(Istanbul), Yapi Kredi Yayinlar, (1991). 27x22. 536 pp. Ca 440 colour photos including 400 full-page, plus more than 400 small-size colour photos in descriptive catalogue. Publisher's blind-lettered cloth, dust jacket, a fine copy.
Neyt, François
Antikvariat Antiqua
ansD22332
Louvain-la-Neuve, Institut Supérieure d'Archéologie et d'Histoire de l'Art, 1977. 27x21. 520 pp. Ca 460 photos including 110 full-page, and 30 maps and (groups of) drawings. Pictorial wrappers over blank wrappers as issued. Very light wear to the external wrappers, weak unobtrusive corner scuffing, otherwise fine. (Publications d'histoire de l'art et d'archéologie de l'Université Catholique de Louvain, XII).
Burns, James D.
Antikvariat Antiqua
ansD22764
(London: Burns ?) 2002. 33x23. 320 pp. 100 full-page colour photos of rugs (plus eight double-page), ca 160 small-size colour photos of details; ca 50 photos and reproductions and 13 maps in the text. Publisher's printed cloth, dust jacket, an excellent copy, inscribed by the author.
Neyt, Francois
Antikvariat Antiqua
ansD23712
Paris, Galerie Flak, 2006. 24x22. 184 pp. (including all endpapers). Ca 200 photos (190 in colour including 60 full-page) of Mumuye statuary from Northeastern Nigeria, and three maps. Publisher's pictorial boards. Bilingual text and captions in French and German.